Douglas Fairbanks (Hardcover)

~ (Author), Tony Maietta (Collaborator)

Editorial Reviews

Review

"One of Hollywood's earliest megastars gets lavish treatment in Jeffrey Vance's Douglas Fairbanks. . . . A real treat for cinephiles."--Toronto Globe & Mail

"Lavishly illustrated, Vance's painstakingly researched, comprehensive and thoughtful work is a book for buffs to treasure . . . a riveting read."--Charleston Post & Courier

"A beautiful book, extensively researched, a model of film scholarship, one of the best cinema studies of this or any year."--Nat'l Board of Review of Motion Pictures

"A gorgeously illustrated, solidly researched new biography."--David Bordwell

"The research is impeccable, the writing engaging and illuminating, and the deluxe illustrations exquisite."--Choice

Product Description

This deft amalgam of biography, film history, and analysis is a superb portrait of a true pioneer who was critically important to the creation of cinema as the defining art form of the twentieth century. Douglas Fairbanks (1883-1939) was one of the first film superstars, a screenwriter, a major independent producer during the early studio era, a cofounder of United Artists, a founder and the first president of the Academy of Motion Picture Arts and Sciences, and much more. The optimism, energy, and huge success during the 1920s of his best-remembered films The Mark of Zorro, Douglas Fairbanks in Robin Hood, The Thief of Bagdad, and The Black Pirate made Fairbanks a popular hero throughout the world and showcased his talents as a creative producer whose work set the standard for excellence.
Douglas Fairbanks takes the full measure of Fairbanks's remarkable life. Jeffrey Vance, who had complete access to the star's personal and professional papers and scrapbooks, also incorporates 237 photographs, some unseen for more than seventy-five years. Extensively researched, engagingly written, and sumptuously designed, the book goes behind Fairbanks's public persona to thoroughly explore his art and his far-reaching influence.
Copub: Academy of Motion Picture Arts and Sciences

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Product Details

• Hardcover: 376 pages
• Publisher: University of California Press; 1 edition (December 8, 2008)
• Language: English
• ISBN-10: 0520256670
• ISBN-13: 978-0520256675
• Product Dimensions: 10.1 x 7.4 x 1 inches
• Shipping Weight: 2.6 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #379,238 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars Holy Things Fade Like a Dream, November 15, 2008

By	Brad Baker (Atherton, Ca United States) - See all my reviews (REAL NAME)

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Jeffrey Vance's new completist biography of film pioneer Douglas Fairbanks is worth a look. A good long look. Well-written and concise, Vance details the amazing life, and all of the movies, of one of the 20th Century's most incredible icons; the first Motion Picture Superstar. Douglas Fairbanks was born in Denver in 1883. He was raised by his southern mother, who had separated from his father, an attorney, when he was only five. His father, an alcoholic, would desert the family. Fairbanks suffered from depression as a child. Insecurity haunted all three of his later marriages, and affected the up-bringing of his son, Douglas Jr.. But young Doug found peace, and surely promise, in the fantasy world of theater, and later...the movies...Douglas Fairbanks began amateur theater at age 12 in Colorado. He made his Broadway debut in 1902. The hit play, "The Lamb", led to a Hollywood contract. Success would follow. He appeared in "The Americano", for D.W. Griffith, in 1916. He was paid $10,000 a week to star in "Flirting With Fate(1916)". Fairbanks would marry an industrialist's daughter. With Marry Pickford, D.W. Griffith, and Charlie Chaplin, he helped form United Artists in 1919. During a Libert Bond tour he fell in love with Mary Pickford. Eventually married, Doug and Mary became the first residents of Beverly Hills, where they built the Pickfair Mansion. Pickfair was erected on top of Summit Drive in Benedict Canyon. It was torn down in 1979 by Pia Zadora. Using their combined assets, Fairbanks and Pickford bought the old Jesse Hampton studio on Formosa Ave. and Santa Monica Blvd. in West Hollywood in 1922. There they would produce some of their finest films. This studio today is called "The Lot". Here Fairbanks shot many silent epics, including "Robin Hood(1922)", and "The Thief of Bagdad(1924)". As producer and star, Fairbanks was intricately involved in all aspects of his movies. And Fairbanks did his own stunts. He did all his own, with one exception. In one early stunt, he broke his left hand, and twisted his back and wrists. In 1926, Fairbanks starred in the magical two-strip Technicolor "Black Pirate". For many years, this was a lost film. Fairbanks deposited the "Black Pirate" film elements at the Museum of Modern Art in 1938. But by 1959, the nitrate stock was deteriorating. In 1972, a restoration master negative was produced, yielding a remarkable new full-color version of the "Black Pirate". A beautiful time-capsule DVD, once mis-placed, is now available for all. Douglas Fairbanks and Marry Pickford divorced in 1936, but he never stopped calling her, or needing her love. He married an ex-chorus girl and retired from acting. A heavy smoker, Fairbanks died in 1939 at age 56. This book contains 237 pictures, many never seen before. The 1922 "Robin Hood" begins with an intertitle from Charles Kingsley's "Old and New", a poem close to Fairbank's heart since he was a boy: "So fleet the works of men, back to their earth again;/ Ancient and holy things fade like a dream".

