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Better Together
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Editorial Reviews
Amazon.com
Bernice L. McFadden's first novel begins with the brief, poetic description of a crime so startling that the reader is helplessly drawn in, as if a bright red door stood ajar on a bleak and forbidding house. Pearl Taylor's daughter, Jude, has been found murdered and mutilated near a field at the edge of town. "The murder had white man written all over it," writes McFadden. "But no one would say it above a whisper. It was 1940. It was Bigelow, Arkansas. It was a black child. Need any more be said?" In the years that follow, Pearl catches sight of Jude in so many strangers that when Sugar Lacey comes to town and sets up her unwholesome "business" in the house next door, she doesn't know whether to believe what she sees in Sugar's face: a striking similarity to Jude, dead 15 years. In her sedate but supple prose--rising at times to a light, unforced lyricism in the description of landscape or character--the author perfectly renders the closed and protective society of a small Southern town, the superstitions, gossip, and prying. Although the men of Bigelow are happy enough to have Sugar around, the women do their best to drive her off. Only Pearl is drawn to Sugar, managing to look beyond the rumors surrounding her new neighbor, whose dismal life, she tells Pearl, "had no crossroads." Eventually Pearl shows Sugar the ballerina-topped jewelry box in which she keeps snapshots of her dead daughter.
From Publishers Weekly
With her eponymous anti-heroine, debut novelist McFadden breaks the mold of a venerable stereotype. Here, the hooker with a heart of gold is instead a hooker with a past so tarnished no amount of polishing can change her fate. As a baby, Sugar is abandoned by her mother and raised by a trio of prostitutes who run an Arkansas bordello. Turning tricks at age 12, and leaving town four years later to try her luck in St. Louis and then Detroit, brings more degradation, along with an ever-hardening heart. Upon her mother's death in 1955, Sugar is willed a modest home in Bigelow, Ark., but when she moves into town, and supports herself the only way she knows, the female population rises in wrath against her. All except Pearl, Sugar's next-door neighbor, who more than a decade ago lost her beloved daughter, Jude, to a vicious rapist/murderer. Pearl is struck by Sugar's uncanny likeness to Jude, and is determined to become Sugar's friend in spite of vocal disapproval. Although the two women are opposites in nearly every way, they bring out the best in each other: Sugar convinces Pearl to loosen up and accompany her to a Saturday night juke joint, and Sugar promises to go to church for two months of Sundays. Hypocritical gossip spreads among the townsfolk and tension grows when it turns out that nearly every married man in Bigelow pays a visit to Sugar, leaving the apparently frigid wives planning to run Sugar out of town. Pearl gives it her best shot to transform Sugar, but both women's painful pasts come back to haunt them in a crescendo of violent reenactments, betrayals and surprising revelations leading to a poignant, bittersweet ending. While hampered by a forced and compressed backstory, a surfeit of maudlin moments and some overwriting that is inadvertently funny, this ambitious first novel will appeal to readers who can appreciate Sugar's determination to come to terms with her past and fashion a viable future. Agent, James Vines. (Feb.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Bernice L. McFadden's first novel begins with the brief, poetic description of a crime so startling that the reader is helplessly drawn in, as if a bright red door stood ajar on a bleak and forbidding house. Pearl Taylor's daughter, Jude, has been found murdered and mutilated near a field at the edge of town. "The murder had white man written all over it," writes McFadden. "But no one would say it above a whisper. It was 1940. It was Bigelow, Arkansas. It was a black child. Need any more be said?" In the years that follow, Pearl catches sight of Jude in so many strangers that when Sugar Lacey comes to town and sets up her unwholesome "business" in the house next door, she doesn't know whether to believe what she sees in Sugar's face: a striking similarity to Jude, dead 15 years. In her sedate but supple prose--rising at times to a light, unforced lyricism in the description of landscape or character--the author perfectly renders the closed and protective society of a small Southern town, the superstitions, gossip, and prying. Although the men of Bigelow are happy enough to have Sugar around, the women do their best to drive her off. Only Pearl is drawn to Sugar, managing to look beyond the rumors surrounding her new neighbor, whose dismal life, she tells Pearl, "had no crossroads." Eventually Pearl shows Sugar the ballerina-topped jewelry box in which she keeps snapshots of her dead daughter.
Sugar lifted the lid and saw herself staring back at her. She jerked as if struck. Her hands were shaking as she lifted the first of many pictures from the box. Jude rolling in the grass, Jude swimming in the lake, Jude sleeping, Jude laughing. Sugar's head was swimming. If someone had brought these pictures to her and said, 'Here you are in the life you can't recall,' she would have believed every word of it and ignored the slight differences that remained between Jude and herself. Jude's smaller nose and thinner lips, her rounder eyes and fuller brow. But the smile was the same; sure and solid. Sugar knew that smile, it was her own.Slowly, the secret connections between Jude and Sugar unfold against a backdrop of suspense and the return of violence. This is an ambitious and feeling debut from a promising writer. --Regina Marler --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
With her eponymous anti-heroine, debut novelist McFadden breaks the mold of a venerable stereotype. Here, the hooker with a heart of gold is instead a hooker with a past so tarnished no amount of polishing can change her fate. As a baby, Sugar is abandoned by her mother and raised by a trio of prostitutes who run an Arkansas bordello. Turning tricks at age 12, and leaving town four years later to try her luck in St. Louis and then Detroit, brings more degradation, along with an ever-hardening heart. Upon her mother's death in 1955, Sugar is willed a modest home in Bigelow, Ark., but when she moves into town, and supports herself the only way she knows, the female population rises in wrath against her. All except Pearl, Sugar's next-door neighbor, who more than a decade ago lost her beloved daughter, Jude, to a vicious rapist/murderer. Pearl is struck by Sugar's uncanny likeness to Jude, and is determined to become Sugar's friend in spite of vocal disapproval. Although the two women are opposites in nearly every way, they bring out the best in each other: Sugar convinces Pearl to loosen up and accompany her to a Saturday night juke joint, and Sugar promises to go to church for two months of Sundays. Hypocritical gossip spreads among the townsfolk and tension grows when it turns out that nearly every married man in Bigelow pays a visit to Sugar, leaving the apparently frigid wives planning to run Sugar out of town. Pearl gives it her best shot to transform Sugar, but both women's painful pasts come back to haunt them in a crescendo of violent reenactments, betrayals and surprising revelations leading to a poignant, bittersweet ending. While hampered by a forced and compressed backstory, a surfeit of maudlin moments and some overwriting that is inadvertently funny, this ambitious first novel will appeal to readers who can appreciate Sugar's determination to come to terms with her past and fashion a viable future. Agent, James Vines. (Feb.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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