Arms and the Women (Dalziel and Pascoe Mysteries) (Mass Market Paperback)

by Reginald Hill (Author) "When I go to see my father, he doesn't know me..." (more)
Key Phrases: viewing chamber, comfort blanket, Kelly Cornelius, Andy Dalziel, Feenie Macallum (more...)

Editorial Reviews

Amazon.com
Although Yorkshire's Superintendent Andy Dalziel and Inspector Peter Pascoe are strong supporting characters in Hill's 18th entry in this enduring series, the real stars are an evocative array of women.

Deeply shaken by her 9-year-old daughter's close encounter with death in On Beulah Height, Peter's wife Ellie has taken to writing a novel for comfort. It's about the Greeks and the Trojans, but the odd thing is that her Odysseus looks and sounds a lot like Andy Dalziel. (After Aenas accuses him of being one of his sworn enemies, Odysseus replies, "Nay, lord ... I've sworn to nowt about you lot. I've never heard owt about you but good, nor do I wish you any harm, and I'll swear to that here and now, if you like."). Still, her happy days spent writing are soon cut short when she narrowly avoids being kidnapped by a slick couple who show up in a white Mercedes. Then her neighbor, Daphne Aldermann, has her stiff upper lip split when she goes after an intruder outside the Pascoe house and is badly beaten. Other compelling female characters include the tough and glamorous Constable Shirley Novello (who volunteers to guard Ellie despite an instinctive dislike between them), an elderly activist called Feenie Macallum, and a con woman, Kelly Cornelius (who is linked to some IRA gun runners and Colombian drug dealers). Between them, these women work out a beautiful, dangerous revenge on the villains who threaten them.

Once again, Reginald Hill has found a new way to get our attention and prove that--for him--the restraints of the mystery are nonexistent. --Dick Adler --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly
Few mystery authors know better than the prolific Hill (Singing the Sadness, Forecasts, Aug. 23) how to keep the delicate engine of a high-quality series running. After successfully mining the past for his last two books about Yorkshire coppers Andy Dalziel and Peter Pascoe (The Wood Beyond and On Beulah Height), he now takes an entirely new directionAcentering the series' action on Pascoe's wife, Ellie, and surrounding her with a captivating gallery of mostly female characters. The result is a delightfully quirky, literate, often explosively funny novel that actually extends the genre's range. Ellie PascoeAformer activist and deeply involved teacher, now recovering from the serious medical threat to her nine-year-old daughter, Rosie, that was detailed in On Beulah HeightAis a "pre-published" novelist working on a book about Odysseus (who in Ellie's hands sounds a lot like a Greek version of Fat Andy Dalziel, complete with Yorkshire vernacular). When a slick couple show up in an expensive car, claiming to be from the local education authority and offering to give her a lift to the spot where a bus carrying Rosie has broken down, Ellie almost goes alongAescaping an abduction attempt only because of the deeply implanted suspicions of a cop's wife. Pascoe, Dalziel, the wonderfully resourceful Sgt. Edgar Wield and the extremely sharp Constable Shirley Novello try to link the attempted snatch to some of Pascoe's past cases and enemies, especially to the gorgeous money launderer Kelly Cornelius. Hill soon lets us know better, however, introducing a shadowy figure who calls herself Sybil and a wheelchair-bound intelligence gatherer working for a high-ranking spook. And there's also the Colombian drug bandits and Irish arms-runners who somehow figure into the attack on EllieAand then in the assault on Ellie's marvelously acid, deceptively stiff-upper-lipped neighbor Daphne. Also vital to the plot is Feenie Macallum, the aged but doggedly energetic daughter of a legendary arms merchant, whose crumbling seaside estate provides the locale for the novel's amazing finaleAa rare, perfect blend of danger and hilarity. (Sept.)
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