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Editorial Reviews
Amazon.com
If you like challenging science fiction, then Jeff Noon is the author for you.
If you like challenging science fiction, then Jeff Noon is the author for you.
Pollen is the sequel to Vurt (winner of the 1994 Arthur C. Clarke award), and both are concerned with a world in which dreams, drug-induced hallucination, and reality become completely intermingled. In this volume, the dream world unleashes a pollen that threatens to cause people in the real world to sneeze to death.
But no review can do Noon's writing justice: it's a phantasmagoric combination of the more imaginative science fiction masters, such as Phillip K. Dick, genres such as cyberpunk and pulp fiction, and drug culture.
If you would like a more accessible approach to Jeff Noon's richly imagined world, I recommend Automated Alice, a modern recasting of Lewis Carroll's Alice in Wonderland.
From Publishers Weekly
Again Noon plunges us into the psychedelic, near-future Manchester of his first novel, Vurt. In this city peopled by mutant crossbreeds (robodogs, dogboys, zombies), the barriers between reality and the Vurt?a kind of shared dreamworld accessed by tasting Vurt feathers?have been growing increasingly porous. It's now 15 years after the events of the first novel, and the denizens of the Vurt are engaged in a plot to invade the real world, starting by infecting the Manchester air with virtual pollen. Drifts of these yellow allergens fill the streets, causing a wave of death by sneezing. Only the "Dodos," unable to access the Vurt because they don't dream, remain immune. One of them is the cab driver Boda, who begins by searching for the killer of her dogboy boyfriend, Coyote, and ends up confronting the leader of the invasion in his lair. Another Dodo is Boda's estranged mother, the shadowcop Sybil Jones, who narrates the novel in the present tense. Jones, who suspects that her police bosses are in league with the invaders, defies orders in an attempt to thwart the conspiracy. Noon brings to this sequel the same imaginative flair and gift for wildly mixed imagery that enlivened Vurt. In the book's latter half, however, the narrative threads start slipping through his fingers, just as they did in that novel. The properties of the Vurt and the pollen become ever more vague, while the author's use of hackneyed SF devices and plot elements becomes ever more distracting. Ultimately, Noon's B-novel plotting ends up muffling his colorful, quirky voice; while this book confirms his talent, he has a way to go before he gets it fully under control.
Copyright 1995 Reed Business Information, Inc.
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