Harry Potter and the Half-Blood Prince (Book 6) (Hardcover)

by J. K. Rowling (Author), Mary GrandPré (Illustrator)

Editorial Reviews

Amazon.com Review
The long-awaited, eagerly anticipated, arguably over-hyped Harry Potter and the Half-Blood Prince has arrived, and the question on the minds of kids, adults, fans, and skeptics alike is, "Is it worth the hype?" The answer, luckily, is simple: yep. A magnificent spectacle more than worth the price of admission, Harry Potter and the Half-Blood Prince will blow you away. However, given that so much has gone into protecting the secrets of the book (including armored trucks and injunctions), don't expect any spoilers in this review. It's much more fun not knowing what's coming--and in the case of Rowling's delicious sixth book, you don't want to know. Just sit tight, despite the earth-shattering revelations that will have your head in your hands as you hope the words will rearrange themselves into a different story. But take one warning to heart: do not open Harry Potter and the Half-Blood Prince until you have first found a secluded spot, safe from curious eyes, where you can tuck in for a good long read. Because once you start, you won't stop until you reach the very last page.

A darker book than any in the series thus far with a level of sophistication belying its genre, Harry Potter and the Half-Blood Prince moves the series into murkier waters and marks the arrival of Rowling onto the adult literary scene. While she has long been praised for her cleverness and wit, the strength of Book 6 lies in her subtle development of key characters, as well as her carefully nuanced depiction of a community at war. In Harry Potter and the Half-Blood Prince, no one and nothing is safe, including preconceived notions of good and evil and of right and wrong. With each book in her increasingly remarkable series, fans have nervously watched J.K. Rowling raise the stakes; gone are the simple delights of butterbeer and enchanted candy, and days when the worst ailment could be cured by a bite of chocolate. A series that began as a colorful lark full of magic and discovery has become a dark and deadly war zone. But this should not come as a shock to loyal readers. Rowling readied fans with Harry Potter and the Goblet of Fire and Harry Potter and the Order of the Phoenix by killing off popular characters and engaging the young students in battle. Still, there is an unexpected bleakness from the start of Book 6 that casts a mean shadow over Quidditch games, silly flirtations, and mountains of homework. Ready or not, the tremendous ending of Harry Potter and the Half-Blood Prince will leave stunned fans wondering what great and terrible events await in Book 7 if this sinister darkness is meant to light the way. --Daphne Durham

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Begin at the Beginning

Harry Potter and the Sorcerer's Stone Hardcover Paperback

Harry Potter and the Chamber of Secrets Hardcover Paperback

Harry Potter and the Prisoner of Azkaban Hardcover Paperback

Harry Potter and the Goblet of Fire Hardcover Paperback

Harry Potter and the Order of the Phoenix Hardcover Paperback

Why We Love Harry
Favorite Moments from the Series
There are plenty of reasons to love Rowling's wildly popular series--no doubt you have several dozen of your own. Our list features favorite moments, characters, and artifacts from the first five books. Keep in mind that this list is by no means exhaustive (what we love about Harry could fill ten books!) and does not include any of the spectacular revelatory moments that would spoil the books for those (few) who have not read them. Enjoy.

Harry Potter and the Sorcerer's Stone

* Harry's first trip to the zoo with the Dursleys, when a boa constrictor winks at him. * When the Dursleys' house is suddenly besieged by letters for Harry from Hogwarts. Readers learn how much the Dursleys have been keeping from Harry. Rowling does a wonderful job in displaying the lengths to which Uncle Vernon will go to deny that magic exists. * Harry's first visit to Diagon Alley with Hagrid. Full of curiosities and rich with magic and marvel, Harry's first trip includes a trip to Gringotts and Ollivanders, where Harry gets his wand (holly and phoenix feather) and discovers yet another connection to He-Who-Must-No-Be-Named. This moment is the reader's first full introduction to Rowling's world of witchcraft and wizards. * Harry's experience with the Sorting Hat.

