Son of Avonar (The Bridge of D'Arnath, Book 1) (Mass Market Paperback)

by Carol Berg (Author) "The dawn wind teased at my old red shawl as I scrambled up the last steep pitch of the crescent-shaped headland the villagers called Rif..." (more)
Key Phrases: willowbark tea, Graeme Rowan, Sir Geoffrey, King Evard (more...)

Editorial Reviews

From Booklist
In the Four Realms, sorcery is persecuted with a thoroughness that recalls the Third Reich, and Leiran noblewoman Seri has gone into exile to avoid not only that but also the faction fights of the royal family. Unfortunately, Leiran soldiers drive a mute, fugitive warrior to seek shelter with her. She helps him recover his identity, though as the story progresses, it appears that he may be a mage as well as a warrior, and may prove crucial for dealing with a menace that the Four Realms have brought on themselves by their war against magic. The ending is a bit of a cliffhanger. On the way to it, Berg exhibits her skill with language, world-building, and the intelligent development of the magic that affects and is affected by the characters. The first book of the Bridge of D'Arnath launches a promising new multivolume work that should provide much intelligent entertainment. Roland Green
Copyright © American Library Association. All rights reserved

Product Description
Sorcery and those who practice it have been exterminated from the Four Realms, their memory used only to frighten children. To be accused of associating with a suspected sorcerer means death or worse.

Seri has adapted to her harsh exile, seeing herself well rid of her noble family’s intrigues and the cruel politics of power. But her bitter peace collapses when she shelters a fugitive – a man incapable of speech, yet skilled at violence and quite possibly mad. Only a journey of anguished memory and ancient riddles can unravel the mysteries of his identity, his mission, and her own soul. And those responsible for his condition lie hidden, awaiting the apocalypse.

Book 1 of the Bridge of D'Arnath Quartet

Product Details

• Mass Market Paperback: 480 pages
• Publisher: Roc; 1st edition (February 3, 2004)
• Language: English
• ISBN-10: 0451459628
• ISBN-13: 978-0451459626
• Product Dimensions: 6.6 x 4.2 x 1.3 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars See all reviews (42 customer reviews)
• Amazon.com Sales Rank: #80,361 in Books (See Bestsellers in Books)

• This is item 1 in The Bridge of D'Arnath Series.

Customer Reviews

Most Helpful Customer Reviews

116 of 119 people found the following review helpful:

5.0 out of 5 stars Her best book yet!, March 22, 2004

By	Nikki D. (Ocala, FL, USA) - See all my reviews

I've read all of Carol Berg's novels and Son of Avonar is by far her best. She has evolved as a writer and storyteller and has managed to create something refreshing and new in the field of Fantasy - believable, fallible and human characters.

Her character work has always been her strong suit, in that even minor characters are usually fairly well fleshed out. But this book (the first in a trilogy) is a self-contained masterpiece. You could read this book and go no further. I was sure she would hang me out on a cliff like most Fantasy authors do in a multi-book collection, but she wrapped it up nicely at the end, left me wanting so much more but not suffering using tired devices to keep my interest.

This is a moving story, the flashbacks (another device that I never think is used well, though her weaving of it into the present made me look for the past with equal anticipation) lend so much weight to the story and it is heavy despairing stuff, the kind that makes your fist clench in agony as you are reading it. I kept thinking, dear God, no, no, no, for it was too devastating to consider because from the moment you meet the heroine, Seriana, she has you at her side, understanding her, feeling her loneliness and deep sadness. Yet her strength is amazing; amazing, but real. It is the kind of strength of the human variety not super hero.

There is a love story here too, a beautiful love story that too is very real. One of the other reviewers said her words jump off the page - and they do - it is a very active story and the writing is filled with electric energy. It is spare; Hemingway-esque actually at points, without anything overblown. Utterly readable it is a page turner - you will fight to break away from it and probably will not be able to. Make sure you have time set aside and just read it straight through.

I am thrilled to have had the pleasure to read this book and hope against hope that in the series they only continue to get better. I do have what I call Matrix-anxiety about sequels but I have faith that Carol Berg is up to the task. If she sticks to a similar format where each book is inclusive to itself I believe she will have a sure-fire hit on her hands.

And finally thank you Carol Berg for FINALLY creating some characters who are not fourteen year old virgins! Seriana is thirty-five years old, a grown woman and I identified wit her much more than some unrealistic portrayal of a teenage princess or a twenty-something who has never been let out of a castle. Seri is all woman, her own woman, educated, bright, resourceful, but makes mistakes in judgment and often can't see the bigger picture. Just like a real woman.

