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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Estrin did it. He made me love a roach., March 1, 2002
When an imaginative and gifted author can use a giant roach as his main character, include a romance between the roach and a human, and still make you love him, he's accomplished a colossal feat. Yet these are only a few of Estrin's marvelous achievements in this thoughtful, but very playful, and often very funny chronicle of western history and thought from World War I through the dropping of the atomic bomb in World War II. Gregor Samsa, the famous salesman turned roach in Kafka's Metamorphosis, ends up not in Kafka's dustbin, but as part of a Viennese freak show run by Amadeus Hoffnung, in the opening chapter, "Tails of Hoffnung."
Reciting Rilke and discoursing on Spengler's Decline of the West, Gregor attracts the attention of writer Robert Musil, who tells him that although western humanity is finished, that "Society...is in a larval state. What it needs is a larval model to lead it onward, upward, and out of the corral," and Gregor is that larval model, his ironic task being to teach us what it means to be human.
In lighthearted, fast-paced prose, Estrin describes Gregor's emigration to New York, his search for identity, and his eventual connection to seminal events in western history and the people responsible for them. The music of Charles Ives, the Scopes trial (at which Gregor, ironically, testifies), the executions of Sacco and Vanzetti, the election and administration of FDR, and the development of the atomic bomb are just a few of Estrin's sensitively presented turning points of American history. At Eleanor Roosevelt's urging, Gregor accepts the offer to move into the White House, where he lives, literally, as part of the "kitchen cabinet" and works at the Department of Agriculture as an exterminator.
Extermination and the death of "others" are, in fact, strong themes throughout this novel, despite its playfulness, and an increasing gravity and darkness develop as the plot progresses. As Gregor, the king of otherness, shows us, the U.S., historically, has not been immune to prejudice, and he is remarkably critical of FDR for failing to take an early stand against the Holocaust when clear evidence was available to him. Still, this powerful book ends on a positive note, one which readers of this extraordinary tale will long remember--and, I suspect, share with their friends. Mary Whipple
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A Wonderful Book!!!!!, April 1, 2002
INSECT DREAMS is an allegory following in the footsteps of THE PILGRIM'S PROGRESS, GULLIVER'S TRAVELS and CANDIDE. Gregor, metamorphosed into a man-sized roach, canters picaresquely through some of the key historical events of the first half of the Twentieth Century as if they were real. The bug's conversations with Ludwig Wittgenstein, Charles Ives, Albert Einstein, Leo Szilard, FDR, Richard Feynman and J. Robert Oppenheimer-to name only a few-are unbelievably comic as well as profoundly sad. The concept of a roach contributing the vital ingredients to several of the social programs and inventions that make up our "World of Tomorrow" is darkly funny, something like a Jewish joke told in the Warsaw Ghetto. His being bug-brown, Jewish, smart, bearing a chronic open wound inflicted by his father as well as belonging to the insect Order Orthoptera, Family Blattidae (cockroaches), creatures almost universally detested, would indeed seem to be a loaded symbolic trope if Estrin hadn't made his hero so loveable. Estrin's prose is both forceful and graceful. His intelligence is enormous, encompassing biology and medicine, music, literature and of course manners, politics and history. Estrin's sensitivity is deeply moving: he has succeeded wonderfully in extending the life of Franz Kafka's most familiar creature.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars
A tour de force, as moving as it is ambitious, February 19, 2002
By A Customer
There's been a lot of "industry buzz" about this one, so I was both looking forward to reading it and dreading it--such is the nature of "industry buzz." But INSECT DREAMS is the real thing, a literary and imaginative tour de force that somehow manages to be both highbrow in the tremendous breadth and depth of its knowledge of history, music, science and philosophy, and unpretentious (unlike, say, "The Corrections," which I found brilliant, yes, but thought suffered from a far greater affection towards itself than towards its characters). INSECT DREAMS is also a terrific, page-turning read. Perhaps Marc Estrin succeeds so admirably in this difficult balance because (it seems clear)he is writing from a place of moral and visceral urgency. And yet his is an urgency tempered by patience; a rare combination that--judging from the author photo--says something for writing one's first novel in middle age. But forget about age, Estrin is simply a writer writing for the best possible reason: because he has something to say. Whether or not one agrees with his "message" it is exhilirating to find oneself lost in the exquisite humor, pathos and intellectual acumen that define this memorable novel.
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