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The Narrows
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Editorial Reviews
From Publishers Weekly
Those who are familiar with the audio adaptations of Connelly's books will be delighted to see that Cariou lends his talents to Connelly's latest mystery, which is a sequel to The Poet (1996). At the center of this engrossing thriller is world-weary, retired L.A. homicide detective Harry Bosch. While investigating the death of ex-FBI profiler Terry McCalab, Bosch begins to suspect that the notorious serial killer The Poet, presumed dead, may be the culprit. As he digs deeper, Bosch meets and eventually joins forces with FBI agent Rachel Walling, who went up against The Poet the first time around. The novel's point of view cuts from Bosch's first-person commentary to the third-person perspectives of Walling and The Poet. Cariou handles these changes with professional ease. He gives Bosch a rough voice, raspy with experience, and provides Walling with a younger, but no less tough, intonation. Cariou's vocal dexterity becomes truly apparent, however, when he reads Connelly's descriptive passages. Whether he is illuminating a grisly crime scene, a rainstorm pummeling a Los Angeles freeway or a soft moment between Bosch and his young daughter, Cariou perfectly captures the subtleties of Connelly's tightly written prose.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.
From Bookmarks Magazine
With a writer of Connelly’s popularity, particularly one that works with a regular cast of characters, mixed reviews are to be expected. Each successive book opens the possibility of a narrative letdown. Part of Connelly’s decision to collate a few of his most enduring characters into The Narrows was to address concerns many fans had with the ending of The Poet. Though it strikes a few critics as a risky move that doesn’t bear repeating, the general consensus is that Connelly pulls the sequel off. Some reviewers disagree about whether the back-story is ample enough for the uninitiated. But whether The Narrows is his best or his worst work, its has elements of both, and plenty of the subtle characterization and gripping storyline that fans have come to expect from Connelly.
Those who are familiar with the audio adaptations of Connelly's books will be delighted to see that Cariou lends his talents to Connelly's latest mystery, which is a sequel to The Poet (1996). At the center of this engrossing thriller is world-weary, retired L.A. homicide detective Harry Bosch. While investigating the death of ex-FBI profiler Terry McCalab, Bosch begins to suspect that the notorious serial killer The Poet, presumed dead, may be the culprit. As he digs deeper, Bosch meets and eventually joins forces with FBI agent Rachel Walling, who went up against The Poet the first time around. The novel's point of view cuts from Bosch's first-person commentary to the third-person perspectives of Walling and The Poet. Cariou handles these changes with professional ease. He gives Bosch a rough voice, raspy with experience, and provides Walling with a younger, but no less tough, intonation. Cariou's vocal dexterity becomes truly apparent, however, when he reads Connelly's descriptive passages. Whether he is illuminating a grisly crime scene, a rainstorm pummeling a Los Angeles freeway or a soft moment between Bosch and his young daughter, Cariou perfectly captures the subtleties of Connelly's tightly written prose.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.
From Bookmarks Magazine
With a writer of Connelly’s popularity, particularly one that works with a regular cast of characters, mixed reviews are to be expected. Each successive book opens the possibility of a narrative letdown. Part of Connelly’s decision to collate a few of his most enduring characters into The Narrows was to address concerns many fans had with the ending of The Poet. Though it strikes a few critics as a risky move that doesn’t bear repeating, the general consensus is that Connelly pulls the sequel off. Some reviewers disagree about whether the back-story is ample enough for the uninitiated. But whether The Narrows is his best or his worst work, its has elements of both, and plenty of the subtle characterization and gripping storyline that fans have come to expect from Connelly.
Copyright © 2004 Phillips & Nelson Media, Inc.
--This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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