Stranger in a Strange Land (Mass Market Paperback)

by Robert A. Heinlein (Author) "ONCE UPON a time there was a Martian named Valentine Michael Smith..." (more)
Key Phrases: babble box, stereo tank, bounce tube, Secretary General, Old Ones, Supreme Bishop (more...)

Editorial Reviews

Amazon.com Review
Stranger in a Strange Land, winner of the 1962 Hugo Award, is the story of Valentine Michael Smith, born during, and the only survivor of, the first manned mission to Mars. Michael is raised by Martians, and he arrives on Earth as a true innocent: he has never seen a woman and has no knowledge of Earth's cultures or religions. But he brings turmoil with him, as he is the legal heir to an enormous financial empire, not to mention de facto owner of the planet Mars. With the irascible popular author Jubal Harshaw to protect him, Michael explores human morality and the meanings of love. He founds his own church, preaching free love and disseminating the psychic talents taught him by the Martians. Ultimately, he confronts the fate reserved for all messiahs.

The impact of Stranger in a Strange Land was considerable, leading many children of the 60's to set up households based on Michael's water-brother nests. Heinlein loved to pontificate through the mouths of his characters, so modern readers must be willing to overlook the occasional sour note ("Nine times out of ten, if a girl gets raped, it's partly her fault."). That aside, Stranger in a Strange Land is one of the master's best entertainments, provocative as he always loved to be. Can you grok it? --Brooks Peck

From Library Journal
In 1939 Heinlein published his first sf short story and became one of the most prolific and influential authors in the genre. Stranger in a Strange Land (1961) is an international best seller and a landmark in more ways than one: it opened the trade best sellers lists to sf writers, breaking down longstanding barriers that will never be seen again. At the same time Stranger became an emblem of the 1960s generation in its iconoclasm and free-love themes. Telling the story of an Earth baby raised by an existing, ancient Martian civilization, the novel often reads as if it were the "Playboy Philosophy" in dialog form. The man/ Martian comes to Earth and broadcasts his ideas by forming his own Church. Heinlein has been rightly criticized for presenting as facts his opinions, which state that organized religion is a sham, authority is generally stupid, young women are all the same, and the common individual is alternately an independent, Ayn Randian-producing genius and the dull-witted part of an ignorant and will-less mob. Yet the book is hard to put down; in its early pages it is a truly masterful sf story. Every library with a fiction collection should have it. Christopher Hurt reads with authority, nicely drawing the characters via barely perceptible changes in intonation, harshness, and pacing. Highly recommended.?Don Wismer, Office of the Secretary of State, Augusta, Me.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

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Product Details

• Mass Market Paperback: 448 pages
• Publisher: Ace (May 15, 1987)
• Language: English
• ISBN-10: 0441790348
• ISBN-13: 978-0441790340
• Product Dimensions: 6.7 x 4.2 x 1.2 inches
• Shipping Weight: 6.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars See all reviews (565 customer reviews)
• Amazon.com Sales Rank: #48,449 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

230 of 247 people found the following review helpful:

5.0 out of 5 stars Science fiction's greatest achievement, December 4, 2002

By	Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

Reviewing Stranger in a Strange Land is quite a challenge. Is it the best science fiction novel ever published? I would say yes. Is it my favorite? No; it's not even my favorite Heinlein novel. To add a little more irony to the pot, Heinlein himself insisted that the book is not really science fiction to begin with. Stranger really marks a huge turning point in Heinlein's career. Unhappy with the brand of "juvenile" writer and the editing that position constantly entailed, Heinlein was determined to write a truly adult novel, one with no taboos, no limits, and no restrictions of any kind. With Stranger in a Strange Land he accomplished that in spades, basically taking on the heretofore sacrosanct subjects of sexuality and religion. Heinlein was not sure that anyone would even publish this story that took him 12 years to write; what was published was a mere figment of the original manuscript, 60,000 words having been cut out. Even though Heinlein did the editing himself, it had to have felt like jabbing an ice pick into his own heart to do it. Thankfully, we can now read the complete, original manuscript the way Heinlein intended the story to be told.

The plot is deceptively simple. The first manned mission to Mars never made it home to Earth. The second mission, twenty years later, found Valentine Michael Smith, an infant born on Mars and the only surviving member of the ill-fated first mission. Having been raised by Martians, Smith is literally a stranger in a strange land when he is brought back to earth with "miraculous" abilities and a Martian philosophy of life. The Federation government basically hides him away from prying eyes, partly in fear of the legal and political dangers posed by his unique status. Having been raised by Martians, the human experience is completely new and rather frightening to him. He has never even met a woman until nurse Jill Boardman sneaks into his room to get a glimpse of him. Fearful that the government is going to keep Michael basically imprisoned (or worse), Jill helps sneak him out of the hospital, and the two of them end up at the home of Jubal Harshaw. Jubal is an outspoken, older man who lives a thoroughly individual lifestyle, but he commits himself to helping Michael escape his perilous situation. Michael quickly begins to absorb human knowledge and, less quickly, begins to understand the confusing mentality of human beings.

