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Editorial Reviews
From Publishers Weekly
Led by a hypnotic, self-styled Greek demigod, the villainous Decada cabal prove insanely worthy adversaries for 007 as they plan chemical and biological revenge against Turkey (and any country they perceive as its allies) in the immortal SIS agent's new outing. Benson (Zero Minus Ten; The James Bond Bedside Companion) cues off the latest Bond reels by setting up his female "M" (head of SIS) with Alfred Hutchinson, a suspicious politico linked to the Decada. When he is murdered, Bond goes to Texas in search of Hutchinson's missing son, reunites with American agent Felix Leiter (now confined to a wheelchair), stumbles onto the source for the Decada's chemical and biological weapons and follows the trail back to Greece. Sexual subterfugeAever Bond's betrayer and salvationAlands him in the clutches of Konstantine Romanos, mad leader of the Decada, and the result is several quintessential 007 escape/rescue scenes (aided by a luscious Greek agent) before the final showdown under a nuclear shadow on Cyprus. Edgar winner Benson pays homage to Fleming's plots in an amusing inventory of Bond's scars; touchingly ages Leiter, loyal Miss Moneypenny and long-suffering arms maven Boothroyd; and imbues his Bond with enough honor, sexual prowess and action-hero skills to please the purist and enthrall the novice. First serial rights to Playboy. (June) FYI: Benson is director of The Ian Fleming Foundation.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
The fate of the world, and James Bond, are in capable hands in this second 007 adventure from Benson (Zero Minus Ten, 1997). Writing as both a disciple and defender of Western civilization's most enduring action hero, Benson, a director of the Ian Fleming Foundation and author of the fan bible, the James Bond Bedside Companion, attempts to meld Fleming's brooding, coolly cruel British knight with the dapper, quip-slinging techno-warrior of the Bond movies, with a few respectful bows to the superhuman stuntman Bond became when British thriller-factory John Gardner had an exclusive franchise on the series. All the canonical elements are in place--the Flemingesque fetish for brand names (were informed that Bond's crippled American sidekick, former CIA agent Felix Leiter, now zooms about in a high-speed Action Arrow motorized wheelchair), a demented, megalomaniacal father figure villain (Konstantine Romanos, an independently wealthy mathematics professor who thinks he's the reincarnation of Pythagoras), the ultimate car (a self-driving Jaguar XK8 with more gadgets than the Batmobile but, alas, no ejection seat), the corny sex jokes (Bond seduces the statuesque female director of a sperm bank who extracts her sample from 007 as passionately as possible), a superbly furnished techno-fortress with a hidden superweapon, and, most infamously, a harem of beautiful, accomplished women, some of whom are bisexual, all of whom cant resist Bond's darkly handsome charms. The plot, meanwhile, is standard Bond, with Romanos using designer weaponry to kill numerous innocent people, with a purloined Pershing missile being readied for launch. Between the requisite scenes of sex, violence, and destruction, Benson's Bond occasionally succumbs to existential gloom, but never fails to do the right thing for Queen and country. A postmodern treat for fans and newcomers that lovingly, if not ironically, duplicates a formula so familiar that originality would be sacrilege. (First serial rights to Playboy) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Led by a hypnotic, self-styled Greek demigod, the villainous Decada cabal prove insanely worthy adversaries for 007 as they plan chemical and biological revenge against Turkey (and any country they perceive as its allies) in the immortal SIS agent's new outing. Benson (Zero Minus Ten; The James Bond Bedside Companion) cues off the latest Bond reels by setting up his female "M" (head of SIS) with Alfred Hutchinson, a suspicious politico linked to the Decada. When he is murdered, Bond goes to Texas in search of Hutchinson's missing son, reunites with American agent Felix Leiter (now confined to a wheelchair), stumbles onto the source for the Decada's chemical and biological weapons and follows the trail back to Greece. Sexual subterfugeAever Bond's betrayer and salvationAlands him in the clutches of Konstantine Romanos, mad leader of the Decada, and the result is several quintessential 007 escape/rescue scenes (aided by a luscious Greek agent) before the final showdown under a nuclear shadow on Cyprus. Edgar winner Benson pays homage to Fleming's plots in an amusing inventory of Bond's scars; touchingly ages Leiter, loyal Miss Moneypenny and long-suffering arms maven Boothroyd; and imbues his Bond with enough honor, sexual prowess and action-hero skills to please the purist and enthrall the novice. First serial rights to Playboy. (June) FYI: Benson is director of The Ian Fleming Foundation.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
The fate of the world, and James Bond, are in capable hands in this second 007 adventure from Benson (Zero Minus Ten, 1997). Writing as both a disciple and defender of Western civilization's most enduring action hero, Benson, a director of the Ian Fleming Foundation and author of the fan bible, the James Bond Bedside Companion, attempts to meld Fleming's brooding, coolly cruel British knight with the dapper, quip-slinging techno-warrior of the Bond movies, with a few respectful bows to the superhuman stuntman Bond became when British thriller-factory John Gardner had an exclusive franchise on the series. All the canonical elements are in place--the Flemingesque fetish for brand names (were informed that Bond's crippled American sidekick, former CIA agent Felix Leiter, now zooms about in a high-speed Action Arrow motorized wheelchair), a demented, megalomaniacal father figure villain (Konstantine Romanos, an independently wealthy mathematics professor who thinks he's the reincarnation of Pythagoras), the ultimate car (a self-driving Jaguar XK8 with more gadgets than the Batmobile but, alas, no ejection seat), the corny sex jokes (Bond seduces the statuesque female director of a sperm bank who extracts her sample from 007 as passionately as possible), a superbly furnished techno-fortress with a hidden superweapon, and, most infamously, a harem of beautiful, accomplished women, some of whom are bisexual, all of whom cant resist Bond's darkly handsome charms. The plot, meanwhile, is standard Bond, with Romanos using designer weaponry to kill numerous innocent people, with a purloined Pershing missile being readied for launch. Between the requisite scenes of sex, violence, and destruction, Benson's Bond occasionally succumbs to existential gloom, but never fails to do the right thing for Queen and country. A postmodern treat for fans and newcomers that lovingly, if not ironically, duplicates a formula so familiar that originality would be sacrilege. (First serial rights to Playboy) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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