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Spoon River Anthology
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Editorial Reviews
From School Library Journal
YA-- A richly annotated edition resuscitates a fading American classic. Because Hallivas's pithy introduction adds both perspective and gossipy detail, YAs will enjoy learning about the individual struggles of the 244 characters who speak from the cemetery on "the hill." Secondary teachers will find this a useful tool for preparing character sketches, thanks to the lively, specific annotations naming names: who rejected whom; who challenged whom, both physically and politically--and it is all expertly researched. The microcosm of Spoon River comes alive with its central conflicts of agrarian traditionist v. temperance and abolitionist activism. From the grave, the hard-drinking, roughly hewn frontiersmen challenge the do-good social reformers, reenacting the struggle the 19th-century midwestern push kindled: would any government law prohibiting drinking or slavery impress these strong individual-rights townspeople? They offer their own answers as Masters intended, but they offer the responses against a tapestry of detail the editor provides. Hallivas's cogent essay traces the philosophical influences that marked Masters's works: Spinoza, Goethe, and especially Whitman. The inclusion of several photographs of the characters who speak adds important visual detail.
- Margaret Nolan, W. T. Woodson High School, Fairfax, VA
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
Tombstones, as the man who carved them says he learned over the years, are a form of false history. In this 1915 collection, Edgar Lee Masters tells the stories of the dead--through their own posthumous words--in the fictional town of Spoon River. The stories are well told and often harsh, as the dead of Spoon River carry their anger and grievances to their graves. Masters portrays a town filled with injustice, corruption, and cruelty, an inverse to the idyllic community of Thornton Wilder's Our Town. The cast of 50, headed by Patrick Fraley and Edward Asner, is well matched to the many characters in this excellent production. J.A.S. 2003 Audie Award Finalist © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
See all Editorial Reviews
YA-- A richly annotated edition resuscitates a fading American classic. Because Hallivas's pithy introduction adds both perspective and gossipy detail, YAs will enjoy learning about the individual struggles of the 244 characters who speak from the cemetery on "the hill." Secondary teachers will find this a useful tool for preparing character sketches, thanks to the lively, specific annotations naming names: who rejected whom; who challenged whom, both physically and politically--and it is all expertly researched. The microcosm of Spoon River comes alive with its central conflicts of agrarian traditionist v. temperance and abolitionist activism. From the grave, the hard-drinking, roughly hewn frontiersmen challenge the do-good social reformers, reenacting the struggle the 19th-century midwestern push kindled: would any government law prohibiting drinking or slavery impress these strong individual-rights townspeople? They offer their own answers as Masters intended, but they offer the responses against a tapestry of detail the editor provides. Hallivas's cogent essay traces the philosophical influences that marked Masters's works: Spinoza, Goethe, and especially Whitman. The inclusion of several photographs of the characters who speak adds important visual detail.
- Margaret Nolan, W. T. Woodson High School, Fairfax, VA
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
Tombstones, as the man who carved them says he learned over the years, are a form of false history. In this 1915 collection, Edgar Lee Masters tells the stories of the dead--through their own posthumous words--in the fictional town of Spoon River. The stories are well told and often harsh, as the dead of Spoon River carry their anger and grievances to their graves. Masters portrays a town filled with injustice, corruption, and cruelty, an inverse to the idyllic community of Thornton Wilder's Our Town. The cast of 50, headed by Patrick Fraley and Edward Asner, is well matched to the many characters in this excellent production. J.A.S. 2003 Audie Award Finalist © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
See all Editorial Reviews
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