From Publishers Weekly
Starred Review. Murr elegantly explores smalltown insularity and secrecy in this Commonwealth Award– winning third novel, following
The Boy and
The Genius of the Sea. Abandoned by his white father and his absent Indian mother, rejected by his intolerant London relatives, Rajiv Travers, 12 years old in 1954, is sent to stay with his father's other brother, Oliver, who has recently followed the love of his life, romance novelist Ruth, from New York City to tiny Pisgah, Mo. In short order, Oliver commits suicide, and Ruth becomes an uneasy guardian to this curious young boy, who shields himself from pain and prejudice with his quick wit and shrewd impersonations. Peerwise, Raj is quickly taken under the wing of Annie Celli, already a striking beauty, joining a group that also includes Annie's soul mate, the delicate and emotionally fragile Lewis. As the friends grow into young men and women, Annie finds herself torn between her devotion to the increasingly unstable Lewis (who witnessed his younger brother's murder) and her undeniable feelings for Raj. Murr takes a Faulknerian approach to his portrait of Pisgah, peopling it with minor characters whose eccentricities provide local color and shrouded gothic elements—one of which reverberates menacingly. Murr poignantly dramatizes love's capacity to effect change.
(May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From School Library Journal
Adult/High School–This book could accurately be described as gothic fiction, a coming-of-age novel, or a melodrama. Indeed, it succeeds so intelligently and precisely in blending these genres with a cast of multigenerational characters that readers are left transfixed. Twice abandoned by irresponsible, callous relatives, Raj, 12, is abruptly left in the reluctant hands of romance novelist Ruth, the girlfriend of a deceased uncle. Raj, India-born and London-raised, is the ultimate outsider by the standards of his new 1950s Pisgah, MO, home. Although he is a derisive clown and a brilliant mimic, he desires to be accepted into the fabric of the town. Murr writes: as a child he would spend hours imagining himself as ruggedly handsome, laconic, and dangerously impulsive as the men of Ruth's romances. Brutally powerful, morbidly sensitive, he was the perfect man. Ultimately, however, his inability to achieve such a personal ideal or to homogenize with the community is his salvation from the darkness of Pisgah and the corrupt adult world. The novel leaps seamlessly among perspectives, story lines, and time periods. Murr becomes almost playful in a dizzying carousel of dualisms: youth and maturity, intensity and detachment, sanity and madness, aggression and passivity, male and female, life and death, helplessness and power. These extremes are easily reached, discarded, and compounded through a parade of deeply complex characters. It is then the quieter, individual moments of thoughtfulness, imagination, and compassion that allow some characters a sense of faith and glimpse of humanity. This title will appeal to a wide range of readers.
–Shannon Peterson, Kitsap Regional Library, WA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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