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4 of 4 people found the following review helpful:
4.0 out of 5 stars
(4+) Redemption and Hope Emerge From Violence and Abuse, June 3, 2004
WARNING: This book is not for the squeamish. It contains child abuse, psychotic and perverted acts, multiple murders, detailed descriptions of autopsies, sexual references and crude and offensive language. In fact, since this is a list of all the things that I normally avoid when selecting literature to read, I am amazed that I enjoyed the book so much and was fascinated enough to not only complete it but in fact give it a high rating. While I knew it contained violence from the publisher's descriptive material, the plot and promotional blurbs combined with my attraction to first time authors to pique my interest; by the time I realized the extent of the normally objectionable material I was hooked. Jack Kerney is a talented wordsmith with a deep understanding of the flawed nature of humankind and the depravity which often results. However, in contrast with the pessimism (indeed fatalism) that Dennis Lehane's writing displays (particularly MYSTIC RIVER) concerning the seemingly inexorably tragic nature of our lives, in the end this is a story about the possibility that redemption is possible and that tomorrow may indeed be better than the past. The main storyline is incredibly simple. Carson Ryder, a twenty-nine year old with an MA in psychology, is a newly minted detective in the Mobile, AL police force and the first person narrator of the majority of this story. He is teamed with old pro Harry Nautilus as the two newly formed members of the Psychopathological and Sociopathological Investigative Team (PSIT - pronounced piss-it by the other members of the department). As the newly rebuilt city morgue is being dedicated after it had been severely damaged during an autopsy on a booby-trapped body, a headless victim is found in a local park and it appears that Harry and Carson will be investigating their first official case. Departmental politics soon become an issue, and the tension increases as further headless bodies appear. Meanwhile, there are multiple subplots involving Carson's secret past and the reasons for his seeming prescience regarding the actions of the mentally ill and sociopaths. There are additional subplots including the intertwined public and private lives of Dr. Clair Peltier, outstanding pathologist and chief of the Mobile unit of the Alabama as well as her apparently strained relationship with her young associate Dr. Ava Davanelle. There are also very knowledgeable and sensitive segments which are central to the plot including the personal perdition of alcoholism and the necessity of approaching your salvation one day at a time. Every detail should be noted and remembered, because by the conclusion all the threads in the book come together and have meaning in the same way that the "invisible threads" in the case that bedevil Harry and Carson start to reveal themselves and unravel the mystery (despite their dictum that "memories {of witnesses} are faulty and people lie"). So this is a book about the human condition and a story of multiple personal journeys (several tragic) toward the goals of understanding, grace and redemption. The language and visual imagery which it evokes is often superb, but I would expect noting less from a former advertising writer and creative director. Two examples will suffice. First, Jeremy, Carson's brother and a crucial figure in Carson's life and to this story, at one point speculates that the headless bodies are indeed "postcards from hell" meant to communicate a very specific message from the murderer. (This seems an especially likely possibility since cryptic messages are also written on the bodies.) Second, Clair's husband's fortune (which he brought to their "merger' of convenience) was ante-bellum Southern money, "one of those snowball fortunes that gathered as it rolled" forward in time. Why not five stars if I thought it was an excellent plot, employed engaging imagery, had fascinating characters, and used frequently captivating language? (This question seems especially since it also has the potential to be an excellent movie.) First, for the reasons articulated in my opening comments, stories with this degree of violence and perversion are never totally enjoyable for me, even if captivating. Second, the author tries to do much. He accomplishes his apparent goal admirably, but it might have been better if the case of Joel Adrian (which Carson solved as a patrolman and the description of which is totally sickening even if only summary in nature) had been a separate book that served as the introduction to Carson and this story. It would have made the flashbacks and explanatory asides less frequent and allowed for more leisurely development of the other elements of this story. Last, while the ending itself (by this I mean literally the last two pages) is both full of hope and extremely clever; the climactic action scene that is the final denouement of the story is too long, too unreal (even for this story), and as other reviewers have aptly described it, simply "over the top" in a way that creates a final impression of unreality. It is almost as if it was written to provide an exciting climax to an action movie, and is eerily parallel in this regard (right down to the raging river) to the final scene in Michael Connelly's new novel THE NARROWS. Despite these reservations, this is definitely a worthwhile read as long as my caveats aren't a major concern to you. Disclaimer: I was furnished an ARC (Advance Review Copy) of this book by the publisher based on my previous reviews of books of this genre,. I have never met either the author or any representatives of the publisher. I made no representations or promises regarding any review that I might write. However, I have included this disclaimer in the interests of complete disclosure so that the reader may have all significant information concerning any facts that may be viewed as having biased my review. Tucker Andersen
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