Harry Potter and the Chamber of Secrets

* The de-gnoming of the Weasleys' garden. Harry discovers that even wizards have chores--gnomes must be grabbed (ignoring angry protests "Gerroff me! Gerroff me!"), swung about (to make them too dizzy to come back), and tossed out of the garden--this delightful scene highlights Rowling's clever and witty genius. * Harry's first experience with a Howler, sent to Ron by his mother. * The Dueling Club battle between Harry and Malfoy. Gilderoy Lockhart starts the Dueling Club to help students practice spells on each other, but he is not prepared for the intensity of the animosity between Harry and Draco. Since they are still young, their minibattle is innocent enough, including tickling and dancing charms.

Harry Potter and the Prisoner of Azkaban

* Ron's attempt to use a telephone to call Harry at the Dursleys'. * Harry's first encounter with a Dementor on the train (and just about any other encounter with Dementors). Harry's brush with the Dementors is terrifying and prepares Potter fans for a darker, scarier book. * Harry, Ron, and Hermione's behavior in Professor Trelawney's Divination class. Some of the best moments in Rowling's books occur when she reminds us that the wizards-in-training at Hogwarts are, after all, just children. Clearly, even at a school of witchcraft and wizardry, classes can be boring and seem pointless to children. * The Boggart lesson in Professor Lupin's classroom. * Harry, Ron, and Hermione's knock-down confrontation with Snape.

Harry Potter and the Goblet of Fire

* Hermione's disgust at the reception for the veela (Bulgarian National Team Mascots) at the Quidditch World Cup. Rowling's fourth book addresses issues about growing up--the dynamic between the boys and girls at Hogwarts starts to change. Nowhere is this more plain than the hilarious scene in which magical cheerleaders nearly convince Harry and Ron to jump from the stands to impress them. * Viktor Krum's crush on Hermione--and Ron's objection to it. * Malfoy's "Potter Stinks" badge. * Hermione's creation of S.P.E.W., the intolerant bigotry of the Death Eaters, and the danger of the Triwizard Tournament. Add in the changing dynamics between girls and boys at Hogwarts, and suddenly Rowling's fourth book has a weight and seriousness not as present in early books in the series. Candy and tickle spells are left behind as the students tackle darker, more serious issues and take on larger responsibilities, including the knowledge of illegal curses.

Harry Potter and the Order of the Phoenix

* Harry's outburst to his friends at No. 12 Grimmauld Place. A combination of frustration over being kept in the dark and fear that he will be expelled fuels much of Harry's anger, and it all comes out at once, directly aimed at Ron and Hermione. Rowling perfectly portrays Harry's frustration at being too old to shirk responsibility, but too young to be accepted as part of the fight that he knows is coming. * Harry's detention with Professor Umbridge. Rowling shows her darker side, leading readers to believe that Hogwarts is no longer a safe haven for young wizards. Dolores represents a bureaucratic tyrant capable of real evil, and Harry is forced to endure their private battle of wills alone. * Harry and Cho's painfully awkward interactions. Rowling clearly remembers what it was like to be a teenager. * Harry's Occlumency lessons with Snape. * Dumbledore's confession to Harry.

Magic, Mystery, and Mayhem: A Conversation with J.K. Rowling

"I am an extraordinarily lucky person, doing what I love best in the world. I’m sure that I will always be a writer. It was wonderful enough just to be published. The greatest reward is the enthusiasm of the readers." --J.K. Rowling

Find out more about Harry's creator in our exclusive interview with J.K. Rowling.

Did You Know?

The Little White Horse was J.K. Rowling's favorite book as a child.

Jane Austen is Rowling's favorite author.

Roddy Doyle is Rowling's favorite living writer.

A Few Words from Mary GrandPré

"When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing--she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision." Check out more Harry Potter art from illustrator Mary GrandPré.



