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Harry Potter and the Order of the Phoenix (Book 5)
 
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Harry Potter and the Order of the Phoenix (Book 5) [DELUXE EDITION] (Hardcover)

~ (Author), Mary GrandPré (Illustrator)
4.4 out of 5 stars  See all reviews (5,903 customer reviews)

Price: $60.00 & this item ships for FREE with Super Saver Shipping. Details
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Harry Potter and the Order of the Phoenix (Book 5) + Harry Potter and the Half-Blood Prince (Book 6) + Harry Potter and the Deathly Hallows (Book 7)
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Editorial Reviews

Amazon.com Review


Book Description--Special Features of the Deluxe Edition
This cloth-covered deluxe edition features full-color printed endpapers and a foil-stamped title on the spine, and comes complete with a full-color slipcase with matte lamination and foil-stamping. Best of all, the removable, suitable-for-framing book jacket is emblazoned with exclusive, original artwork (that's different than the regular edition) by illustrator Mary GrandPré--a one-of-a-kind keepsake that you won't find anywhere else.


About the Artist: Mary GrandPré
Award-winning artist, conceptual illustrator, animated film scenery developer, ad designer, and, oh yes, illustrator for a worldwide children's book phenomenon, Mary GrandPré somehow manages to juggle all her hats quite well, to mix a metaphor. It seems appropriate to mix metaphors when you're talking about someone who has mixed her media--and her genres--so gracefully ever since she was a child.

As a 5-year-old, GrandPré began drawing. Five or six years later she was experimenting with Salvador Dali-style oil painting. Next she moved on to copying black-and-white photos out of the encyclopedia. Later still she decided to go to art school (Minneapolis College of Art and Design), where she learned that being an artist and being an illustrator were not mutually exclusive.

A couple of decades later, after working in corporate advertising, film (GrandPré created the environment and scenery art for the animated film Antz), and book publishing, this multitalented artist received a call asking if she might like to work on a book cover and some black-and-white illustrations for a book about a young wizard named Harry Potter. The rest--dare we say it?--is history.


Exclusive Amazon Interview:

The Painter of Potter

Considering she may be the best-known illustrator on the planet right now, Mary GrandPré is remarkably mild, modest, and down-to-earth. In a conversation with Amazon.com's Emilie Coulter, the Harry Potter illustrator talks about her dog and her dad, Walt Disney's magic, and, of course, Book Five.

Amazon.com: You've read Harry Potter and the Order of the Phoenix--what do you think?

Mary GrandPré: I think it's wonderful. It's unique, it's different from the rest. I think it's a really exciting part of the Harry Potter series.

Amazon.com: Which Harry Potter book have you liked the best?

GrandPré: I think they all stand alone, so I appreciate them separately, but when you tie them all together into the story you can't really have one without the other. I don't have a favorite. They're all great.

Amazon.com: What was your original artistic inspiration for the first Harry Potter book? How did Harry end up looking like Harry?

GrandPré: When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing--she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision.

Amazon.com: How closely do you work with J.K. Rowling?

GrandPré: I've only met her once, a couple years ago. The publisher shows her sketches and gets feedback, but she and I don't communicate. This is pretty typical for illustrator/author relationships: they keep our visions and voices separate.

Amazon.com: How are you handling Harry growing up?

GrandPré: It's exciting. I kind of feel like his mom--or maybe his step-mom. J.K. Rowling is his mom. But I feel like it's a tricky thing to create a character and then age him. You have to take careful note of how that happens because any little tiny difference in a face can make the whole person look very different. Over the years Harry has become pretty solid in my mind. I just do a lot of experimenting on the drawing board, playing with how I would technically change this or that part of his face. What's really exciting is how Harry's personality changes from book to book, his level of confidence, things you see in normal kids. It's really fun to bring that into the drawings.
What's really exciting is how Harry's personality changes from book to book, his level of confidence, things you see in normal kids. It's really fun to bring that into the drawings.

