Fidelio in Full Score (Paperback)

~ Ludwig van Beethoven (Author)

Editorial Reviews

Product Description

Complete score of Beethoven’s only opera in one affordable volume, including all spoken German dialogue. Here is Beethoven’s genius for orchestration combined with the drama of the human voice in choruses, duets, emotion-filled arias and an intense finale. Unabridged republication of the work as published by C. F. Peters, Leipzig, n.d.

Product Details

• Paperback: 272 pages
• Publisher: Dover Publications (November 1, 1984)
• Language: English
• ISBN-10: 0486247406
• ISBN-13: 978-0486247403
• Product Dimensions: 11.8 x 9.5 x 0.6 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #972,603 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

4.0 out of 5 stars This is what you want, December 3, 2007

By	B. Annis (Spokane, WA) - See all my reviews (REAL NAME)

This is the real thing. Full orchestral score and complete. No translation from the German, unfortunately, but a translation of the libretto is not hard to find.

4 of 9 people found the following review helpful:

2.0 out of 5 stars Do not buy this!, May 2, 2000

By A Customer

This review is from: Fidelio (Paperback)

This opera, is probably the best opera in the time of Beethoven. This opera is not very long, but her sister Leonore, is longer and much more beautiful, but Fidelio, is much more dramatic. The opera score here, is very good, no dialog, which is pretty hard because the recordings I have, are missing dialog, and I want to see the dialog itself. The opera score contains no table of contents, no instrumentation, and no notes. The opera score which i got, fell apart after two months I have used it, and the scoresmells a horrible smell. do not buy this score, it is cheap, but you get cheap.

2 of 6 people found the following review helpful:

4.0 out of 5 stars Beethoven's only Opera, July 16, 2000

By	Keith Dillon (Buena Park, California) - See all my reviews

The history of Fidelio's composition is one of the great comic Operas in the annals of music theatre. Beethoven wrote the opera's first version, Leonore. He liked it, but didn't like the overture. He wrote a second overture, didn't like it, then wrote a third. He liked the new overture, but decided he didn't like the opera. So he re-wrote the Opera and re-titled it Fidelio. After finishing the new score, he decided that, you guessed it, he hated the overture. After composing two full length operas and four 15-minute overtures, he finally had the piece he wanted to compose. With sweat pouring off his brow, he triumphantly exclaimed, "man, I ain't doing that again!" Dover reprinted an early Breitkopf & Hartel edition of Fidelio, using as it's resource B & H's gesamtlichtwerke (I believe that's "complete works"). Dover chose Fidelio, not Leonore, for the simple reason that Fidelio is the version most often performed today. Maybe the idea that Dover could've publish two versions simply underlines the assertion that Dover should begin publishing Complete Works of some of Western Classical music's great masters, such as Beethoven (sold separately, or in a set, of course). The scholarship in this B & H Fidelio is, of course, highly reliable, and the book itself is easy to read and nearly indestructable. The print is large enough that this score could be used on the podium.