Sniffin' Glue: The Essential Punk Accessory by Mark Perry  (2)
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Editorial Reviews
Book Description
From its beginnings at World's End, King's Road, London, where Malcolm McLaren and Vivienne Westwood turned art into fashion and fashion into life from their shop SEX, punk sent shock waves of anarchistic music, attitude, fashion, and style through Europe, the United States, and beyond with a force that is still at work at the end of the century. Nils and Ray Stevenson were there from the start. More graphically than any other writer, Nils traces the roots of the experience that lay at the heart of punk: "We had no regard for 'authenticity.' We owned it and we manipulated it with an irreverence that was previously unheard of. . . . Punk was a cage to go wild in." The raucous reality of the unfolding story is recreated month by month in Ray's riveting photographs, accompanied by his brother's startlingly frank diary entries and handwritten comments from others who were part of the scene. McLaren and Westwood, the Sex Pistols, Siouxsie and the Banshees, the Clash, the Buzzcocks, the Slits, the Stranglers, and their fellow renegades from across the Atlantic--Richard Hell, the New York Dolls, Iggy Pop, Patti Smith, and Debbie Harry--all come alive and kicking off the page. The first book to capture the immediacy and excitement of the original punk, this is a must-buy for all fans of punk, neo-punk, and the distinctive British music and fashion scenes.
About the Author
Nils Stevenson was road-manager for the Sex Pistols, and then managed Siouxsie and the Banshees. Ray Stevenson was undercover publicist for the Sex Pistols, and the only photographer involved in the early days of punk.
From its beginnings at World's End, King's Road, London, where Malcolm McLaren and Vivienne Westwood turned art into fashion and fashion into life from their shop SEX, punk sent shock waves of anarchistic music, attitude, fashion, and style through Europe, the United States, and beyond with a force that is still at work at the end of the century. Nils and Ray Stevenson were there from the start. More graphically than any other writer, Nils traces the roots of the experience that lay at the heart of punk: "We had no regard for 'authenticity.' We owned it and we manipulated it with an irreverence that was previously unheard of. . . . Punk was a cage to go wild in." The raucous reality of the unfolding story is recreated month by month in Ray's riveting photographs, accompanied by his brother's startlingly frank diary entries and handwritten comments from others who were part of the scene. McLaren and Westwood, the Sex Pistols, Siouxsie and the Banshees, the Clash, the Buzzcocks, the Slits, the Stranglers, and their fellow renegades from across the Atlantic--Richard Hell, the New York Dolls, Iggy Pop, Patti Smith, and Debbie Harry--all come alive and kicking off the page. The first book to capture the immediacy and excitement of the original punk, this is a must-buy for all fans of punk, neo-punk, and the distinctive British music and fashion scenes.
About the Author
Nils Stevenson was road-manager for the Sex Pistols, and then managed Siouxsie and the Banshees. Ray Stevenson was undercover publicist for the Sex Pistols, and the only photographer involved in the early days of punk.
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