From School Library Journal
Grade 5 Up–Opening just a few weeks after the previous book left off, the penultimate entry in the series is, as the author foretold, the darkest and most unsettling yet. The deeds of Voldemort's Death Eaters are spreading even to the Muggle world, which is enshrouded in a mist caused by Dementors draining hope and happiness. Harry, turning 16, leaves for Hogwarts with the promise of private lessons with Dumbledore. No longer a fearful boy living under the stairs, he is clearly a leader and increasingly isolated as rumors spread that he is the Chosen One, the only individual capable of defeating Voldemort. Two attempts on students' lives, Harry's conviction that Draco Malfoy has become a Death Eater, and Snape's usual slimy behavior add to the increasing tension. Yet through it all, Harry and his friends are typical teens, sharing homework and messy rooms, rushing to classes and sports practices, and flirting. Ron and Hermione realize their attraction, as do Harry and Ginny. Dozens of plot strands are pulled together as the author positions Harry for the final book. Much information is cleverly conveyed through Dumbledore's use of a Pensieve, a device that allows bottled memories to be shared by Harry and his beloved professor as they apparate to various locations that help explain Voldemort's past. The ending is heart wrenching. Once again, Rowling capably blends literature, mythology, folklore, and religion into a delectable stew. This sixth book may be darker and more difficult, but Potter fans will devour it and begin the long and bittersweet wait for the final installment.–Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product Details

• Reading level: Ages 9-12
  
• Hardcover: 672 pages
• Publisher: Scholastic, Inc.; 1st edition (July 16, 2005)
• Language: English
• ISBN-10: 0439784549
• ISBN-13: 978-0439784542
• Product Dimensions: 9.1 x 6.3 x 2 inches
• Shipping Weight: 2.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars See all reviews (3,611 customer reviews)
• Amazon.com Sales Rank: #387 in Books (See Bestsellers in Books)

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• This is item 6 in The Harry Potter (English) Series.

Customer Reviews

Most Helpful Customer Reviews

919 of 1,138 people found the following review helpful:

5.0 out of 5 stars Battled rain and cold weather to get hold of it :), July 16, 2005

By	Bel Alcat "bel_78" (Buenos Aires, Argentina) - See all my reviews (TOP 500 REVIEWER)

I'm one of those who couldn't wait until the morning to get hold of this book. I literally battled rain and cold weather with my sister to get our copies at 12.15 am, July 16, in a local bookstore in Argentina. According to my dad, I'm slightly nuts for doing that :)

In my opinion, though, this book was well-worth the extra effort. After picking it up, I returned to my house and started to read it. I just finished it, and I can sincerely say that it is simply outstandingly good. Yes, the other books were awesome too, specially the 4th and the 5th, but I think that Harry's world is becoming more defined with each book, and that makes for a thoroughly engaging reading experience.

What is new in this book?. Well, after having to come to face with the fact that Lord Voldemort is alive, the wizard community is in an uproar, and quite frightened. Cornelius Fudge has been sacked as Minister of Magic, and an Auror has been named in that position. Harry, Ron and Hermione get their O.W.Ls (Ordinary Wizardry Levels), and have to decide what courses to take for their N.E.W.Ts (Nastily Exhausting Wizarding Tests), something that will define their future careers. Plots abound, and danger is omnipresent throughout the book. There is a new teacher of Defense against the Dark Arts, and also an eccentric new Potions' teacher. Of course, there is much more, including a death that I bet will make you cry, and that hurts Harry enormously. I won't tell you who dies, only that the event involves the Half-Blood Prince, and that I think it was a sacrifice rather than a murder.

