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Une Semaine De Bonte: A Surrealistic Novel in Collage Paperback – June 1, 1976

4.6 out of 5 stars 32 customer reviews

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Product Details

  • Series: Dover Fine Art, History of Art
  • Paperback: 208 pages
  • Publisher: Dover Publications; 2nd Revised ed. edition (June 1, 1976)
  • Language: English
  • ISBN-10: 0486232522
  • ISBN-13: 978-0486232522
  • Product Dimensions: 8.1 x 0.6 x 11 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #68,612 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
great drawings of big author, worth the have it, but I saw originals in Vienna and must say that I was bit disappointed when I saw the drawings in the book. I think that they are not to good scanned. Originals have very thin lines and in the book that lines are not so thin, so much detail because of that is lost. Second, on original drawings some parts are sticked, and you see that in different shades of paper. And in the book all is on white paper so you cant know which part is collage. Hope that was helpful
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Format: Paperback
If you're looking for inspiration, you can jar something loose in your head with this beautiful, inexpensive book. This legendary collage masterpiece remains so obscure that most poets & artists aren't even aware of its existance. What does it all mean? I sure don't know but it makes me feel strange in the pit of my stomach. A wild one, kids!
Bob Rixon, WFMU-FM
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These works convey a set of very disparate impressions. The first, visual level displays seamless craftsmanship. No untidy edges appear, the kind that mar so many collages. Careful matching of the different pieces works well, too - in most cases, it looks very nearly as if the whole composite image were the work of one engraver. Ernst's careful assemblage does a lot to support the viewer's suspension of disbelief.

Then, at the narrative level, each image evokes some profound or baffling meaning. A lion-headed hero supervises a guillotining, or awaits his turn; women in dreamy deshabille sleep through flooding of their boudoirs; bat-winged matrons and falcon-headed men discourse in Victorian drawing rooms; collisions and juxtapositions of too many elements to name appear, page after page. But no image stands alone, each appears as one element of a sequential narrative. Things begin to break down at the sequence level, however. What exactly transpires, and why? Not just ambiguous, these series stand boldly and deliberately opaque, challenging the reader to assign any meaning whatsoever - neither confirming nor denying any that one might try to impose.

At the historical level, "Une Semaine" offers another range of potential interpretations. As image-based storytelling (and as a member of the wordless species within that genus), this stands squarely in a tradition with roots in the Lascaux caverns and a blossoming in today's effusion of graphic novels. It connects eighteenth century commercial engraving to some of the most radical and exploratory art of twentieth century surrealism. It moves away from the older narrative tradition, a visual retelling of myth or history well-known throughout the viewers' culture and education, into a more modern kind of involvement.
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"Surrealism" is an overused word these days, drained of much of its original power ... but just open these startling pages of collage & you'll rediscover that it's still just as potent. Both disturbing dream & benign nightmare, the non-narrative accumulates in woozy intensity as you immerse yourself in it, swept away willingly by its ghostly flood of images. Like a genuine dream, there are constant, tantalizing hints of unfulfilled meaning -- it almost makes sense, but never quite does -- but that's not frustrating in the least. Instead, depending on your moods, you'll find multiple meanings ... or you can simply enjoy the experience itself, without trying to find some rational skeleton behind it all. And if it leads you to more of Max Ernst's work, all the better! Highly recommended!
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Format: Paperback
Here's an "ahead of its time" classic that will provide inspiration if you're a graphic artist, hours of fun puzzling over its meaning if you're not an artist, and quite the psychedelic experience either way. Max Ernst was a surrealist, but before you start envisioning Magritte or Dali's artwork you'd better remember that not all surrealism looked that way. Ernst was a master of collage techniques, and in this book he creates what - on the surface - are literal-minded collages in that he uses black-and-white Victorian era magazine, journal, and book illustrations as his exclusive source material. This lends the images a certain holistic nature because they are composed of materials using similar reproduction techniques. It's only when you actually look carefully at these pictures that you realize they are collages and not simply pre-existing works, and that there's something seriously odd about them.

This is a world where pulp imagery runs headlong into academic-style nudes, Grandville-style beasts with the heads of animals but the bodies of gentlemen, out-of-context scientific apparati, and demons and dragons lifted from Dore's illustrations. It's sometimes amusing, sometimes disturbing, often nightmarish and will make you feel as though you're temporarily privvy to someone else's dreamworld. It's definitely dark more than light. As for me, I've spent many hours looking at this book even before I bought it, and I'm a huge fan of it.

I think this book is best enjoyed in small doses of perhaps 30 pages or so in a sitting so that there's no risk of overkill. After a while, the constant use of black-and-white can be numbing in this dreamlike context.
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Une Semaine De Bonte: A Surrealistic Novel in Collage
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