Amazon.com: You've called your artistic style "soft geometry." What do you mean by that?

GrandPré: I don't know if that happens so much in Harry Potter covers; in my other work you see it more--it's stylized, abstract. It's just a simplification of subject matter, an abstraction, but not enough to not be approachable. I'm inspired by people like [Edward] Hopper and Henry Moore, who is one of my favorite artists.

Amazon.com: And who is your favorite children's book illustrator?

GrandPré: I'd say Maurice Sendak is one of them. As a kid I was really, really inspired by early Walt Disney. That sense of magic is something I want to bring into my work in my own way. It's hard to say who's my favorite--it changes. It's more about favorite pieces of art. I do like a variety of artwork. I don't feel fresh doing the same thing over and over, so I like to view a lot of art and be inspired by it according to subject or story, more so than just by illustrators or authors.

Amazon.com: What do you think of the artwork in the international editions?

GrandPré: I've only seen a couple of these editions. Everybody has their own vision of the story and what it should look like. To be honest, I really just focus on what I need to do with the books. That's even true for the movie and Harry Potter as a product, I try to stay focused on what's happening in my studio with Harry.

Amazon.com: It must have been amazing to see the characters you worked with come to life in the movies.

GrandPré: It was pretty cool. I thought they were really good. It was so much fun to see the magic on the screen. Once in a while I would catch a glimpse of something that might have been inspired by something they saw in one of the books that I had drawn and that was great. I don't know if it was in there or not, but I'd like to think so!

Amazon.com: Do you have a favorite character in all the books?

GrandPré: Besides Harry, who's my favorite, obviously, I would say Hagrid because he's like my favorite people in my life. He's a lot like my dad: protective and loyal and big and sweet; and he's a lot like my dog, who's part St. Bernard and has the same qualities. I kind of have a personal connection with Hagrid.

Amazon.com: Any advice for a budding illustrator?

GrandPré: Yes, I would just say keep working hard and don't give up. Illustration, like any form of art, is up for criticism, but it has to come from the heart or it's not good. If you're not enjoying what you're doing, keep trying new things because your best work will come from work you enjoy. Constantly try to listen to your inner voice about who you are as an artist and what you do and what you know. I don't know about magic but I know that I'm moved by it--I have been since I was a little kid--and it tends to come into my work even when I'm not illustrating things of magic. Just continue to try and be relaxed and natural about how you draw. Try to bring yourself out in your work.

Amazon.com: If you could choose to live your life exactly the way you wanted to, no holds barred, what would change?

GrandPré: I'd have a lot more time to do personal work. No holds barred, I would probably paint for myself, just go nuts, experiment, be my own art director, be my own critic, experience total freedom in my artwork. I try to do that in my work now, but it's hard to do when you are problem solving and illustrating other people's visions. I'm starting to write my own picture books now, so part of that dream is coming into view for me.


Mary GrandPré's Art:  See more of Mary GrandPré's art from previous Harry Potter books
Illustrations by Mary GrandPré © 1998, 1999, 2000, 2003 Warner Bros.