But what's the point of telling you all this if you can read the book, and enjoy it as much as I did?. Suffice it to say that this is a worthy addition to the Harry Potter series. There is adventure, some romance, and many more elements that add up to make the kind of book that you simply must read. And now, after staying up all night in order to read this book, I really need to catch up on my sleep. If you haven't guessed my opinion on "Harry Potter and the Half-Blood Prince" yet, I'll say that I highly recommend it. Run to get your copy, if you don't already have one, and share the magic :)

Belen Alcat

126 of 154 people found the following review helpful:

5.0 out of 5 stars Spoilers Galore; My Review., July 17, 2005

By	TerryT (WA United States) - See all my reviews

Half-Blood Prince is easily one of the better books in the Harry Potter series, though each is a masterpiece. But the 6th installment of a 7-part series is bound to be full of great moments in the story. There remains a great deal unanswered in this book, however, and the 7th will surely need to be no smaller than an average encyclopedia. Somehow as I was reading this book, I felt that I was learning more and at a quicker rate than in Order of the Phoenix, but so many of Harry's problems and questions took so long to reach any sort of answer or resolution that I still ended up not knowing many of the secrets I expected to be revealed in this book. It must be that Rowling, in her grand scheme, is saving much for the last book. One thing seems to be for certain, though, and that is that Rowling will never lose that special touch, that supreme and genuine interest in the story and its characters that makes the writing so engrossing. After completing this book, I was in a state of total shock and to this moment I wish only to read the seventh book.

Half-Blood Prince is dark; I mean far darker than the last. This is the time I have always known was inevitable in the Harry Potter world, at last we are seeing chaos and war and battles break out within the walls of Hogwarts itself. Several of the chapters are particularly well-written, with great suspense and imagery; an example would be the time Harry and Dumbledore spent in the cave. Relationships blossom in this book at last, including Harry suddenly falling in `love' with Ginny Weasley, Ron dating Lavender Brown, Pansy and Draco clearly going out, and some serious hinting at a possible romance between Ron and Hermione when he gets rid of Lavender. Some of the focus on their teenage jealousies and squabbles, and their newfound interest in dating and `snogging,' was a cute touch, but admittedly not what I was exactly looking for. After all, it was more fluff than anything else, and certainly none of it was real love. Then, the useless couple of Tonks and Lupin was introduced in the end; all well and good, I suppose, but again not something that overjoyed me. The end of the book is very sad indeed, yet, I was not crying--I was merely shocked, flabbergasted at the circumstances. A Snapeless, Dumbledoreless Hogwarts that Harry Potter is not intending to return to next year? Yes, you heard right. Harry wants to go off and find all of Voldemort's remaining Horcruxes and face the final battle on his own.

Much of the book is devoted to Harry witnessing important memories in the Pensieve with Dumbledore so that he can gain a greater understanding of his enemy, the Dark Lord. Now, I have long been a fan of Severus Snape. I admit I love him. Most of my reasons for loving Harry Potter center on him. And while much was learned about him in this book, much is still unknown, and what we do now know is shocking. To begin with, we learn the names of his parents, muggle Tobias Snape and witch Eileen Prince (yes, Snape is the Half-Blood Prince.) It is also known that Snape overheard the prophecy regarding Harry & Voldemort and told the Dark Lord about it; however, supposedly he showed enough remorse after Voldemort used the information to kill Harry's parents that Dumbledore forgave and entrusted him. Many are accusing Dumbledore of naivety for this, but I believe that they are only looking at what is plainly on the surface of this book and forgetting many things. I will explain later why, amazing as it may seem, my love for and faith in Snape remain unshaken despite the fact that this book, from its beginning, seems to be saying that he is still on Voldemort's side. I believe it's too simple for Rowling to be writing that he is, after all, evil. To me it seems a set-up. Additionally, I was expecting a surprising reason for Dumbledore to trust Snape, not a simple apology. There must still be more to this than meets the eye.

Before I explain my case about Snape, I'll mention some of the things that remain a mystery after this book. Sev's patronus and greatest fear don't come up (in fact, while Tonks' patronus is revealed, Boggarts don't receive any mention.) Some interesting information is supposedly going to be divulged regarding both Lily and Petunia, but neither of them played much of a role in book 6.

