Amazon.com Review
Imagine if
Tom Clancy used high art as a plot vehicle instead of advanced technology; if instead of tracking rogue Russian submarines, Jack Ryan were on the trail of international art thieves. This is the twist Thomas Swan provides in
The Cézanne Chase, a novel set in an art world where the stakes are just as high, and the operatives just as ruthless, as in the more familiar crime-fiction universe of espionage and nuclear weapons.
The Cézanne of the title refers to two self-portraits by that painter that are destroyed in an attempt to manipulate the black market in art. In addition to the usual collection of good guys and bad guys, exotic locations and tricky double-crosses, The Cézanne Chase also offers some pretty nifty insights into the nitty-gritty of buying, selling, preserving--and destroying--great works of art.
--This text refers to the
Hardcover
edition.
From Library Journal
Swan's hardcover debut features a fiendish plot by clever manipulators of the international art market: someone has begun destroying Cezanne's 26 known self-portraits. The first incident occurs at the National Gallery in London, so New Scotland Yard's Jack Oxby takes charge. As the scene shifts from London and Reigate to St. Petersburg, Boston, and Provence, the villains and their carefully woven web of deceptions slowly emerge. Although the international scope leaves little time for character development and the plot becomes increasingly transparent, readers will be drawn into the intrigue as Oxby nears his target. Steady action, looming suspense, and an appealing subject recommend this for most collections.
Copyright 1997 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
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