From Publishers Weekly
Semantics, epistemology and serial murder share center stage in this imaginative but unconvincing near-future thriller. The year is 2013, and European researchers have discovered a physiological basis for violent criminal tendencies in men. The Lombroso program in Britain screens possible subjects and maintains a database of those diagnosed with the condition, as aids to law enforcement--serial killings have become terrifyingly common. When a previously law-abiding pharmacist is diagnosed as "VDM-negative" (potentially dangerous), he breaks into the program's computer system, removes his name from the records and begins systematically assassinating other men on the list. In London, Chief Inspector Isadora "Jake" Jakowicz takes on the case and begins a philosophical cat-and-mouse game with the killer, code-named Wittgenstein. Kerr ( A German Requiem ) interpolates passages from the murderer's journals into the third-person narrative, along with citations from the works of Ludwig Wittgenstein and other philosophers. But the cliches and improbabilities of the plot are not camouflaged by their outlandish context, as Kerr overplays his most original ideas, delivering the details of his futuristic vision in a distracting gee-whiz manner. The frequent philosophical discussions, as they are drawn out, become less convincing and more ostentatious.
Copyright 1993 Reed Business Information, Inc.
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Review
Kerr leaps from postwar Germany (A German Requiem, 1991, etc.) to London in 2013 to tell a challenging story of freelance social engineering. Fear of epidemic serial killings has prompted the creation of the Lombroso Institute, which has isolated VMN, a neurological inhibitor of male aggression, and compiled an exhaustive list of men deficient in that substance. One man, shocked that he has tested VMN-negative, breaks into Lombroso's database, retrieves the names of other negatives, and uses them as a hit-list, killing men who fit the neurological profile of potential serial killers. Before he erased his own files, the killer was code-named Ludwig Wittgenstein, and as Wittgenstein he conducts an intricate dialogue with Inspector Isadora (Jake) Jakowicz - the man-hating officer who's put another serial-killing investigation on the back burner in order to nail him - comparing detective work to philosophical inquiry and raising questions about knowledge, proof, and reality in unnervingly dramatic contexts. Kerr doesn't stint on either the technical or the philosophical side of his futuristic landscape: the result is the bleakest, brainiest thriller to come along in years. (Kirkus Reviews)
Philip Kerr makes an excursion into the future in his A Philosophical Investigation and manages to contribute to both the eponymous genres. Misandric Inspector Jakowitz finds herself chasing a killer who calls himself Wittgenstein through a near-future London of virtual porn and genetic typing of the violent; beyond the text, an argument about responsibility is being comprehensively made. Under treatment for a future aggression that is unproven but written into his genes in this forbidding computer-world, the killer assumes the social duty of disposing of others with the same condition. Brilliantly, frighteningly inventive, a vulture's feast for the intellect, it makes 'Brave New World' read like a nursery tale. (Kirkus UK)
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