Permanent Midnight: A Memoir (Mass Market Paperback)

~ (Author) "I'm wearing a diaper..." (more)
Key Phrases: Los Angeles, Big Bird, New York (more...)

Editorial Reviews

From Publishers Weekly

This unabashedly lurid and often highly entertaining book traces Stahl's rise from Hustler staffer, to highly paid prime-time television writer, to his breakneck devolution into self-loathing junkie father and "author of nothing but bad checks." While stumbling cheerily toward rock bottom, he somehow managed to keep landing such plum assignments as writing for Moonlighting and thirtysomething. But fans hoping for backstage gossip about their favorite shows will be disappointed. For all the rivers of every conceivable narcotic flowing here, there is surprisingly little inside dope. "The truth: This book... is less... an exercise in recall than exorcism." Stahl's manic wise-cracking never wavers, whether he is describing his remote and suicidal parents or a grandmotherly babysitter who forced him to lick Jujubes off her nipples every day after school. While Stahl managed to survive his fall with enough "real funny" intact to provoke some grossed-out laughs, what seems meant as a hilarious memoir of his drug-besotted depression too often becomes just a depressing memoir of his hilarity. A study in self-absorption.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

It's not pretty and it's not "professional," but it's Jerry Stahl's true story of his life as a writer. Beginning his career as a pornographer for Beaver magazine, Stahl later wrote fake sex letters for Penthouse and articles for Hustler before moving on to write scripts for such TV hits as Moonlighting, Thirtysomething, and Alf, jobs that put almost $7,000 a week in his bank account. This is also the story of Stahl's addictions to smack, coke, crack, Dilaudids--you name it. Moving between $100 L.A. lunches and meetings with Cybill Shepherd to dangerous scores in the worst parts of the city, Stahl managed to lose his family, his house, his screenwriting opportunity for the second season of Twin Peaks, and nearly his life. Permanent Midnight is not for people with delicate sensibilities or any other low thresholds for truth. Stahl's autobiography provides no glitzy Hollywood confessional with raised letters on the dust jacket, and it's not a self-help book on recovery. Instead, it explores, with brutal honesty and humor, the author's struggle between the nightmares of addiction and the nightmares of sobriety. Permanent Midnight is one of the most harrowing and toughest accounts ever written in this century about what it means to be a junkie in America, making Burroughs look dated and Kerouac appear as the nose-thumbing adolescent he was. Recommended for the true elite: those who can tell themselves a joke while slitting their own throats. Greg Burkman --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Mass Market Paperback: 400 pages
• Publisher: Grand Central Publishing (September 1, 1998)
• Language: English
• ISBN-10: 0446607266
• ISBN-13: 978-0446607261
• Product Dimensions: 6.8 x 4.2 x 0.8 inches
• Shipping Weight: 6.4 ounces
• Average Customer Review: 4.5 out of 5 stars  See all reviews (40 customer reviews)
• Amazon.com Sales Rank: #881,710 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

19 of 20 people found the following review helpful:

4.0 out of 5 stars Droll, June 9, 2000

By	buddyhead (Taxachusetts) - See all my reviews

This was my favorite of a long string of [auto]biographies I have read about (at least in large part) substance abuse (including Basketball Diaries, Blow, Disco Bloodbath, Long time Gone (about David Crosby), A Drinking Life, etc.). I enjoyed Stahl's writing style a great deal- he's got a dry wit, and writes a droll account. However, his "hipness" did leave me in the dust a few times. He facilely rattles off names and movies by way of analogy and metaphor, and I am either too young or watch too few movies to understand them all. The book is through and through Hollywood in its groovy tone; even when Stahl inveighs against Tinseltown's excesses and characters, you can see that he is a part of the scene (e.g., he was killing himself with smack yet was a staunch vegetarian and long distance runner). Still, the book is hilarious, especially if you like things viewed through a sardonic lens.

Permanent Midnight is as objectively recounted as I suppose can be, and while Stahl doesn't seem to ask the reader for pity, I felt he tried to paint his environment as bleakly as possible, so as to lead one to think his drug use was inevitable. Truth be told, Stahl didn't seem to have it so bad, and fell blindly into a series of enviable career positions that probably only led to drugs because of the capital it gave him with which to feed his habit.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Fast, Dangerous, Sad and True:Addiction and the Human Spirit, June 23, 2000

By	"djdalecooper" (New York, NY United States) - See all my reviews

This book reads as a wonderful and contemporary account of Hollywood, television, drugs, and most importantly, the life and drama of one lonely man. This man also happens to be an incredibly intelligent and brilliant writer, who is able to not only re-tell strange, funny, and sometimes disturbing tales from his years under the gun of heroin, but at the same time, provide subtle insights into the nature of addiction, and the faults and lies which are an inherent facet of modern American life, (something junkies tend to do all too well). An excellent read for someone looking for realism, humor, and insight into the mind of a fairly ordinary guy. Also would be a valuable asset to someone contemplating the personal challenge of a memoir.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Brillaintly written, darkly hilarious, honest as hell, January 30, 2000

By A Customer

This is as well-written a memoir as I've ever read and the subject matter is utterly fascinating. While I enjoyed the film they made of this book, the book itself does far more to illuminate the dysfuntional aspects of Stahl's life and the reasons behind the self-loathing behavior. The bottom line for readers, though, is that the book is a page-turner--as entertaining and gripping as the best suspense novels and as hilarious as the best comic novels. The fact that all this actually happened makes the book even more haunting. A classic of our time.