God's Fires by Patricia Anthony  (11)
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Brother Termite by Patricia Anthony  (14)
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Editorial Reviews
Amazon.com
Patricia Anthony's previous novels, from her 1993 debut, Cold Allies, until recently were all SF with a disturbing grasp of alienness and dislocation. Now Flanders brings us close to another kind of alien--Travis Lee Stanhope, farm boy, scholar, and a U.S. volunteer among the strangely accented British soldiers of the Great War. He tells his story in eloquent, pungent letters to a brother at home, moving from the beauty of spring in 1916 France to the dank hell of the trenches: mud, rats, lice, gas, foulness, death. Stanhope is highly rated as a sniper but for a while drinks excessively to blur the horror. His kindly captain is another poetry-quoting misfit, despised by other officers for his Jewishness. One fellow soldier fits in all too well, being so fond of killing that he doesn't stop at Germans; and his murders have terrible repercussions for both Stanhope and the captain. Touches of fantasy or magic realism are supplied by visions of a good and tranquil place, a graveyard where Death is a lovely girl in calico and where one after another of Stanhope's slaughtered comrades and enemies walk through his dreams, peaceful at last. An extraordinary war novel, hauntingly sad but with glints of hope and humor too. --David Langford, Amazon.co.uk
From Publishers Weekly
In Flanders Fields, where so many died so horribly during WWI, an American volunteer named Travis Lee Stanhope finds terror, death, forgiveness and, ultimately, an odd sort of salvation. Anthony (God's Fires), one of speculative fiction's brightest talents, has written a novel of the Great War that is worthy of comparison to Erich Remarque's All Quiet on the Western Front. Travis Lee is a wonderfully complex character, a wild boy from Texas who had the brains to win a scholarship to Harvard, a survivor of childhood abuse who hates his alcoholic father but fears he may be turning into him. Uncomfortable at home and at school, Travis, like many young Americans in 1916, enlists in the British army in search of adventure. What he finds instead is the monstrous human meatgrinder that is Flanders in northern France. Few writers have succeeded so well as Anthony in describing the horrors of trench warfare, the mud and disease, the rotting bodies and unending bombardment, the virtually universal madness that turns men into killers and rapists. Travis Lee is a talented sharpshooter, but as months of terror go by and the number of his kills grows, he beings to see things, at first in his dreams and later on the battlefield itself. Ghosts begin to haunt him, unwilling or unable to leave the shell craters and barbed wire where their lives ended. Told by a battlefield chaplain that he's gifted with the Second Sight, Travis Lee repeatedly finds himself wandering in an unearthly cemetery, a melancholy place that nonetheless hints at the possibility of eternal life. This is a harrowing and beautiful novel, demonstrating?again?that Anthony is one of our finest writers, in and out of the genre.
Copyright 1998 Reed Business Information, Inc.
See all Editorial Reviews
Patricia Anthony's previous novels, from her 1993 debut, Cold Allies, until recently were all SF with a disturbing grasp of alienness and dislocation. Now Flanders brings us close to another kind of alien--Travis Lee Stanhope, farm boy, scholar, and a U.S. volunteer among the strangely accented British soldiers of the Great War. He tells his story in eloquent, pungent letters to a brother at home, moving from the beauty of spring in 1916 France to the dank hell of the trenches: mud, rats, lice, gas, foulness, death. Stanhope is highly rated as a sniper but for a while drinks excessively to blur the horror. His kindly captain is another poetry-quoting misfit, despised by other officers for his Jewishness. One fellow soldier fits in all too well, being so fond of killing that he doesn't stop at Germans; and his murders have terrible repercussions for both Stanhope and the captain. Touches of fantasy or magic realism are supplied by visions of a good and tranquil place, a graveyard where Death is a lovely girl in calico and where one after another of Stanhope's slaughtered comrades and enemies walk through his dreams, peaceful at last. An extraordinary war novel, hauntingly sad but with glints of hope and humor too. --David Langford, Amazon.co.uk
From Publishers Weekly
In Flanders Fields, where so many died so horribly during WWI, an American volunteer named Travis Lee Stanhope finds terror, death, forgiveness and, ultimately, an odd sort of salvation. Anthony (God's Fires), one of speculative fiction's brightest talents, has written a novel of the Great War that is worthy of comparison to Erich Remarque's All Quiet on the Western Front. Travis Lee is a wonderfully complex character, a wild boy from Texas who had the brains to win a scholarship to Harvard, a survivor of childhood abuse who hates his alcoholic father but fears he may be turning into him. Uncomfortable at home and at school, Travis, like many young Americans in 1916, enlists in the British army in search of adventure. What he finds instead is the monstrous human meatgrinder that is Flanders in northern France. Few writers have succeeded so well as Anthony in describing the horrors of trench warfare, the mud and disease, the rotting bodies and unending bombardment, the virtually universal madness that turns men into killers and rapists. Travis Lee is a talented sharpshooter, but as months of terror go by and the number of his kills grows, he beings to see things, at first in his dreams and later on the battlefield itself. Ghosts begin to haunt him, unwilling or unable to leave the shell craters and barbed wire where their lives ended. Told by a battlefield chaplain that he's gifted with the Second Sight, Travis Lee repeatedly finds himself wandering in an unearthly cemetery, a melancholy place that nonetheless hints at the possibility of eternal life. This is a harrowing and beautiful novel, demonstrating?again?that Anthony is one of our finest writers, in and out of the genre.
Copyright 1998 Reed Business Information, Inc.
See all Editorial Reviews
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