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Free Composition: Vol. 3 of New Musical Theories and Fantiasies, Music Edition by Heinrich Schenker  (4)
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Editorial Reviews
Review
"Because of its comprehensive nature and the quality of its articles, this second installment of Schenker Studies is perhaps the best book now available for surveying the most recent trends in Schenkerian analysis, and it can be used for that purpose either in a classroom setting or by individual readers." Notes
"As a whole, Schenker Studies 2 does a commendable job of interpreting certain difficult aspects of Schenker's theory that routinely draw sharp criticism." Journal of the Music Theory Society of New York State
Product Description
This is Cambridge University Press' second volume of studies based on the work of Heinrich Schenker (1868-1935), now recognized as this century's most influential figure in the areas of music theory and analysis. The book contains historical studies that derive from Schenker's unpublished papers, and analytical studies of music from the eighteenth to the twentieth centuries. It aims to apply and further develop Schenker's theories and ideas for the benefit of music scholars, performers, and students.
See all Editorial Reviews
"Because of its comprehensive nature and the quality of its articles, this second installment of Schenker Studies is perhaps the best book now available for surveying the most recent trends in Schenkerian analysis, and it can be used for that purpose either in a classroom setting or by individual readers." Notes
"As a whole, Schenker Studies 2 does a commendable job of interpreting certain difficult aspects of Schenker's theory that routinely draw sharp criticism." Journal of the Music Theory Society of New York State
Product Description
This is Cambridge University Press' second volume of studies based on the work of Heinrich Schenker (1868-1935), now recognized as this century's most influential figure in the areas of music theory and analysis. The book contains historical studies that derive from Schenker's unpublished papers, and analytical studies of music from the eighteenth to the twentieth centuries. It aims to apply and further develop Schenker's theories and ideas for the benefit of music scholars, performers, and students.
See all Editorial Reviews
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Inside This Book Citations: This book cites 54 books Explore: Citations | Books on Related Topics | Concordance | Text Stats Key Phrases - SIPs: humor equation, structural coda, grouping pace, tonal periodicity, basic pace (more) Key Phrases - CAPs: New York, Heinrich Schenker, Jeanette Schenker, Freier Satz, Felix Salzer (more) Browse Sample Pages: Front Cover | Copyright | Table of Contents | Excerpt | Index | Surprise Me! |
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Inside This Book
(learn more)
First Sentence:
One of the more unusual results of the first International Schenker Symposium, held at the Mannes College of Music in 1985, was the creation of a petition signed by over 300 people - attendees and their colleagues. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
humor equation, structural coda, grouping pace, tonal periodicity, basic pace, durational expansion, posttonal music, diachronic transformation, formal coda, rhythmic reduction, structural momentum, sequential expansion, middleground graph, durational reduction, transposed music, transferred resolution, tonic prolongation,
One of the more unusual results of the first International Schenker Symposium, held at the Mannes College of Music in 1985, was the creation of a petition signed by over 300 people - attendees and their colleagues. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
humor equation, structural coda, grouping pace, tonal periodicity, basic pace, durational expansion, posttonal music, diachronic transformation, formal coda, rhythmic reduction, structural momentum, sequential expansion, middleground graph, durational reduction, transposed music, transferred resolution, tonic prolongation,