Review
"...this collection can be seen to have something for everbody wishing to delve into the artistic world of the eighteenth century. If the title is slightly misleading, this is more than made up for by the breadth of the subject matter and the approach of the authors to an extremely complex period." The Opera Journal
"...because most of the material is so inherently interesting, readers are less likely to feel misled by the book's title than delightfully surprised by the rich variety of topics it encapsulates. Editors Thomas Bauman and Maria Petzoldt McClaymonds sustain a unified scholarly tone from cover to cover without stifling the individuality of style and subject matter found in fifteen contributions." E. Thomas Glasow, Opera Quarterly
"...because most of the material is so inherently interesting, readers are less likely to feel misled by the book's title than delightfully surprised by the rich variety of topics it encapsulates. Editors Thomas Bauman and Maria Petzoldt McClaymonds sustain a unified scholarly tone from cover to cover without stifling the individuality of style and subject matter found in fifteen contributions." E. Thomas Glasow, Opera Quarterly
Product Description
This is the first collection of essays to explore the wide dimensions and influence of eighteenth-century opera. In a series of fresh articles by leading scholars in the field, new perspectives are offered on the important figures of the day, including Handel, Vivaldi, Gluck, Rameau and Mozart, and on the fundamental problems of creation, revision, borrowing, influence and intertextuality. Allied arts, notably painting, the novel, ballet, and the spoken stage are also examined in their relationship to the development of opera. The book contains numerous rare illustrations, and will be of interest to scholars and students of opera and theater history.
