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6 of 8 people found the following review helpful:
4.0 out of 5 stars
Middle East dilemma made clearer through fiction, January 11, 1998
TV Tie-in novels are difficult books to write--the author must walk a fine line between writing a true novel (in which a character must change despite or due to the course of events) and satisfying the wants and desires of a licensor and a television audience (the former of whom demands that all characters must be placed back in the box, unchanged, at the end of the story and the latter, who demand more from a novel than from an hour of television). What to do? Find a subject that is overwhelming in its scope and use the well-known characters to provide a window through which that subject may be better understood. Donna Lettow does an excellent job in providing an accessible and balanced portrait of the situation in the Middle East, how one man's terrorist is another's zealot, how hatred can obscure sense and how love can engender compassion and, if not understanding, then acceptance. She manages to provide a range of information in a palatable fashion--neither bookish, nor cursory--and conveys a sense of the history of that troubled region that both educates and enthralls the reader. The flaw in this is that the main television character, Duncan, seems pallid in comparison with the energetic and vibrant supporting characters. There is, as required in "Highlander," enough immortal swordplay to satisfy one who fancies that aspect of the show and it's true that the fates of all of the main characters are pretty much telegraphed from the opening chapters of the book, but the real life drama of the violent conflict between the Israelis and Palestinians over a homeland beloved and claimed by either over-rides the series aspects of the novel. If such entertainment is to have a purpose, let it educate and aid in understanding of common, human problems. Through the use of the immortal characters in "Highlander," Donna Lettow has done just that.
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