Halfway through the novel, you may be asking yourself why the book was so controversial; the answer becomes clear as Michael now steps out into the wider world. He and Jill move around incognito, and Michael learns more about people. After a stint as an unsuccessful magician, he eventually decides to become a preacher. He's not preaching a religion, though; he offers humans a new way of living and thinking, one based on the Martian system he grew up in. This new lifestyle involves a lot of nudity, a lot of open fornication, and the constant repetition of a mantra of sorts naming yourself and those around you God. The "I am God, you are God" theme is essentially Heinlein's means of emphasizing the personal responsibility of each individual for his own life. It is not strictly antireligious, but certainly it is not an idea that would go over well among most fundamentalists. I say most because I am a fundamentalist myself, but I understand what Heinlein was saying and recognize the fact that, after all, this is fiction. Frankly, though, the free love theme bothers my sensibilities and causes my viewpoint of the novel to change somewhat. Even though disapproval began to temper my enthusiasm toward the end, I certainly cannot give this book less than five stars.

Science fiction readers had never read anything quite like Stranger back in 1961; its originality, bold themes, and fearless writing hit with the force of a hurricane, and science fiction has never been quite the same. The Hugo Award this novel rightfully won barely begins to give it the honor and acclaim it deserves. I cannot recommend this novel highly enough, albeit I must enclose a caveat with my endorsement. This book has the power to shock readers even today; do not let your own beliefs take away from the wonder to be found in the pages of this novel. Stranger requires and deserves a completely open mind from anyone who would approach it; it also requires multiple readings to even begin to plumb the depths of its riches.

Anyone wanting to understand and get a true appreciation of the genius of Robert Heinlein really must read Stranger, but I would not recommend picking this book up before you have sampled some of Heinlein's other wares. It would be a real shame to let any adverse emotional reaction to the themes of this novel deprive you of the joy and wonder to be found in countless other Heinlein stories and novels.

30 of 35 people found the following review helpful:

5.0 out of 5 stars If you are not philosophically inclined, don't read this book, October 20, 2005

By	Joseph Barefoot (San Francisco) - See all my reviews (REAL NAME)

This novel was way ahead of its time in many ways, and yes, stuck in the 50s in other ways. Reading some people's negative reviews here has been amusing.

Most of them presume that Heinlein was writing from their 90s or post-2000 perspective for some insane reason. Take note: He wrote this *before* the so called "free-love" movement had become widespread in the 60s. Take further note: The water-brother mini-society he created in the novel wasn't "free-love" at all, but had a quite high barrier to entry.

Other negative posters are clearly unable to escape their ethnocentric viewpoint, finding the relationships constructed by Heinlein to be distasteful based on their societal values. If you are unable to think about a society that practices polyamory without feeling embarassment or nausea, or really think that it is simply "unnatural", then don't read this book. (...)

Most of all, remember this is science fiction. It's intended to portray an alternate reality, and I think it does a fine job of that while satirizing our reality at the same time. I could go on about other particulars of the book, but I won't: In short, this is one of the finest books ever written.

13 of 14 people found the following review helpful:

4.0 out of 5 stars "Stranger" must be read in context., January 21, 2001

By	Kevin Nieman "Writer / Provocateur" (Moorpark, CA United States) - See all my reviews (REAL NAME)

Charles Manson was said to be a fan of this book. With the "free love" themes and the pre-women's lib attitude found here, it's not surprising, but that should not deter you from picking up a copy of this book.

There are themes here that will make some people uncomfortable, but these should be read in the context of the times in which it was written.

It's the early Sixties. America is fascinated by beat poets, Lenny Bruce, and the ideas of feminism are only beginning to germinate in society. Using his Harshaw character, Heinlein fantasizes about a world where women are at his sexual beck-and-call, willingly, confidently, and unquestioningly. Harshaw has total independance from the outside world, and the power to protect his interests against a repressed society. Harshaw really is Heinlein's mouthpiece when he discusses religion, philosophy, and a social structure that many people in the hippie community found quite alluring at the time.

If this book is read in context with the times of the early Sixties, many of the themes will be entertaining, thought-provoking, and intellectually stimulating.

If you read this book with a contemporary frame of mind, you set yourself up to be disappointed. Some may say that this book has not withstood to tests of time since we have evolved with a greater respect for women than is described in this book. I don't see it that way. I see this book as a glimpse into the mind of a writer who lived at a time when artistic creativity was just about to explode. Heinlein had the brazenness to pull off a work that is uncompromising and epic in scope just as this creative explosion was taking place. For that, I believe it deserves our attention.