Rembrandt: The Painter at Work (Paperback)

by Ernst van de Wetering (Author)

Editorial Reviews

From Library Journal
Van de Wetering's approach to Rembrandt's painting eschews traditional stylistic analysis and iconographic explication in favor of examining the artist's materials and methods of painting. This technical approach is neatly conjoined with an appreciation of the artistic theory that affected the master's manner. The careful exfoliating of data derived from the laboratory about panels, canvases, underpainting, colors, binders, varnishes, and so forth, along with a subtle exploitation of documentary sources, suggests a useful and fresh approaches to Rembrandtian problems. While a radical new understanding of the master's art does not emerge from this study, the Rembrandt student will be disabused of conventional notions about his painting methods, pictorial construction, use of drawing, and likely original appearance. Advanced art history and museum libraries will need to acquire this important addition to the literature.?Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Review
"Art lovers from genuine aficionados to weekend museum-goers will find plenty to attract them in this updated reprint."--History Wire --This text refers to the Paperback edition.

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Product Details

• Paperback: 340 pages
• Publisher: University of California Press; 1 edition (September 1, 2000)
• Language: English
• ISBN-10: 0520226682
• ISBN-13: 978-0520226685
• Product Dimensions: 10.4 x 9.3 x 1 inches
• Shipping Weight: 3.8 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars See all reviews (15 customer reviews)
• Amazon.com Sales Rank: #236,571 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

39 of 41 people found the following review helpful:

5.0 out of 5 stars Clear, detailed look into the painting methods of Rembrandt, August 5, 1998

By A Customer

This review is from: Rembrandt: The Painter at Work (Hardcover)

Clear, open-minded, intelligent, detailed, and written with expert knowledge and love of the subject. Figures are high quality, very relevant, and informative.

Wetering writes as a scientist with an artist's eye.

Fascinating discussions of Rembrandt's use of underpainting and subsequent background to foreground painting method, the ingredients of his painting medium (no resin!), the effect of yellowing in the protective varnish layer, and other fundamental aspects of Rembrandt's art.

Read for the latest scientific insight's into Rembrandt's working methods and for greater appreciation of Rembrandt's abilities and works.

34 of 39 people found the following review helpful:

5.0 out of 5 stars The best monograph on Rembrandt ever printed, February 27, 2001

By	Dr. J. Adam Shaw (Glen Ellen, CA United States) - See all my reviews (REAL NAME)

This review is from: Rembrandt: The Painter at Work (Hardcover)

Rembrandt is perhaps the greatest painter in the history of the western cannon and this is the finest book on his work ever printed. The abundance of detailed enlargements -which really make an art book great and which are all too often lacking- are the next best thing to being in front of the paintings. They show Rembrandt for the enormous genius he was, both synthesizing the techniques that came before him as well as creating methods of application which to this day remain an enigma and elusive mystery. Rembrandt, a great draughtsman and technician, was also an outrageous innovator. The details in this book show sections of paintings that would make any abstracts expressionist's head spin. The scholarship of the text, clearly a lobour of love and lifetime devotion, are as worthy as scholarsip can be of art this magnificent.

13 of 13 people found the following review helpful:

5.0 out of 5 stars Excellent, November 19, 2006

By	Brian Asquith - See all my reviews (REAL NAME)

This book is probably the best study of an individual artist's techniques I've yet to come across. If you have any interest in Rembrandt, whether it be as a art historian, artist or fan of the artist, this book should be an essential component of your library. The book details the results of extensive studies by the author and colleagues on the various techniques adopted by Rembrandt. The opening paragraphs provide background on the life of Rembrandt, the materials available to him, and the state of the art environment in which he worked.
This is followed by extensive studies of the techniques he used. Analytical methods such as xray, paint & varnish composition, microscopy, review of the canvas and wood supports etc. help the author to determine "Is every "Rembrandt" a Rembrandt?". The techniques used by Rembrandt as he tries to create various effects within the limitations of the paints etc he used, forms the foundation of the book. For any artists wanting to paint in the style of Rembrandt I can't imagine any book providing the degree of detail that is provided here.
The quality of the images are first class, majority in colour. The paper quality is also first rate. My only complaint is that the images are not numbered individually. You have to read the accompanying text to determine which image is which and where they are located on the page. I assume this was the result of printing considerations.
A first class book. And essential for anyone interested in Rembrandt and/or Dutch painting in the 1600's. 100% Recommended.