From School Library Journal

Grade 4 Up-Harry has just returned to Hogwarts after a lonely summer. Dumbledore is uncommunicative and most of the students seem to think Harry is either conceited or crazy for insisting that Voldemort is back and as evil as ever. Angry, scared, and unable to confide in his godfather, Sirius, the teen wizard lashes out at his friends and enemies alike. The head of the Ministry of Magic is determined to discredit Dumbledore and undermine his leadership of Hogwarts, and he appoints nasty, pink-cardigan-clad Professor Umbridge as the new Defense Against the Dark Arts teacher and High Inquisitor of the school, bringing misery upon staff and students alike. This bureaucratic nightmare, added to Harry's certain knowledge that Voldemort is becoming more powerful, creates a desperate, Kafkaesque feeling during Harry's fifth year at Hogwarts. The adults all seem evil, misguided, or simply powerless, so the students must take matters into their own hands. Harry's confusion about his godfather and father, and his apparent rejection by Dumbledore make him question his own motives and the condition of his soul. Also, Harry is now 15, and the hormones are beginning to kick in. There are a lot of secret doings, a little romance, and very little Quidditch or Hagrid (more reasons for Harry's gloom), but the power of this book comes from the young magician's struggles with his emotions and identity. Particularly moving is the unveiling, after a final devastating tragedy, of Dumbledore's very strong feelings of attachment and responsibility toward Harry. Children will enjoy the magic and the Hogwarts mystique, and young adult readers will find a rich and compelling coming-of-age story as well.
Eva Mitnick, Los Angeles Public Library
Copyright 2003 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

Product Details

  • Reading level: Young Adult
  • Hardcover: 896 pages
  • Publisher: Scholastic; Deluxe collector's edition (June 21, 2003)
  • Language: English
  • ISBN-10: 0439567629
  • ISBN-13: 978-0439567626
  • Product Dimensions: 9.8 x 6.4 x 2.4 inches
  • Shipping Weight: 3.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5,903 customer reviews)
  • Amazon.com Sales Rank: #330,150 in Books (See Bestsellers in Books)

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157 of 159 people found the following review helpful:
5.0 out of 5 stars Easily the most complex, and in some ways most satisfying, of all the Potter novels, October 17, 2007
ORDER OF THE PHOENIX could well be my favorite book of them all, if Azkaban and Deathly Hallows weren't as good as they were. For all the talk about GOBLET being the one where Rowling really hikes up the intensity and the complexity in the series, it is here, in PHOENIX, she gives us Potter's darkest, and most complex, adventure of all.

The second most complex novel in the entire Potter sequence (the first being Book 7), this book is probably the second best one, though I still like Azkaban better. This novel introduces the Order of the Phoenix, a whole litany of new characters and a more indepth look at the Ministry For Magic.

Potter has been having bad dreams about a locked door. So he must find out what to do about that. While at home with the Dursleys, he and Dudley are attacked by dementors, and so he stands trial before the Ministry for the inappropriate use of underage magic. He ultimately must appear before the Ministry, and it is only by Dumbledore's appearance he is saved.

But the Ministry is not finished yet. Still under staunch denial that Voldemort is back, Cornelius Fudge sends a new teacher, Dolores Umbridge, to bring Hogwarts under the Ministry's control. Much of the storyline revolves around Umbridge as she takes over Hogwarts, eventually ousting Dumbledore, who goes on the run. Her end is very well justified.

I remember when I read the book back in 2003 when it initially came out being rather disappointed. I wasn't a big fan of GOBLET, and I couldn't way to spend more time in Harry's universe, being back at Hogwarts with characters I know and love. But when I read PHOENIX, though, I felt even more lost and rather alienated. Hogwarts was being taken over. Hagrid was missing for half the book. Dumbledore is extremely distant (for reasons explained at the end of the novel). The Ministry is taken over, and it's run by a man who doesn't know what the hell is going on. There was a lot going on in this novel, and it was all rather depressing. Harry became angry and had severe mood swings, and was always snapping at the people around him. On the positive note he did get some romance,but ultimately even that frizzled out. Harry even had to take "Defense Against the Dark Arts" underground, as Umbridge refuses to even acknowledge Voldemort at all, as per Ministry order.

When I reread it in 2007 in prepration for DEATHLY HALLOWS, my stocks in this book absolutely soared. This is a dark, dark book, and while I still felt rather alienated and cut off from Rowling's magical world and the Ministry Interference, this time around I realised how masterfully crafted this novel truly is.

ORDER, as far as I'm concerned, is where Rowling truly stopped writing children's fiction, but crafting a dark, bitter book about dark, bitter times in her character's lives. Reading ORDER, and especially about Umbridge, keeps reminding one of Orwell and his horrific visions in 1984 and ANIMAL FARM.

