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56 of 57 people found the following review helpful:
5.0 out of 5 stars
The Real Story of the Last Samurai, December 21, 2003
Ravina's The Last Samurai is an excellent study high on specifics in an academic subject which is often superficial and generalized. It's not a book about generals, tactics, and weapons, but a look at an idealistic and passionate man who also happened to be a samurai.Casual readers should know right from the start that this book is an academic text with extensive annotations and a large bibliography. It is not a difficult book to read, but a fuller knowledge of Japanese history would give the book a richer historical context in which Saigo Takamori lived. With that said, I only wish Ravina had included a substantive biographical glossary of the people with whom Saigo lived and communicated. The importance of people like Okubo, Kido, and Itagaki are far understated in the text. A minor peeve are the date notations which can be confusing at times, but it reflects Ravina's conscious decision to put accuracy at the forefront of his research. Historical method is certainly the defining characteristic which makes The Last Samurai a definitive text in English (as well as in Japanese, when and if it ever gets translated). One would have wished for a more complete examination of the alleged assassination attempt on Saigo's life for it is offered as a critical pretext for his revolt against the Meiji government. If the conspiracy to take his life were conclusively true, then Saigo could be seen as reacting in self-defense to preserve not only the independence of the Satsuma fief, but also his personal honor. If untrue, Saigo could just as easily be accused of supporting an opportunistic rebellion. But in a book about as romanticized a figure as Saigo Takamori is in Japanese culture, my biggest worry from the onset was that Ravina would have been just as drawn as past biographers to perpetuate the standard myths about Takamori's life. But Ravina challenges the legend and brings Takamori down from the heavens and places him profanely on the battlefield where he perishes in ignominious defeat. Like Matsumoto from Zwick's film (same name, but not based on Ravina's book), much is made of Takamori's pull between tradition and modernity. Ravina's book is encouraging in that the author is not afraid to tell us what we, as a sympathetic reader, would be afraid to hear. What that is can be found quite appropriately in the book's last paragraph. For those who have seen The Last Samurai (the movie) but want to know the REAL story of the last samurai, read this book. Nick Jamilla, author of Shimmering Sword: Samurai, Western, and Star Wars Sword Fighting.
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30 of 35 people found the following review helpful:
5.0 out of 5 stars
The Paradoxical Life of a Paragon of Virtue, June 28, 2004
The Tom Cruise movie, "The Last Samurai" depicts Saigo Takamori as a reactionary who rejected everything Western and died valiantly waving a samurai sword as he rode into the murderous fire of gatling guns. Well, he did die valiantly (or quixotically) as a medieval samurai charging on horseback into gunfire, but he wasn't a reactionary. He was a little bit more complicated than that.
Instead of being the movie's staunch defender of the status quo, Takamori was instrumental in dismantling Japanese feudalism and bringing Japan into the 19th Century. He embraced Western technology and admired some aspects of Western government. Fierce in battle, compassionate in victory, loyal to a fault, tortured by his perception of himself as a failure, eager to embrace death before dishonor, this was a man who commanded such respect that he endangered the Meijin government by simply refusing to participate in it.
How could one of the greatest supporters of the Meijin emperor rebel against his sovereign? How could one of the main architects of the moderinzation of Japan wind up charging on horseback into the murderous gunfire of the modern Japanese army? How could he in death be transformed into a hero of mythic proportions? Read the book and find out.
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13 of 14 people found the following review helpful:
4.0 out of 5 stars
A Conflicted hero that endures today, October 20, 2004
"Where is Saigo Takamori's head?"
Thus begins Mark Ravina's intriguing and amazingly detailed historical narrative of Japan's enduring hero of its traditional cultural ways, the way of the Samurai. As Ravina ponders, why did finding Takamori's head matter: because it represented one of the oldest traditions of the warrior class. At the final battle between the rebel forces against the Meiji state on the morning of September 24, 1877, in which the rebel forces were defeated, by presenting the severed head of this legendary defeated warrior, it displayed honour, and offering the head to the lord as tribute, this showed great respect for the Samurai class as a whole. (This was a contradiction, as the Meniji state had been suppressing the Samurai tradition for some time) It was highly symbolic that Takamori's head could not be found, which the author exams with great erudition and depth.
Saigo Takamori continues to be revered in Japan because he has come to represent the true Japan, medieval Japan, before the fall of the Tokugawa shogunate and the rise of the Meiji state, which ironically, Saigo Takamori played a major role that contributed to their rise and fall, respectively. Takamori was at once a great traditionalist and reformer. He practiced the old ways and believed passionately in the basic virtues of the Samurai, though at the same time realised the great need for his country to reform. In the end, he knew that Japan had to retain its cultural heritage, all that was good and positive, but he also realized the need to move with the west. He believed the west was advanced in many ways, politically, yet cultural anomalies such as ballroom dancing, he utterly appalled. In effect, he desired everything good from both cultures.
In fact this entire story is a paradox. It is because the desire for reform and the desire to retain the traditional are equal in importance and strength. Interestingly, after Saigo's death, a slogan appeared in the popular press at the time: "Shinsei kotoku" (A New Government, Rich and Value), in other words, a new governing body that retains traditional values. As the author points out -
"...it looks forward to a new government but harkens back to the notion that the state should be benevolent rather than bureaucratic. Implicit in the slogan was the contradictory but compelling desire for the vitality of a free society combined with the security of a Confucian patriarchy." (P.206)
The last Samurai, Sagio Takamori, is a mixture of legend and historical fact. Japan has created him as a symbol of modern Japan, that contradiction of modernity and deep-seated tradition that endures today. This is an excellent work on a fascinating individual.
Highly recommended.
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