Free Fall in Crimson (Mass Market Paperback)

~ (Author) "WE TALKED past midnight, sat in the deck chairs on the sun of the Busted Flush with the starry April sky overhead, talked quietly, and..." (more)
Key Phrases: maneuvering vent, blast valve, Dirty Bob, Peter Kesner, Lysa Dean (more...)

Editorial Reviews

Product Description

"McGee has become part of our national fabric."

SEATTLE POST INTELLIGENCER

This time out, McGee came close to losing his status as a living legend when he agreed to track down the killers who brutally murdered an ailing millionaire. For starters, he renewed an unfinished adventure with a famous--and oversexed--Hollywood actress, who led him into a very nasty nest of murderers involving a motorcycle gang, pornographic movies, and mad balloonists. And Mcgee relearned the old lesson--that only when he came close to the edge of death was he completely alive.

From the Publisher

8 1-hour cassettes --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Mass Market Paperback: 320 pages
• Publisher: Fawcett (April 20, 1996)
• Language: English
• ISBN-10: 0449224821
• ISBN-13: 978-0449224823
• Product Dimensions: 6.8 x 4.2 x 0.9 inches
• Shipping Weight: 5.3 ounces (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (13 customer reviews)
• Amazon.com Sales Rank: #82,910 in Books (See Bestsellers in Books)

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• This is item 19 in The Travis McGee Series.

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars The sky's the limit in this MacDonald thriller!, June 21, 2000

By	Billy J. Hobbs "billhobbs" (Tyler, TX USA) - See all my reviews (REAL NAME)

In "Free Fall in Crimson," the 19th Travis McGee episode, author John D. MacDonald refuses to be tied up with boundaries. In fact, this book seems a great deal like a geography lesson, as the plot takes him from Ft. Lauderdale, to other Florida parts, to Beverly Hills, and, finally, to Iowa for the climactic scene!

However, readers should not let that put them off another top-flight installment in the McGee series--this time involving, yes, a murder and other corruption, a hot

air balloon competition.

The plot is set aloft when Ron Esterland approaches Travis for help--seems he's been completely cut out of his inheritance when his father was murdered two years earlier (most of the estate has been left to his estranged wife and her filmmaker friend). Ron wants Travis to find the truth about the murder, suspecting that the wife and friend had much to do with it.

Travis' pursuit then takes him cross country, eventually landing in Roseland,

Iowa, where a film is being made about a hot-air balloon meet. As with the other McGee stories, MacDonald keeps us on the edge until the final pages. It is not that we don't know the guilty party; it is just that Travis must find a way to secure justice--usually his own brand--as many of the guilty are "out of bounds" to legal prosecution.

Readers will not be disappointed in either the story or McGee! While the series does not require a chronological reading, the earlier books establish the characters (especially McGee and economist friend Meyer). The first book is "The Deep Blue Goodby"--and it's a good place to get started, to "channel" the McGee interest. But regardless, "Free Fall in Crimson" merely adds to the charm of the series and of the character--it will leave you grasping for air!

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4 of 4 people found the following review helpful:

5.0 out of 5 stars McGee tangles with motorcycles, balloons and movie producers, February 15, 2002

By	Paul Skinner (Manassas, Virginia United States) - See all my reviews

This is a great book if you're in the mood for a philosophy lesson on the meaning of life and how to maintain it. John D. MacDonald knows how to keep the action flowing, without hitting the reader over the head. It's nice to be treated as if you are an intelligent reader, which is why I keep coming back to the McGee series. Travis helps out a man whose father was killed, shortly before cancer would have taken him anyway. As Travis pokes around, he finds a web of dispicable characters hiding behind the entertainment industry. Justice is served to the guilty, as usual. Unfortunately, some of the innocent do not come out of this one, but only those who are not as careful as our houseboat hero. This is definitely one of the better entries in the McGee series, but one should read "A Quick Red Fox" first.

3 of 3 people found the following review helpful:

2.0 out of 5 stars Free Fallin' , October 29, 2005

By	Clare Quilty (a little pad in hawaii) - See all my reviews (TOP 1000 REVIEWER)

One of the things I like about the McGee series is the strange authority MacDonald brings to it. He had a very strict, intelligent mind and a disdain for shoddy work that rivaled Hemingway's, which often gave his descriptions and depictions a shrewd authority. Even when you may not fully buy what's going on on the page, you can buy that the author and the characters believe it, which is often enough to go on.

But with "Free Fall in Crimson," the authority is a little flimsy. The book, published in the early 80s, is the first McGee that just does not convince on several key levels.

Most of that has to do with McGee's brief dip into California outlaw biker culture in his attempts to track down a murderous Hell's Angel named Dirty Bob. Nothing about the scenario -- not the crime McGee investigates, not the people he meets along the way, not the stilted dialogue he engages in, not the situations he encounters -- feels convincing.

A millionaire goes to buy a little hash and takes gold Krugerrands to purchase the drugs? McGee is made an honorary member of a bike tribe ("The Fantasies") and given a special pin to use... if he ever needs it? A character on the run who needs to hide his identity suddenly gets a terminal illness that allows him to drop 100 pounds in two months?

The second half of the book -- McGee's visit to a debauched, coked-out 80s-era film set, where a Dennis Hopper-esque auteur is having a big budget meltdown as he tries to make an existential thriller (about balloon pilots?) -- is a little more convincing than the biker stuff, but the dialogue still smells too much like exposition, the film crew's lines sound transposed from research.

I did enjoy the nightmarish riot that begins the last act; and I liked the creepy section in which McGee slowly, gradually figures out that his prey has turned around and is coming after him; and, oddly, I was completely convinced that McGee could survive a leap from a runaway balloon hovering 50 feet off the ground (just remember: land on the balls of your feet, tuck your chin, roll forward with your right shoulder out and down, hit the ground running....)

But as far as the series as a whole goes, this is probably one of the weaker entires I've read. But, should I ever fall or jump out of a hot air balloon, I seriously think I'll know what to do.