From Publishers Weekly
The grandson of a Baptist minister, West is a professor at Harvard University who has adeptly combined the introspective strengths of the academic philosopher-theologian with the activist and humanist elements of the African-American religious tradition and black nationalist thought. This mammoth collection of social commentary, interviews, essays and memoir details his evolution as a social analyst and public figure, gathering some of his finest work from his previous books (Keeping Faith; Prophetic Fragments; Race Matters, etc.) as well as from a wide range of academic sources. Calling himself "a Chekhovian Christian," West is deeply concerned with the corruption of the dignity of the everyday citizen and the betrayal of the ideals of American democracy through its embrace of racist and sexist beliefs. While the range of his philosophical sermons can occasionally be overwhelming, his eclectic interests and original observations are quite rewarding. Whether he is discussing Marxist theory, slavery, architecture, black sexuality, black-Jewish relations or bebop and rap, his often complex statements yield a continual flood of surprising insights. West is at his most accessible in his interviews with philosopher George Yancy, TV host Bill Moyers and African-American feminist writer bell hooks. This collection amply attests that West's reputation as a brilliant, humane voice in American intellectual discourse is richly deserved. (Nov.)
Copyright 1999 Reed Business Information, Inc.
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From Library Journal
This reader, edited by West himself (Alphonse Fletcher, Jr. University Professor, Harvard Univ.), presents essays covering his impressive career and development as an intellectual, philosopher, cultural critic, and "Chekhovian Christian." Arranged in eight thematic sectionsAautobiography, modernity, pragmatism, Marxism, political praxes, Christian thought, the arts, and controversial racial issuesAthis work reveals that West's profound commitment to and quest for social justice, across differences, is unrelentingly compassionate and sometimes decorously and ostensibly innocent. Yet West does not feel obligated to write for the everyday folks, especially black folks, he champions. The selected essays, unlike those in his best-selling Race Matters (LJ 3/15/93), are highly theoretical and academic, accessible only to the highly educated. Furthermore, West himself declares that he has given up journalism (a forum in which he could create and maintain a broader audience base) because journalistic writing "can become too simplistic, flat, or clever." For most, these scholarly writings will be too obtuse, convoluted, and pretentious. Recommended for academic libraries.ASherri Barnes, Univ. of California Lib., Santa Barbara
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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