From Publishers Weekly
This smart, no-nonsense primer-cum-directive on the art and science of acting comes stocked with information and peppered with anecdotes that will inspire the ambitious actor, despite the daunting nature of Brustein's curricula. Brustein, founder and director of the Yale Repertory Theatre and Harvard's American Repertory Theatre, is no lightweight, and this book may come as a shock to those who think acting is something innate and easy. Drawing on his 40-plus years of experience as an actor, director and dramaturge, Brustein explores what makes a good actor. Talent is essential, but insight, knowledge, reading, researching and a host of other explorations of both the human psyche and the history of literature and theater are necessary for an actor to have the range of some of Brustein's former students (Meryl Streep, Sigourney Weaver and Christopher Walken among them). Get a good liberal arts education, Brustein tells aspiring actors. Get a job to pay the rent and student loans while auditioning. Make numerous friends-these friendships will turn into jobs later in life. Most important, maintain a balance between performing and a personal life and remember that the best actors are all, at core, character actors. This is a sharp, accessible but far from simplistic Cliffs Notes on being an actor.
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From Booklist
Brustein has long maintained parallel careers as college professor, theater critic, and founder-director of Yale Repertory Theatre and the American Repertory Theater. That richness of experience informs this rich, gracefully written book in the Art of Mentoring series. Brustein covers all aspects of an emerging actor's life, from the "actor's calling" to getting a strong liberal education (to gain insights about oneself and the world that can be drawn upon onstage, not just to learn something else to fall back on) to strategies for finding work and staying employed. The book's title is misleading, however, for Brustein's advice is useful to performers of any age at any stage of their career. Indeed, it may fascinate and enlighten anyone interested in theater. What other book reviews various schools of acting; discusses the "exemplary careers" of prominent contemporary actors; details the roles of directors, audiences, critics, and designers in an actor's work life; and shows how those roles interplay to create contemporary theater? The subtitle of this ambitious, informative book is truer than its series-conforming title.
Jack HelbigCopyright © American Library Association. All rights reserved
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