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55 of 61 people found the following review helpful:
2.0 out of 5 stars
A bull in a music store, February 17, 2004
I-slept-with-a-rock-star stories are a dime a dozen in the rock bio world, and it takes something unusual to make the storyteller seem like anything but a groupie. Patricia Kennealy-Morrison has something all right, but her obnoxious attitude and sketchy details make it hard to regard "Strange Days: My Life With And Without Jim Morrison" as much more than a curiosity.Kennealy-Morrison was a journalist/editor working for Jazz'n'Pop magazine in the late 1960s. She was sent in to interview legendary rock bad boy Jim Morrison of the Doors, and was immediately impressed by him (the feeling was mutual, she says). They soon struck up a friendship, then became lovers while remaining on opposite sides of the United States. Morrison and Kennealy-Morrison wed in a witch handfasting some months later, despite the fact that Morrison was still with his longtime lover Pamela Courson. Kennealy-Morrison chronicles the remainder of their increasingly volatile relationship, her abortion, Morrison's mysterious death in Paris, and the production of the distorted movie adaptation by Oliver Stone. Never has so much been written over so little. Not very often, anyway. Morrison's brief involvement with Kennealy-Morrison is blown up into an affair to rival Guinevere and Lancelot (her own comparison). What an unbiased reader sees is a rather average rock romance, full of the necessary sex, drugs and rock'n'roll. And lots and lots of Kennealy-Morrison's everyday life. Kennealy-Morrison has a curiously self-centered view of the world: whenever anybody is less than friendly to her, they must be upset over her gender, brains, religion or relationship with Morrison. Her attitude (a bull getting ready to charge at a matador) wears thin quickly. She heaps scorn on almost all rock'n'roll stars, on any girl who slept (or wanted to) with Jim, on any friend of Pamela Courson's, on Doors fans, on rock audiences... pretty much everybody. Special vitriol is reserved for Pam; rather than take Morrison to task for his behavior, Kennealy-Morrison vents on the pleasant, clueless Courson. While Kennealy-Morrison is clearly knowledgeable, she seems to use her IQ solely to set herself above the groupies. She lacks the class, wisdom and vibrance of other rock paramours like Marianne Faithfull. If this book is anything to go by, her intellect is stagnant and unsophisticated, and her personality is childish (she beats a groupie for coming on to Jim). In fact, her claims that she's a strong, decisive, take-no-guff woman becomes funny when you see that she was allowing a ridiculous amount of garbage from Morrison. There's no denying that Kennealy-Morrison is a talented writer. At times her lyrical, detailed writing makes this seem almost like a novel. It's especially vibrant during scenes like Doors concerts and the famous Woodstock. But too often her words are used as arrows rather than paintbrushes. "Strange Days: My Life With And Without Jim Morrison" is a weird read. In the end, it's hard to see it as anything but Kennealy-Morrison's side of the story, but without any wisdom brought by time and thought. This is not the place to look for the "real" Jim Morrison.
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