King Suckerman (Mass Market Paperback)

by George P. Pelecanos (Author) "Wilton Cooper reached for the speaker, counterclockwise the volume..." (more)
Key Phrases: Marcus Clay, Wilton Cooper, Dimitri Karras (more...)

Editorial Reviews

From Library Journal
Cheech and Chong meet Pulp Fiction in a retro novel of Seventies drug culture. Small-time pot dealer Dimitri Karras and record-store owner Marcus Clay stumble into the wrong warehouse looking for weed and pocket some hot cash in the bargain. They are pursued by a gang of trigger-crazed lowlifes more concerned with savoring the taste of Kools and death than recovering their money. Dimitri slowly begins to realize that he's wasted many years dealing to kids and getting high. He proves his desire for redemption to Marcus by participating in a rooftop showdown with the Wilton Cooper gang. Few other characters here show potential for growth or transformation, but Pelecanos (The Big Blowdown, LJ 4/15/96) has an ear for the jivey talk of the era. This noir thriller may find a limited audience with baby boomers or fans of the author's well-received Nick Stefanos series.?Susan A. Zappia, Maricopa Cty. Lib. Dist., Phoenix
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Booklist
A fictional homage to the blaxploitation films of the 1970s? Well, yes, but hard-boiled master Pelecanos' latest is much more. Combining the eccentric flash of Pulp Fiction, the noir soul of David Goodis, and the idiosyncratic heart of Elmore Leonard, this wildly violent crime novel effectively evokes the comic-book heroics of the Superfly era while at the same time sucker punching us with the humanity at its core. The story takes place during the Bicentennial celebration in Washington, D.C., and has as its linchpin that familiar crime-plot device: the drug deal gone bad. In the wrong place at the wrong time, Vietnam vet and record-store owner Marcus Clay and his friend, small-time dealer Dimitri Karras, find themselves in possession of a large sum of cash belonging to a movie-loving, psychopathic ex-con and a shotgun-toting, Afro-wearing "white-boy-wanna-be-black-boy cracker." With James Brown and Jimi Hendrix wailing in the background, Marcus and Dimitri try to avoid the inevitable confrontation, which comes, Godfather-like, as the Fourth of July fireworks erupt on the Mall. Pelecanos captures the galvanizing energy that the Superfly image generates in his characters, both black and white, both over the edge and just this side of it, but he also reveals the desperation and even the naked fear that often lurk beneath the strut. Having reluctantly orchestrated and then survived the climactic showdown, Marcus leaves the scene like a black Clint Eastwood at the end of The Unforgiven, craving only the solace of ordinary life. Bill Ott --This text refers to the Hardcover edition.

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Product Details

• Mass Market Paperback: 336 pages
• Publisher: Dell (July 6, 1998)
• Language: English
• ISBN-10: 0440225957
• ISBN-13: 978-0440225959
• Product Dimensions: 6.9 x 4.2 x 1 inches
• Shipping Weight: 4.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars See all reviews (29 customer reviews)
• Amazon.com Sales Rank: #491,272 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

5.0 out of 5 stars Superbad, Superfine, Super 70s all the time..., January 31, 2001

By	Piers (Melbourne, Australia) - See all my reviews

I don't have much time here, but I just had to chuck down a quick review of this fantastic book. I began this book at the start of an interstate car journey and by the time we had stopped, I had pretty much read most of it. This book rips along from the very first page, with an amazing attention to detail, interesting and believable (in a way) characters, great cross-cutting, and wonderful evocacation of the 70s.

The story has already been cited here already, so I won't recap, but you care for the characters you like and you're in awe or fear of the others. Referencing all kinds of 70s trappings, music, films, Iceberg Slim, muscle cars etc, you feel like you're watching an awesome film and indeed I'd be less than surprised if it was made into one. I only hope it's by the right people, not someone like Sean Puffy Combs, who would probably cast Jennifer Lopez in the role of Virginia.

I only hope Pelecanos' other books are as good as this.

3 of 3 people found the following review helpful:

4.0 out of 5 stars fast paced, funny, and brutal, October 24, 2000

By	W. K. Miller "kenmiller32" (NC, USA) - See all my reviews (REAL NAME)

Pelecanos' books are generally set in Washington D.C., and King Suckerman is no exception. The title refers to a movie which is debuting soon in the area theatres, to a lot of street-level buzz.

The characters aren't glamorous, but they're really memorable. Description is one of the author's strong suits, but that doesn't get in the way of an exciting, riveting plot.

Pelecanos' books are my favorites among crime and mystery authors working today; he really captures the sense of Washington D.C. (this book is set during the 1970's), and the characters are true to form.

If you like your fiction hard-boiled, give Pelecanos a try. I wouldn't start with this one. Start with A FIRING OFFENSE.

If you've read some of the earlier ones, like Nick's Trip or A Firing Offense, try the Suckerman.

ken32

2 of 2 people found the following review helpful:

3.0 out of 5 stars the bi-centennial, blaxploitation ... and that's about it, May 26, 2003

By	lazza (Fort Lauderdale, Florida) - See all my reviews (TOP 1000 REVIEWER)

This review is from: King Suckerman (Hardcover)

'King Suckerman' is by some accounts among George Pelecanos's weaker efforts, and by other accounts his most enjoyable read. Like all his works this book takes place in Washington (, D.C.) and its characters are racially diverse, and into sex, drugs and rock & roll. And unlike many of his books the story starts off with a bang, most literally (ie, a rather graphically described killing). But then the book fails to take advantage of its early promise.

In 'King Suckerman' the author spends a lot of time, arguably too much time, on waltzing through 1970s memory lane. Blaxploitation flicks and the music of the times dominate the book. Yes, there are some nasty dudes in this book, lots of drug dealing, but before long we realize the author isn't going to deliver anything special. George Pelacanos has done much better ('Shame the Devil', 'Right as Rain').

Bottom line: the author seems to be into more of a nostalgia trip rather than writing a crime novel. But for those craving a taste of pre-disco 1970s ambiance this book is "really baaad".