Amazon.com Review
This lavish book is a catalog of sorts of 50 years of the best of British art, architecture, and design. Christopher Frayling, Rector of the Royal College of Art, in his suitably upbeat forward, notes that "some analysts reckon that Britain's future, in the post-industrial world, may depend on our creativity and visual flair." This book displays the origins of that flair. The essays by noted critics and artists David Sylvester, David Hockney, Melvyn Bragg, and Nick Serota ensure that the artistic and cultural history of mid- and late-20th-century British art is thoroughly covered, but it is the splendidly reproduced pictures that really make this book sing. Psychologically taut Francis Bacon paintings and a politically charged Chris Ofilli canvas are here, along with architecture ranging from 1950s London County Council flats to the Millennium Dome and designs that include David Mellor cutlery and the space-age-looking Dyson vacuum cleaner. In addition, samples of video, photography, advertisements, fashion, and technology (the Apple iMac computer was designed by a Brit) are explored. The impact of television on visual media is appropriately weighted--Bragg points out that the marriage between art and the small screen "is happier than anyone could have dreamed of." All in all, this is a thrilling book that gives British national pride a good name. --Amazon.co.uk
From Library Journal
This survey of the arts in Great Britain from 1949 through 1999 is organized as a yearly chronology, with a well-chosen sampling of painting, architecture, graphic and industrial art, and fashion design lavishly displayed throughout. The volume's contributing essayists include key personalities from the British contemporary art scene, most notably Nicholas Sertoa, the director of the Tate Gallery, and renowned painter David Hockney. As the text weaves its way through the striking layouts, Hockney's observation that "one forgets how small an art world is" rings true. The critics, teachers, artists, and others who contribute their insights to the text are obviously from this world's inner circle, and as such, their thought-provoking commentary tends to lack the perspective of an objective overview. Lacking also is a detailed index (an appendix with brief artists biographies doubles as an index to reproductions). Still, this is a handsomely produced and informative survey for larger public libraries as well as academic and art libraries.ADavid Soltesz, Cuyahoga Cty. P.L., Parma, OH
Copyright 1999 Reed Business Information, Inc.
Copyright 1999 Reed Business Information, Inc.