So on to my favorite character, who ends up being the Prince mentioned in the title. When I first finished this book, I was somewhat upset because while I still loved Snape, I was aware that what he'd just done was not steering in the direction of redemption, as I had hoped to see him going. I also knew that, at least until some point in Book 7, almost everyone (in the books and in real life) would turn against Snape and regard him as a treacherous dog. Yet, after composing myself and reviewing what I'd read, I realized that I just cannot accept him as truly evil, or Dumbledore as an old fool.

Now, before reading this book, if I had to make a list of impossible things that could never happen...Snape killing the Headmaster and fleeing the school with a bunch of Death Eaters, would have been right at the top of the list. But, I'd have been wrong. I had a very strong feeling that Dumbledore would be the one to die in this book. But I never saw the way it happened coming. In the beginning of the story, Snape came in rather quickly. Once Harry was at school, Snape finally got the Defense Against the Dark Arts post he'd longed for. I was cheering. (Yes, he is no longer Potions Master.) But it turned out not to matter. In the second chapter, Narcissa Malfoy and her sister, Bellatrix Lestrange, visit the home of Sev and he makes with Narcissa (possibly out of love) an Unbreakable Vow--that Snape will help her son Draco carry out a task ordered of him by Voldemort, and will complete it himself should Draco prove unable. The task, it seems in the end, was to kill Dumbledore. Draco does prove unable, and Snape carries it out. Yet, it cannot be this simple. Dumbledore may have been aware of the task, and the Vow. From the moment Dumbledore returns from the cave, weakened, having drunk an unknown potion set by Voldemort to guard a Horcrux, he says he needs Severus. He never says what for, never asks to be healed. When Snape arrives Dumbledore calls his name and says 'please' (pleading for his life, as everyone assumes, or something else?) before Snape aims the curse at him that kills him.

This seems twisted, monstrous, unforgivable, no? Exactly: No. Not in my opinion, at least. I do not think it was Snape's choice to kill Dumbledore, but that the Headmaster had at least one reason for telling him that he must do this horrible deed. Of course from Harry's perspective (Harry, who has inherited, as Lupin says, a prejudice against Sev) it was cold-blooded murder and betrayal and he now wants to destroy Snape as much as Voldemort. But this too is far too simple; clearly, as the book ends on this note, there are things Harry does not understand about what has happened.
He has forgotten, for instance, about the argument overheard by Hagrid, between Snape and Dumbledore. This point never was addressed again, yet amidst all the turmoil, who can blame it for being overlooked? Consider it. Dumbledore telling Snape he must do something that Snape does not wish to do. For several reasons I can think of (mainly involving the Death Eaters and the Malfoys), this argument connects directly to the death of Albus. And what of the mysterious order given Snape at the end of "Goblet of Fire," at which he turned pale? Clearly he is being asked to do things most difficult, to make great sacrifices; how can the most enigmatic person turn out to be clear-cut evil?
Read carefully and you'll see that Snape has hatred and revulsion etched into his face when he performs the fatal Avada Kedavra. I see these emotions not as directed at his target, which Harry naturally assumes, but stemming from the act he is about to commit. It never really occurs to Harry that Sev may have been feeling the same things he'd been feeling when he was bound by his promise to force-feed the convulsing Dumbledore, does it? Probably far worse.
Snape acts rather outrageously for the remainder of his time in the story, not shockingly, yet he refuses to allow any harm to come to Harry (clearly Dumbledore would've wanted that). He seems to be in pain and becomes furious at the mere suggestion that he is a coward--because he has just done the most difficult and least cowardly thing ever asked of him. Dumbledore has repeatedly stated that Harry's life is more important than his own, and that Harry understands less than he. And the facts remain that he has in the past done much good despite his suspicious nature, & that not everything he told Bellatrix about staying loyal to Voldemort can be true. My final point has to do with the words Dumbledore cried while drinking the potion in the cave. I don't know why, but I feel these words are important, and that after the escapade Dumbledore may have known the end was near.

Thus I rest my case. Avid Harry Potter readers will want to dive into this one, I'm certain, and those who haven't yet discovered it should do so. Only possible complaints? 1) Too short; 2) Not enough anticipated answers given, yet new questions raised, 3) Disturbing ending leaves you frustrated waiting for the next book.

