Most Helpful Customer Reviews
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
A mystic trip into the court of the "Boy King" Tutankhamun, May 14, 1999
By A Customer
I thought that this wonderful novel by Lynda Robinson was the greatest of the Lord Meren series. She has taken us back into an era long since gone, but not forgotten. At least by those of us who cherish any insight into Ancient Egypt. I felt as if I was right in the middle of the royal court in Thebes, looking at the "Living God" and all the courtiers. I found her re-use of characters from the previous novels most refreshing. It made me go back and read those books again just to make sure I missed nothing. I have studied Ancient Egypt since I saw King Tutankhamun's treasure in New York City in 1978 and I was 8 years old. I'll never be able to forget what I saw at that exhibit and Lynda Robinson has helped me relive it again through her very descriptive plot lines. I can not wait for the next Lord Meren book to come out, as I look forward to all the plot turns and twists.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
Best Thus Far in This Egyptian Historical Mystery, May 16, 2001
Drinker of Blood is the fifth mystery involving Lord Meren, the Eyes and Ears of Pharoah Tutankhamun. In this outing, Lord Meren continues his search for the murderer of Tutankhamun's sister-in-law, Queen Nefertiti. He must, however, conduct his search in complete secrecy because the Queen had been married to the heretic Pharoah Akenaten whose reign was disastrous to the people, the land, and the royal family. Lord Meren dares not make public his knowledge and suspicions lest he disturb the peace and prosperity of the current Pharoah's reign. As Lord Meren gathers evidence, he is foiled at every turn by the person responsible for the Queen's death. Indeed, his very life is threatened the nearer he moves toward the truth. This is, by far, the best entry in this excellent series. The story is in two voices - Lord Meren's and Queen Nefertiti's. As the reader is given insights into Queen Nefertiti's life as the Pharoah's "beautiful one," Lord Meren is seeking clues to who her killer is. The story moves quickly despite the two different times and voices. As in the past, Robinson's research and knowledge provides the historical setting while her imagination provides the danger.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Dead men tell no tales, December 6, 2002
This picks up the inquiry begun at the end of MURDER AT THE FEAST OF REJOICING, for which groundwork was laid in EATER OF SOULS. The title comes from Kysen's observation on the nature of the quarry, as lead after lead is snuffed by the murder of witnesses. The conclusion is in the next book, SLAYER OF GODS. I'll be assuming for the rest of this review that the reader already knows the series characters and the long-term investigation being pursued by Lord Meren, the Eyes and Ears of Pharaoh, and his adopted son Kysen.
The first Meren novel to be told in a non-linear braided format, the first thread of the narrative follows Nefertiti, beginning on the day in the reign of Amunhotep the Magnificent that Pharaoh and Queen Tiye selected this minor princess to be groomed as the consort of Pharaoh's weird younger son: Akhenaten. Almost supernaturally ugly himself, Akhenaten's appreciation for Nefertiti's beauty is one of the few normal facets of his character. Scorned by his father in favor of his older, more satisfactory brother Thutmose, Akhenaten turned to religion and theology; Egypt was to reap the harvest of Amunhotep's neglect when Thutmose's sudden death marked Akhenaten as the next pharaoh - a heretic who believed in only one member of Egypt's pantheon of gods, despite the power of the priesthoods and their pivotal role in Egypt's economy.
The second thread follows Meren's 'present', in year 5 of the reign of Tutankamun, Akhenaten's youngest brother - so much younger that he remembers Akhenaten only as a kindly, if distant, guardian. However, Tutankamun adored Nefertiti - and Meren, having seen enough damage done to the country, is protecting him from the knowledge that his beloved foster mother was murdered. If nothing else, the stability of Nefertiti's father, the vizier Ay, must not be risked in the face of an impending war with Hatti. His excuses having finally run out, Meren must finally take the king on a raid, letting him gain battlefield experience against bandits before he must face Hittite armies.
Not knowing that he's diverting resources from a far deeper inquiry, the king (who finds Meren's investigations a fascinating diversion) assigns Meren an unrelated task: to investigate the death of Bahkt: a minor royal guard, to be sure, but one who always had fascinating stories for a boy prince. Tutankamun knows that Bahkt *hated* baboons, and doesn't believe he'd accidentally fall into their cage in the royal menagerie. Meren's distraction from the king's tasks draws the wrong sort of attention...
Kysen's criminal informants in the Caverns - the slum around the Memphis docks - are deployed: Tcha the housebreaker is happy to be *ordered* to rob a merchant's house in search of information - but less than happy to find that the suspect has 8 Nubian guards, being a clandestine arms dealer. :) Examination of the government's accounts on another suspect reveals a pattern suggesting corrupt manipulation of foreign aid. (The equivalent, anyway - financial aid from pharaoh to a vassal state.)
The Nefertiti narrative isn't a mystery at all, but an unfolding tragedy - the wonder isn't that Nefertiti was murdered, but that *any* of her family - or the country - survived Akhenaten's reign. The 'present' narrative, following Meren, is a suspense story studded with some investigative trappings. Evidence *is* being presented fairly to the reader, but the manner of presentation isn't that of a normal investigation. For those reasons, the book isn't as appealing as its predecessors - not a nice, detached investigation. The feel is more like that of MURDER AT THE GOD'S GATE than the other books.
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