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64 of 68 people found the following review helpful:
5.0 out of 5 stars
beautiful collection of ancient European images and symbols., September 26, 2000
"The Language of the Goddess" is a must-have for anyone interested in symbolism and imagery, as it presents some of the oldest decorative markings ever scratched into stone, bone, and wood. Most of the images, reproduced in line drawings and black-and-white photos, are taken from Neolithic European village sites dating back as far as 7,000 B.C. Thus they are, for the most part, a product of agricultural cultures. However, there is a striking similarity between some of these marks and those found on relics from Paleolithic hunter-gatherer sites, examples of which appear in this book.
The link between the images from Neolithic and Paleolithic sites arises at least in part from those cultures' shared worship of the Goddess. In the text accompanying the images, Gimbutas tries to reconstruct the world-view of the European Goddess-centered people. She works by inference, looking at various found objects and their markings--not just in their historical context but also in relation to each other.
For instance, in her chapter entitled "Net Motif," she writes, "Signs associated with the framed net -- parallel lines, zig-zags, tri-lines, M's, and chevrons -- place it within the aquatic symbol family. . .the framed net also appears with symbols of becoming: egg, vulva, uterus, fish bladder forms, and plant leaves. This implies that the net is linked with aqua-cosmogony, the life source, and the birth of human, animal, and plant life. . .in other words, it must have been a symbol of the "water of life" well known to us from myths. The net design. . .probably emphasizes the life-giving power of the Goddess."
It is interesting that we still speak of "the web of life," and the "interconnectedness of all beings." The web is an ancient image, and just one of many in the book that readers can recognize as still resonating for us now. Some other images which Gimbutas presents are Meander and Water Birds, Streams, Tri-Line and Power of Three, and Deer and Bear as Primeval Mothers.
This book is wonderful for textile artists, potters, painters, or poets - indeed for anyone interested in drawing inspiration from the furthest reaches of human history. These are powerful symbols for study, which come alive when given careful attention.
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39 of 45 people found the following review helpful:
5.0 out of 5 stars
Gimbutas is great, October 22, 2001
This is a truly wonderful book by a now deceased author. Marija Gimbutas was a fine scholar (chair of European Archeology at UCLA), and if she were alive today, would gladly take part in the storm of response that her ideas on prehistoric religion have inspired. All such scholarly theories require work and refinement, and the ideas presented in this book are no exception. There is, however, no other single text on the subject of early human religion that I think is more important. Read it, love it, and give it to all your friends.
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17 of 18 people found the following review helpful:
5.0 out of 5 stars
Inspirational, March 30, 2004
It's been a few years since I read this, but I remember that it sparked a small burst of artistic activity for me. We can argue whether everything in it is factually true, as one reviewer said, we may never really _know_, but Gimbutas' interpretation certainly deserves consideration. It offers a counter-balance to the traditional patriarchal view of prehistory which is just as likely to be biased and wrong. I found Gimbutas' theories on the origin of writing very believable.
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