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16 of 16 people found the following review helpful:
4.0 out of 5 stars
Case closed - Schmidt not guilty, March 2, 2003
This book is so simply written that it just might fool you into thinking that it is a simple book. Far from it. This is a rich, layered, nuanced plot with complex characters and powerful themes of loss, anti-Semitism, aging, and generation gaps. I found myself getting so lost in the pure pleasure of reading this novel that I frequently forgot that I was reading a book that was short-listed for the National Book Critics' Circle Award - a prize usually given to novels that require effort to muscle your way through.Begley's background as an attorney shows through clearly. He is not your typical writer. You'll find little of the literary fluff, not much symbolism, no strong attachment to any particular technique or structure. Instead, his minimalist prose allows the reader to focus on the story, on the characters, and most importantly, on the themes. Much has been said about the notion that the reader is supposed to pass judgment on Schmidt - hence the title, a legal reference implying that the author is presenting a case or a brief. But is there any doubt about who is guilty and who is innocent here? Schmidt, for all of his flaws, is clearly the hero. Yes, he feels more comfortable with people of his own kind than with outsiders, but who doesn't? His heart is in the right place, for the most part, and Begley draws a rich portrait of a daughter who becomes self-absorbed in her unjustified resentment as she distances herself from her father. Begley's exploration of this rift is beautiful for its subtlety, and for its ability to present a morally unambiguous case without sacrificing its complexity. Who can explain, however, the bizarre adaptation for the screen that recently came out? It resembles the book in virtually no respect, and makes one wonder why the bothered to pay for the rights to the book. The book as it was would have made an excellent movie - one can only speculate as to why and how Hollywood took such an excellent book and, with much effort, turned it into such a mediocre film.
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
I want to hang out with Schmidtie!, July 30, 1997
By A Customer
Having never read Begley before, I did not know what to expect. I'm happy to report that once I got used to his style (complex sentence constructions), I settled in and really enjoyed this book.
Albert Schmidt, it seems, should be someone whose butt we want to kick. He's grouchy and way too stuck on himself. But he's also quite observant, and this is ultimately what made me like him. He can sniff out a phony at twenty paces and he's not afraid to challenge those who pry too deeply (witness his altercation with his son-in-law-to-be's mother, a psychiatrist who takes it upon herself to lift Schmidtie from the depression he's been in since the death of his wife. He combats her phychiatrist's offensive with his attorney's defense and it's rather humorous).
Though Schmidt spends much of the book moping around and looking back on his life, he begins to let his hair down when he takes up with a feisty waitress, who gets him thinking about possibilities. Is she only doting on him to get a big tip? The passages in which Schmidt and Carrie's relationship develops are really touching.
In Albert Schmidt, Begley has created a truly memorable character in less than three hundred pages. Begley's prose is elegant -- it's obvious he worked hard on this book. I wish I could say the same for Richard Ford, whose "Women with Men" I read just before this book. Compared to Begley's latest work, Ford's collection is light and airy, puff pastry crud. I recommend Ford read "About Schmidt" before he embarks on his next project
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13 of 15 people found the following review helpful:
1.0 out of 5 stars
Old man fantasy camp., December 29, 2004
I originally bought this book almost two years ago after enjoying the movie; after attempting to start it twice, I gave up on it. Recently, I had some extra time and needed a book to read.
Why didn't I learn my lesson?
About Schmidt is the story of a recently widowed and lonely retired man with very few links left to the outside world, and who is about to lose his daughter to a Jewish man(Schmidt is mildly anti-semitic). While this could have been an interesting character study, Schmidt is fiercely unlikable character who doesn't do much and whose problems are solved in an unrealistic manner.
This lack of realism also carries over into the dialogue, with every character being able to pull these highly intellectual and rehearsed speeches out of absolutely nowhere at a moment's notice. Long-winded and hard to follow, Begley has chosen to write his dialogue without quotation marks, making things even tougher for the reader.
Begley's ego can be seen in the novel in more than just the lack of quotation marks. What begins as a rough but slightly interesting look at loneliness soon evolves into absurdity as Schmidt begins to have a relationship with a woman 40 years his junior. After the halfway point of About Schmidt, the book just turns into Schmidt being irresistible to this woman(for no apparent reason), and constant sex between the two with absolutely no tension. What little danger Schmidt could possible be in is quickly resolved, and awkwardly tied into the main story. Nothing important or interesting in About Schmidt is really resolved. Schmidt just has a lot of sex with a younger woman and he(and the book) forgets about everything else. What could have been interesting(Schmidt's 2-page visit to South America) is never explored.
I have the itching feeling that About Schmidt is just some kind of strange Louis Begley fantasy. My dislike of the author grew as I read the interview section in the back of my book; all of Begley's answers are curt and give absolutely no interesting information. Also, I just discovered that the further adventures of Schmidt can be read in the sequel to this book. Come on! Reading the synopsis of the sequel made me realize how much of an old man fantasy the Schmidt character is.
About Schmidt the movie is a wonderful and observational look at loneliness and relationships. About Schmidt the novel is garbage. Honestly, the two are not the same in even the most basic ways; you can possibly compare three IDEAS between the two works. However, don't let this book keep you from seeing the film.
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