Carol Berg had my interest with her other books but now she has a fan!

41 of 45 people found the following review helpful:

4.0 out of 5 stars A little too Scooby-Doo, June 18, 2004

By	amazonker (Minneapolis, MN) - See all my reviews

If there's one thing Carol Berg it good at, it's redeeming fallen characters. Her first published work, Transformation, remains her most successful, but this book's derivation of that storyline also works well. Once again, we have an older, emotionally and physically scarred character who reluctantly draws a younger, haughty boy into an understanding of himself. What sets this book apart from Transformation is that the older character is female, and there's a significant plot twist in the young man's self-discovery.

Berg also attempts a more experimental narrative form for this book. Present-time action interweaves with a past that's compelling even though we already know it ends tragically. Ideally, this form would do better than a chronological storyline at giving the past power to illuminate the present. I think that's what Berg was aiming for, and I admire her for attempting it. However, my own opinion is that this would have been better off as two separate books. The suspense would have been drawn out much more in the first story by not knowing the tragic ending, and experiencing that along with the characters would mean more suspense in hoping for a happy resolution to the second storyline. That being said, I still recommend reading this since the two stories are moving enough to make it worthwhile.

My only serious disappointment came at the end of Son of Avonar. The true nature of a number of characters is revealed, but the way it all happens seems very much like the end of an episode of Scooby-Doo: everyone is unmasked at once, requiring a huge amount of exposition to fill in the backstory of why they aren't who we thought they were. In fact, Berg has to bring in a whole new character at the last minute just to cover all that exposition. It's nice to face some surprising plot twists, but it would have been better if there had been more hints of what was to come before the big reveal. That would have made the twisty ending seem more natural.

Nevertheless, I do recommend this book. The characters are fully realized and interestingly flawed, and I was sucked in enough that I was very disappointed to discover we have to wait until the fall for a sequel.

18 of 19 people found the following review helpful:

3.0 out of 5 stars Has its good points and not so good points, January 17, 2006

By	Erin L. (Missouri, USA) - See all my reviews

I have to give Carol Berg credit for her female protagonist. Seri is in no way your typical fantasy heroine. She's neither young nor blond, she's not virginal or a doormat. She's a middle-aged widow who's borne a child. She's cynical and she shows her age. I liked her because, unlike too many women in fantasy novels these days who are little more than cardboard cutouts, I could identify with Seri; she was *real*.

But on the other hand, there's D'Natheil. He's nothing more than a childish bully for more than half the book. I realize that there was a reason he acted that way, but it didn't make him any less annoying. There's very little attractive about a "hero" who gets needlessly violent and then sulks or pouts and throws temper tantrums when he doesn't get his way.

It actually gets worse when the "secret" of his past is revealed. Instead of feeling happy for both he and Sari, I had much more of a, "...the hell?" reaction, because there'd been no build up. Out of the blue, it seemed, we're presented with this fact and expected to accept it. I didn't buy it. And it seemed like a complete dues ex machina, even with Dassine's explanation at the end.

Supposedly this whole thing was foreshadowed by Sari "reacting" to D'Natheil, but that still makes no sense. I, and I imagine many other people, just assumed that she was finally moving on from her husband's murder. Because, despite what the romance novels and poetry try to insist, there is life after death where love is concerned; most people can move on with their lives and find romance/love again. I thought that's what was happening here. What it actually turned out to be, well, that made very little sense.

One of the book's other main problems is in the beginning. Nearly every other chapter was a flashback to Sari and Karon's life together. This is one case when I would actually advocate telling instead of showing. The constant, prolonged flashbacks may have set the stage for later events, but they badly broke the narrative and took away from what was happening at the present time. And they were boring. Dry, dull and after a while, I just started skimming them until the book got back to the interesting parts of what was happening in the present. What those flashbacks were there to do could have easily been accomplished with a few well-placed paragraphs in the present, maybe a remembrance of Sari's or something in the narrative. Anything but what was actually done.

I'm still willing to give this book three stars despite those glaring faults, mainly because the first person narration of Sari 's made up for D'Natheil's dreadful characterization and once those awful flashbacks were out of the way, the story flowed well. Particularly near the end where it raced its way towards the climax. That was very well done.

I doubt this is a book I'd read a second time through or actually recommend to anyone, but I've read many worse.