102 of 125 people found the following review helpful:

3.0 out of 5 stars The Star Wars Episode I Equivalent of the Harry Potter novels., July 24, 2005

By	Mike London "MAC" (Oxford, UK) - See all my reviews (TOP 1000 REVIEWER)

While the proceeding five novels of the Harry Potter sequence had interesting stories in their own right, HARRY POTTER AND THE HALF BLOOD PRINCE, much like Star Wars Episode I, felt much more like a trailer to upcoming events than an interesting story in its own right.

While EPISODE I was undeniably a train wreck, especially with that travesty of Jar Jar Binks, the movie introduced all the key characters of the new trilogy. EPISODE I's principal function was this introduction, and setting into motion the events that would lead the characters to their ultimate destiny. In this regard, EPISODE I and the sixth Harry Potter are remarkably similar.

Of course, the real difference is Rowling had five full novels before hand, whereas Lucas had only one movie to introduce his new set of characters. While the other books in the series always advanced the overall story's arc, Rowling always managed to have succinct, stand-alone novels that stood remarkably well on their own right. HALF BLOOD PRINCE is very much the exception to the rule in this regard. HALF BLOOD PRINCE is so exposition heavy, setting all the foundation work for the seventh book, that it relegates its own plotline as largely secondary. Let me elaborate.

In the proceeding five novels, each title drove the book's overall plot. In PHILOSOPHER'S STONE, the principal mystery was what was the stone and how to protect it. In the second book, the chamber had been reopened and there was a dangerous basilisk on the prowl. The third (and in my opinion the best), Azkaban's escaped prisoner was the fuel driving the events of that novel. Just as much as GOBLET was about the Triwizard Tournament and ORDER OF THE PHOENIX about the resistance to Voldemort, one would expect this trend to continue with HALF BLOOD PRINCE.

To this book's detriment, that is not the case. While there is certainly some mystery to who this prince is, and who ultimately figures in heavily with the book's climax, HBP is much more about the seventh book than anything else. In the American cover art, you have Dumbledore and Harry looking at the Pevensie, which turns out to be the real meat of the book anyway. HBP is far more about laying the seventh book's final outcome than having anything to do with some half-blood prince.

It is disheartening to say that you could actually excise the entire HBP subplot (a subplot is really all it is), and still have largely the same novel. The same could not be said of any of Rowling's previous work. Of course, the irony in all this is once Harry figures out who the HBP is, he does figure very heavily in the plot, but not because he is a half blood prince. Actually, Harry doesn't even really figure out who he is, but now we're getting into spoiler territory so I will say no more.

As far as the death goes (there are two deaths, but the first no one will care about), it is both devestating and shocking. Without revealing to much, it is both tremendously sad and incredibly strange that she would write out such an important and humanizing character. But following the Joseph Campbell mythological plot line that the hero must face his ultimate nemesis alone, without guidance, the death makes sense.

As for the people saying Rowling was stealing from LORD OF THE RINGS with some of the events in this book, I'd say "Yeah, and? What do you think the dementors are? They're just ring-wraiths tweaked a little bit." Without giving to much away, I think Rowling did quite an interesting job with Voldemort's method to immortality.

Ultimately, all HBP does is build up for the final confrontation with Voldemort in Book VII. No other book in this series is anywhere near as exposition heavy as this installment. While Rowling needs to set up the events for the last book, it would have been nice to have a more self-contained novel than this is, which is what the others are.

Overall, I give the book three stars, but that is only for this weakness in the plot of the book itself. I must confess I enjoyed this much more than PHOENIX. I remember buying that two years ago, anxious to return to Hogwarts to see familiar faces, old friends, and exciting times. Unfortunately, Harry was extremely moody and pretty much a flat out ass to everyone, and I felt like why did I want to come back to see such petty bickering? I was thrilled to see HBP did not continue this trend, even if it forget to have its own, more-or-less self contained plot.