6 of 6 people found the following review helpful:

5.0 out of 5 stars Well overdue but worth the wait!, November 8, 2008

By	Barbara Burkowsky (Manly, NSW Australia) - See all my reviews

Much has already been written about early motion picture pioneers like D.W. Griffith, Mary Pickford and Charlie Chaplin, but their invaluable partner, Douglas Fairbanks, Sr has been overlooked and neglected - until now. With this very attractive and professional book, author Jeffrey Vance has given due credit to one of early cinema's most brilliant stars and dynamic personalities who not only had true star power but was a driving force behind the scenes as well. Often remembered these days only for his successful 1920s costume adventure dramas such as "The Mark of Zorro", "Robin Hood" and "The Three Musketeers" to name a few, Douglas Fairbanks had a varied, interesting and successful career well before this period, and also contributed greatly to the development of Hollywood. He was one of the founders of United Artists, he and wife Mary Pickford were the first `golden couple' of Hollywood who established Beverley Hills as the suburb of movie stars; he wrote, directed and produced most of his films, was active in writing books and magazine articles, and his self-styled roles in films like Zorro established the action-adventure swashbuckler genre as well as even inspiring other action heroes like Batman. If you didn't know any of this, then you must get this book! And even for the well-versed Fairbanks fan, this book will be a treat with its thoroughly researched material, filmography and an overall style that befits a great personality of early cinema. There are excellent photos on almost every page, some rarely seen before, and Vance's style is professional, easy and enjoyable to read. Most of the book's chapters deal with definite periods in Fairbanks's life and career, with whole chapters devoted to the grand 1920s productions which deserve detailed coverage. The information covers mainly facts and explanations about the films, such as the making of them and all the people who were involved in the production, as well as interesting details to add spice but never stray too far from solid facts. This is a particularly appealing aspect because some biographies tend to speculate or stray too far from known facts, and unfortunately a more accurate or detailed biography after so many decades is no longer possible. Vance has done a superb job with the available information from a broad range of sources, writing a biography which reads with the same ease, enjoyment and thrill as watching one of Fairbanks's films. There is never a dull passage, and each page is full of information which indirectly paints a picture of early Hollywood and the developing film industry while commemorating one of its principle founders and contributors; Fairbanks himself. The first hundred pages or so cover his career before the landmark year of 1920 which has been unjustly neglected until now, and the release of this book coincides perfectly with the Flicker Alley 5-disc set "Douglas Fairbanks - A Modern Musketeer" featuring eleven of the most important films of this pre-1920 period. This book should be in any serious cinema aficionado's collection alongside those about Chaplin, Griffith and other pivotal personalities of the film industry, and it might be quite eye-opening and enlightening for those only familiar with a few Fairbanks swashbuckling films. Perhaps misjudged, under-estimated or misunderstood in past decades, this wonderful book puts Fairbanks in his proper place up among the great Hollywood luminaries.

5 of 5 people found the following review helpful:

5.0 out of 5 stars The Pioneering Action Hero, November 1, 2008

By	Scott Rivers (Los Angeles, CA USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Film historian Jeffrey Vance follows his excellent Keaton-Lloyd-Chaplin trilogy with this fascinating pictorial biography on the inimitable Douglas Fairbanks (1883-1939). Best known for his acrobatic exuberance in light comedies and swashbuckling adventures, the producer-writer-star was a groundbreaking artist who spared no expense in adapting his vivid imagination to the cinematic canvas. The author places Doug's filmmaking legacy in its proper perspective with a detailed analysis of his finest achievements: "The Thief of Bagdad" (1924), "The Black Pirate" (1926), "The Iron Mask" (1929) and the criminally underrated "The Gaucho" (1927). Separating art from world fame, Vance also examines the integral role Fairbanks played in the development of motion-picture technology, independent production and film appreciation. Augmented by insightful interviews and a wealth of rare photographs, "Douglas Fairbanks" is essential reading for anyone interested in the history of cinema.