Plato's Phaedrus (Paperback)

~ (Author), R. Hackforth (Editor) "Although it is impossible, and likely to remain impossible, to assign a precise date to the composition of the Phaedrus, or even to fix with..." (more)
Key Phrases: Attic Orators

Editorial Reviews

Product Description

The dialogue begins with a playful discussion of erotic passion, then extends the theme to consider the nature of inspiration, love and knowledge. The centerpiece is the myth of the charioteer - the famous and moving account of the vision, fall and incarnation of the soul. Professor Hackforth here translates the dialogue for the student and general reader. There is a running commentary on the course of the argument and the meaning of the key Greek terms, and a full intoduction to explain the philosophical background and the place of this work among Plato's writings.

Product Details

• Paperback: 184 pages
• Publisher: Cambridge University Press (May 31, 1972)
• Language: English
• ISBN-10: 0521097037
• ISBN-13: 978-0521097031
• Product Dimensions: 8.3 x 5.4 x 0.6 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #1,212,577 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

12 of 14 people found the following review helpful:

5.0 out of 5 stars Brilliant Scholarship, July 29, 2005

By	Julius O. Takacs (Chicago, IL. USA) - See all my reviews (REAL NAME)

This review is from: Plato : Phaedrus: A Translation With Notes, Glossary, Appendices, Interpretive Essay and Introduction (Focus Philosophical Library) (Paperback)

The central problem to any work of literature or philosophy is that of contextualization. Authors do not write in a cultural vacuum by rather in a complex socio-cultural milieu. The further we are removed in time from the author the more out of context the work appears. Plato wrote the Phaedrus for a fifth century BC audience but we as modern readers are no longer familiar with the culture, language, mores, religion, and values of that period.

Scully’s version of the Phaedrus is a masterpiece of modern scholarship. His lucid introduction sets the stage and background for the dialogue. He clearly articulates the practice of pederasty that would have been easily recognizable to Plato’s contemporaries but is completely foreign to us. His footnotes combined are probably longer than the text itself. They include clarification of cultural practices, ancient Greek technological innovations, religious practices, politics, historical figures, problems with translations, and much more.

Scully says, “the two main themes of the Phaedrus are rhetoric and love, and therein lies the difficulty.” He takes each major section of the dialogue and puts in back into context and in doing so he clearly demonstrates the relationship between the two thereby putting an end to the critics of the Phaedrus who claim that the dialogue is disjointed, or is “ruptured”. Scully’s brilliant scholarship puts Plato’s masterpiece into context so that as modern readers we can appreciate Plato’s brilliance.

5 of 6 people found the following review helpful:

5.0 out of 5 stars Without deepest contemplation of the Soul, all is in error., February 14, 2006

By	OAKSHAMAN "oakshaman" (Algoma, WI United States) - See all my reviews (TOP 100 REVIEWER)

_I have heard some call this work a confused jumble of unrelated concepts. These people just didn't get it. There is one unified theme to the Phaedrus: without a deep connection to the soul and to the higher Reality only accessible to the soul, then all human endeavors are in error.

_The first part of the dialogue deals with three speeches on the topic of love. This is used only as an example and is not the primary theme (though it is an extremely thorough and compelling examination of the subject.) The first speech (by Lysias) is clearly in error- it is badly composed, badly reasoned, and supports what is clearly the wrong conclusion. The second speech (by Socrates), while an impeccable model of correct rhetoric, and reaching the correct conclusion is also essentially flawed- for it makes no appeal to the deepest fundamental causes of things. Simply put, it lacks soul. The third argument (attributed to Stesichorus) however, delves deeply into the soul. In fact, the core of the argument is centered around the proof of the existence and nature of the soul. That is the consistency here- unless you are Philosopher enough to have looked deeply within your own soul, to have made contact (recollection) with ultimate Reality (Justice, Wisdom, Beauty, Temperance, etc.) then your arguments are just empty words- even if you are accidentally on the correct side.

_The second part of the dialogue concentrates on showing how true rhetoric is more than "empty rhetoric" (i.e. just clever arguments and tricks used to sway the masses.) True rhetoric is shown to literally be the art of influencing the soul through words. It also reads as the perfect description, and damnation, of modern politics and the legal system. No wonder Socrates was condemned to later take poison- he actually BELIEVED in Justice, Truth, and the Good. As a Philosopher he could not compromise on such things for he knew the profound damage and that it would do to his soul and to its "wings."