Umbridge is easily one of her best characters she ever wrote, and one of the most despicable characters in all of fiction. It is people like Umbridge that brought Hitler to power in the early 1930s, and who would enable him to commit the many atrocities that he did during WWII (and I thought that for a long time before HALLOWS came out, in which Umbridge has turned into a type of Nazi who fully subscribes to Voldemort's racial genocide).

It is here, with ORDER, in which Rowling shows us the evil of bureaucracy, of how Voldemort isn't the only person in which massive evil lurks.

I also love how Rowling greatly expands her environment from the previous novels. We see for the first time St. Mungo's (and have a rather morose encounter with Gilderoy Lockheart from Book 2). We get to go inside the Ministry For Magic, and a very impressive place it is. Grimmauld Place, along with Sirius, is also very entertaining.

And we get some great new characters. Thestrals. The beautifully bizaare Luna Lovegood. Gwarp. Kingsley Shacklebolt. And a personal favorite, Nymphadora Tonks.

The series also has one of my favorite scenes in all of literature: when Dumbledore brings Firenze on during the rainstorm as the new divination teacher (a scene I was so disappointed they cut on the movie. The seeds were they but they cut it damn it.).

The climax of the book is great, with Dumbledore's Army truly coming into their own as they fight against the Death Eaters, who are trying to take the Prophecy from the Hall of Prophecy in the Ministry For Magic. I love that whole end sequence. And the death Rowling includes is just brutal, not really how she kills off the character but the fact she killed him off at all. Interestingly enough, Arthur Weasly, who survives an attack in this novel, was originally slated to die, but Rowling could not bear to kill him off. He was also supposed to die in Book 7, but she couldn't kill him then either, and he was the only real normal fatherfigure in the series, and a good father at that.

And naturally, we get to learn some vastly important information about Neville Longbottom. Following the trend of other installments in the series in regards to introducing apparently non-essential characters and information,, he turns out to much more important than you would suppose. We also begin to learn Dumbledore isn't as flawless as you would like to think.

Another thing I really like about the book is you really do feel like the stakes are really high, which you should as we're only two books away from the end. In fact, HALF-BLOOD PRINCE seemed almost a step back in terms of complexity and highs takes atmosphere from this one.

One thing that should be noted is this is a real doorstop of a book. At a quarter of a million worlds (half as long as Tolkien's LORD OF THE RINGS), this is easily one of the longest children's books ever published. Rowling has even said she wish she could go back and edit this book down, as she feels it is too long. But what would she cut? Great stuff, but very long for kids. Speaks to the amazing appeal these books have that children have read something as long as this.

Overall, one of my favorite Potter books. I think it's even better than AZKABAN on a literary level, but I still prefer Azkaban to this as a personal preference. Still, this is one of Potter's best. Don't go in thinking you'll have as much fun at Hogwarts. These are dark times, and the war really is beginning.

We can only hope Potter and his friends will pull through.
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256 of 278 people found the following review helpful:
5.0 out of 5 stars Still has the Potter magic, July 1, 2003
I can only imagine the kind of pressure J.K. Rowling faces when she sits down to write a Harry Potter book.

Though she's said she worked out the whole seven-book series on a fateful train ride she took in the late '90s, she couldn't possibly have imagined that the series would turn into this: midnight bookstore parties, record print runs, and a generation of children (and adults) hanging on to her every written word.

"This" has now reached a new apogee with its fifth entry, "Harry Potter and the Order of the Phoenix," the longest (870 pages) and most dense (more characters, more complexity) book of the series.

And Rowling once again pulls it off.

Harry's adolescent funk
"Phoenix" begins in the usual place, the Dursleys' house at number four, Privet Drive, in Little Whinging, England. The Dursleys, Harry's guardians, have become more frightened of Harry's magical abilities -- and the now 15-year-old Harry, having sunk into an adolescent funk of bitterness, anger and self-pity, is more than happy to keep them guessing.

