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Genius: A Mosaic of One Hundred Exemplary Creative Minds Paperback – 2003

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Product Details

  • Paperback: 814 pages
  • Publisher: Warner (2003)
  • Language: English
  • ISBN-10: 0446691291
  • ISBN-13: 978-0446691291
  • Product Dimensions: 9 x 1.6 x 6 inches
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (47 customer reviews)
  • Amazon Best Sellers Rank: #758,223 in Books (See Top 100 in Books)
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Most Helpful Customer Reviews

Format: Hardcover Verified Purchase
This is not for the lazy reader.. So If you are looking for a light summer read- This is not the book you are looking for..
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Format: Hardcover Verified Purchase
difficult as hell to read. has some big ass words. but a good read nonetheless.
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3 of 3 people found the following review helpful By Case Quarter VINE VOICE on December 17, 2011
Format: Paperback
whatever we call best in ourselves, our spark of `high divinity', harold bloom finds reflected from the authors of the great texts, the texts pretty much found on library shelves, recognized as having lasting merit by university professors of the humanities and the arts and most of the students taught by them. there is a core group of maybe twenty books everyone will agree to accept, providing they are not ranked in any particular order; but beyond that group, more so when the number reaches, and is limited to, one hundred, a lot of very good books, great books, of lasting merit which exist will not make bloom's cut. an apt example is his own Western Canon with its many lists of authors.

bloom's choices will not please everyone, nor has the choosing proved easy work for a selector as widely read as harold bloom. his chosen one hundred, he claims, as his arbitrary choice, and the chosen limited to the dead. they are his choices and so, within the pages, the reader and browser are stuck with them to make what one can of the contents of the volume.

bloom avoids a history of ideas approach and views the great books throughout history from a biographical approach. to his purpose, each genius is given a brief biographical sketch, a short sample of their writing, and bloom's contribution to how genius in each individual case is manifested.

`Gerard De Nerval,' for instance, `...proved his genius by transmuting his illness into a permanent literary myth.'

`Baudelaire's fusion of Satanism and Hermetism is an act of original genius.'

`The essence of Blake's genius is its exuberance and its autonomy, its courage to rethink and resee everything for itself.
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2 of 2 people found the following review helpful By Larry Bagina on May 12, 2014
Format: Hardcover Verified Purchase
I stumbled upon this book as a casual reader and as such, even though I was familiar by name with most of the authors here, I had never read a most of the older authors (Milton, Dante, Goethe, etc), thinking their books were too "old" and therefore unrelatable. What a huge mistake!

"Genius" is the culmination of Bloom's more than 60 years of attentive reading and has a theme that demands of the author an erudition that very few people have had throughout history, let alone now when vapid distraction is so readily available. Only someone that has read and re-read the Western Cannon many times over and over could make some of the brilliant connections that Bloom makes in "Genius". It does definitely help that Bloom was a freakishly-fast reader, during his prime he could go through an impressive 1000 pages in one hour!

While not being a fast as Bloom, I still went through this 800 pages book faster than I had ever read anything else before. Harold Blooms makes his case for the genius of each of the individuals in "Genius" in such a compelling and seductive way that one couldn't wait to finish reading it and getting their hands on the masterpieces he recommends.

Bloom's arguments are clear and logical. Even if you don't agree with him, you will always know where he stands. One of my biggest beefs with literary critics is how a few of them, lacking the cojones to say something that might be deemed controversial, try to obfuscate their arguments and run laps around the reader to confuse her. You don't need to worry about that with Bloom.
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15 of 17 people found the following review helpful By A.J. on June 25, 2004
Format: Paperback
This thick book is Harold Bloom's meditation on literary genius, by which he means not exactly an extraordinary intelligence but a communication with the "God within," an internal source of world-expanding creative inspiration, that only few people manage to achieve. He selects one hundred authors -- the list, he stresses, is by no means hermetic -- in the literary canon who in his estimation have done this, subdividing them into ten groups of ten, each group represented by a concept from the Kabbalah called a Sefirah. For example, under Hesed, or "God's covenant love for men and women," he locates Donne, Pope, Swift, Austen, and others who he feels manifest various aspects (especially irony, one of his favorite topics) of such love.
Which authors have genius? Shakespeare, obviously, and all the classical poets whose works have survived for a number of centuries, and Bloom's personal hero of literary criticism, Samuel Johnson, and even T.S. Eliot, towards whom Bloom displays a dichotomous attitude of admiration mixed with hostility. What evidence of genius is offered that elevates these authors above the merely talented? For Renaissance historian and prose stylist extraordinaire Walter Pater, it is his "secularization of the religious epiphany"; for Balzac, it is his mercurial comic criminal Vautrin; for Robert Browning, it is his perfected development of the dramatic monologue.
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