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American Experimental Music 1890-1940
 
 
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American Experimental Music 1890-1940 (Paperback)

by David Nicholls (Author) "Until the last decade of the nineteenth century, music written by American composers was almost invariably modelled on the theory and practice of European convention..." (more)
Key Phrases: harmonic theme, polymetric relationship, semiquaver unit, New York, Peters Edition Limited, Peer International Corporation (more...)
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Editorial Reviews
Review
"...musicians will enjoy seeing a British composer/scholar trace an American experimental movement with an objectivity that only a transatlantic outsider could muster." Kyle Gann, Voice

"...a coherent guide to the inner workings of compositions by Charles Ives, Charles Seeger, Carl Ruggles, Ruth Crawford, Henry Cowell and John Cage. Nicholls writes eminently readable prose- no small acheivement in an analytic text- and provides insightful findings. Notes

Product Description
From the end of the nineteenth century a national musical consciousness gradually emerged in the United States as composers began to turn away from the European conventions on which their music had been modeled. It was in this period of change that experimentalism was born and America subsequently became, as it still is, a major source of new musical ideas for European musicians. David Nicholls considers the most influential figures in the development of American experimentalism, including Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell and the young John Cage. He analyzes the music and ideas of this group, explaining the compositional techniques invented and employed by them and the historical and cultural context in which they emerged. The book is thus an important contribution toward our understanding of some of the most challenging music of the twentieth century.

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