Most Helpful Customer Reviews
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
It will change the way you look at things forever, February 8, 2000
I Just finished this play and loved it. In fact, I found it so moving and powerfull that I was anable to close my eyes because of the haunting ramifications described in this play. I had no choice but to write this review at 2:30 AM. This play tells the story of a women who undergoes a surgery in order to regain her sight, and the aftermath of that surgery. It is told in a seris of monologues by the three central characters in the show to brilliant perfection. Read this play, it will change the way you look at the world forever
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Three powerful soliloquies add up to one fascinating drama., October 22, 2004
Brian Friel, Ireland's premier modern dramatist, produces a minimalist ensemble drama in this 1995 play, presenting a story of immense dramatic power with no dramatic action on stage at all. Molly Sweeney, a forty-year-old woman who lost her sight when she was a baby, is the central character, the two others being her husband Frank, and Mr. Rice, a man whose surgical skill can return partial sight to her. When the play opens, all three characters inhabit their own spaces on stage, and each tells his/her story directly to the audience, the characters having no interaction with each other at all.
In a brilliant example of dramatic irony, the play comes fully to life through their stories and achieves a poignant reality though the audience never actually sees any action. In this way, the play's structure parallels the life of Molly, a woman who sees nothing but fully experiences the joy of life. Molly is fully independent, works as a massage therapist in a local health club, and, in fact, supports her husband, who is unemployed, considering her life completely "normal." When she has the opportunity to regain partial sight, she accepts the surgery at the behest of her husband and the surgeon, a man so dependent on alcohol that he sees the surgery as his last chance to restart his career.
Through the story of the surgery and how it changes the lives of the three characters, Friel forces the audience to consider important aspects of reality and how we interpret it. As he points out during the play, a functioning person without sight has created "engrams" of reality based on the other senses and must be taught how to connect new visual knowledge with the tactile engrams of his/her life if s/he is to be successful in understanding a sighted world. The gaining of sight involves the loss of the blind person's known world and the creation of a world in which everything is constantly moving and changing, "all the consolations of...the familiar" gone forever. Friel brilliantly recreates the drama of all three main characters as they try to cope emotionally with the changes wrought by Molly's surgery.
Ultimately, the play raises complex questions about fantasy vs. fact, and imagination vs. reality and suggests that these concepts may not be the opposites that many of us think them. The unusual format of the play itself is perfectly suited to this subject matter, asking us to imagine each character's invisible, but nevertheless completely real, inner life. Mary Whipple
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
Neuropsychologists, see or read this play!, December 6, 1998
By A Customer
Anyone interested in the neuropsychology of vision must see or read this play! *Molly Sweeney* is great drama by an award winning playwright. It tells more of the truth about failed attempts to restore vision in those blinded by cataracts in early childhood than "To See and Not See" in *An Anthropologist on Mars*. "Molly Sweeney" should be required reading for anyone interested in "Discourse between Anthropology and Medicine."
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