But Harry soon has bigger problems. Once he's back at the Hogwarts School of Witchcraft and Wizardry, he's treated as a pariah by most students for his insistence that the evil Lord Voldemort is back -- and, indeed, played a role in the death of a student at the end of "Goblet of Fire."

Only a handful of professors and Harry's close friends -- among them Hermione and Ron -- support him.

Harry also struggles with the series' latest villain, Dolores Umbridge, a condescending representative from the Ministry of Magic who assumes a leadership role at Hogwarts. The students' psychological battles with the odious Umbridge are the best parts of "Phoenix," and Rowling writes them with a wicked zest.

Rich imagination
"Phoenix" does have its problems. The book starts running out of steam before the climactic battle, and that battle itself -- full of noise, flashing spells and wand-handling straight out of a grade-B Western as produced by Jerry Bruckheimer -- is the most poorly constructed scene in the book.

Rowling also engages in a stylistic tic, the paragraph-ending ellipsis, that seems to have become more popular with thriller writers. (It's all over Dan Brown's "The Da Vinci Code," too.) Is something wrong with the humble period?

But those are minor issues in the face of Rowling's rich imagination and robust writing. The scope of Potter's world seems boundless; Rowling has added new characters and new locations, and added layers to those already existing. Potter's world, though fantastic, seems utterly believable.

That's doubly true of Harry himself. Rowling doesn't make Potter into an unblemished hero. Instead, he's a classic conflicted boy-man, struggling with issues both large (the death of both parents, fighting an evil power) and small (love, relationships and his own wildly changing hormones). He may not be as much fun as he was in Book One, but he's become more realistic and sympathetic.

Well, when he wants to be. After all, he's a teenager.

Recently, a friend asked me if Potter was worth the hype. I'm not sure if anything is worth the hype that the modern entertainment industry produces: overblown publicity machines for works that will vanish in a weekend.

But if anything is worth the hype, it's Harry Potter. The books enrapture children, entangle adults, and are full of wit, wisdom and wonder. Who could ask for a more magical experience?

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435 of 507 people found the following review helpful:
5.0 out of 5 stars Third Time's the Charm, November 15, 2003
By Jadyn Penn (Houston, Texas United States) - See all my reviews
As I've been reading many of the reviews here, I see that the opinion of the readers is split down the middle; either they hated it or loved it, no middle ground to tread. It irrtated me thoroughly when readers complained about the length and cookie cutter plot. First off, I would like to remind readers that, while each book does have its own plot, IT IS A SERIES. The books must stay related in plot so there can be a combined OVER ALL PLOT. It would be incredibly confusing if each book whirl-winded off into unknown, very new plot lines. Second, the length is not too much, while the sheer volume of the book is enough to ward many people off, it is not overdone. Nothing's truly 'repeated' (as one reviewer has mentioned), in fact, we (as readers) get to visit two new places that we've never been before; that Harry's never been before--therefore, a long explanation of these places is needed. Lastly, I would like to note that people need to read it again and again and again, just as Harry Potter fans read the first four books over and over while waiting for this one, certainly they should and can read this one again. I was unsatisfied at first with the book when I finished reading it, but out of my love for Harry Potter, I picked it up again, and loved it. JK likes to hide subtle hints in the text that unfold throughout the book, and when you start it for the second or third time, you know what's going to happen, therefore you can concentrate on your present spot in the book. That's actually what happened to me: I was so excited that it was finally published, I read it in seventeen hours straight, just so I could have the whole fifth book story line in my head, to know what happened. I didn't concentrate on the diction or comedy or any of it; I was just reading for the plot. When I read it again, I realized what an awesome book it is: You can read more and more and love it more and more. So take my advice: If you hate it at first, read it again. If you still hate it...well, your loss.
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