Most Helpful Customer Reviews
|
|
51 of 51 people found the following review helpful:
4.0 out of 5 stars
Etymology of 11 words/phrases, March 21, 1998
This book traces the changes to the meanings of eleven words over the centuries: nature, sense, sad, wit, free, simple, conscience and conscious, world, life, and 'I dare say'. This book may be a little too specialized for the general reader, but it is not so esoteric that it cannot be read with pleasure by anyone interested in word meanings. Even though I'm no student of English literature or etymology, I did enjoy reading this book.
|
|
|
35 of 36 people found the following review helpful:
5.0 out of 5 stars
The Wit and Wisdom of C. S. Lewis, May 16, 2001
Semantic change - etymology - philology - the history of words, or word-complexes, is often dealt with in a dictionary by an abbreviated form of 'it used to mean X, but now it means Y' explanation, and perhaps this is the most realistic way of handling the matter in a dictionary. Modern linguists have their own rigourous and abstract techniques. But in this intellectually demanding work C. S. Lewis, working at the height of his powers, takes the widest of perspectives, and retains depth of focus. He traces the changing meanings of several words, over the centuries and millennia, from their Greco-Roman and Anglo-Saxon roots to the modern day. The result is valuable exposition, with depth both in psychology and philosophy, and rich in literary source material. The words themselves are treated as living entities, evolving by expansion, contraction, and development of new forms. His chosen words are: 'nature', 'sad', 'wit', 'free', 'sense', 'simple', 'conscience and conscious', 'world', 'life', and 'I dare say'. As Lewis says, 'The point of view is merely lexical and historical', and 'not an essay in higher linguistics', but this belies the many adventitious benefits that stem from his handling of the resources at his command. His purpose is to give us 'an aid to more accurate reading' and to throw light 'on ideas and sentiments'. I find that in so doing he imparts as much practical technique, knowledge, and enthusiasm for words as a whole year's worth of undergraduate linguistics. For instance, the subtlety of usage of a phrase like 'I dare say' and the potential for even complete reversal in meaning is illustrated through centuries of use from Malory, Dickens, W. S. Gilbert, E. Nesbit, Dorothy L. Sayers, debate in the House of Lords, John Bunyan, and Jane Austen. The result is not a mere catalogue of shades of meaning, but an analysis and satisfying literary work in its own right - and that's just one chapter. The index alone references about two hundred authors from Aeschylus and Augustine to Xenophon and Yeats. The twenty-three page introduction and final chapter ('At the fringe of language') together form a valuable essay on the practical use of language, and I commend them to anyone interested in sharpening their use of the spoken or written word.
|
|
|
20 of 20 people found the following review helpful:
4.0 out of 5 stars
An intimidating and dazzling bit of scholarship, October 19, 2002
As in his other works on Medieval literature, Lewis here displays a breathtaking range of learning and scholarship. The endless hours which he must have spent hunched over his desk, his pipe in his mouth, poring over volumes of Latin and Anglo-Saxon poetry, are more clearly evident in a book like this than any biographer could make them. It's more than a little intimidating to realize just how much one hasn't read.The strongest impression that this book has left on me is of how carefully and thoughtfully Lewis must have approached his reading. I suspect I am myself one of those who imposes the "dangerous sense" (i.e., the modern sense) onto a word when I encounter it in earlier literature, without recognizing that the meaning the author intended would have been subtly different. And it is precisely those times when the difference is most subtle that the difference is the most dangerous. I found myself somewhat exhausted by the immense range of literature from which Lewis drew his examples. Finding examples of "life" in the works of George Bernard Shaw or G. K. Chesterton probably wasn't difficult; but he quotes just as freely from Rider Haggard, Coleridge, Chaucer, Spenser, Hobbes, Ovid, Lucretius, Seneca, Plato and Aristotle -- as well as writers and works I'd never heard of before. What's most depressing is that I couldn't have pulled these sorts of examples even out of the writers that I have read. Oh well. We can't all be geniuses. The book also challenged me to be more precise in my writing. Several times, as Lewis marched inexorably through the millennia, tracing a word from Homer to Chesterton, I was reminded of those occasions when Lewis describes "The Great Knock" (William Kirkpatrick), Lewis' early tutor, trapping a covey of female bridge players, "begging them to clarify their terms". Lewis' own writing was unusually strong and clear, even in passages markedly beref of stylistic adornments. I suspect that this was largely the result of his careful and precise use of words: never saying more or less than what he meant, never throwing in a word just for effect, and always clearly aware of the precise effect that his chosen words would have. As is often the case, I enjoyed the opening and concluding essays the most. The chapter on "Life" was probably the most polemic -- but even there, only subtly so -- and probably for that reason the most interesting. The other essays, on "wit", "free", "nature", "simple", "sense" and "world", for instance, were interesting and informative, but not helpful in the sense that I'll likely find a use for their content. Again, it makes all the difference whether you're a medieval scholar or just a Lewis fan.
|
|
|
Most Recent Customer Reviews
|
by C. S. Lewis
by C.S. Lewis
by C.S. Lewis
by C.S. Lewis
See all Editorial Reviews
