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Editorial Reviews
Review
"Whether or not the reader agrees with all points, those with an interest in Wagner and with some of the broader implications of his work will come away with cogent ideas to ponder. Another strength of the book is the writing, which is highly literate and very fine throughout." German Studies Review Barry Salwen, University of North Carolina, Wilmington
Wagner and the Romantic Hero originated in talks that Williams gave at the Bayreuth Festival and elsewhere a few years ago. Now in the definitive printed version we also get a six-page bibliography as further evidence of a mastery over the applicable literature. All told, this book seems to be designed for a wide range of readers, Wagnerian initiates and tyros alike, who should learn much from its blend of knowledge and insight." - Christopher Hatch, Dorset, Vermont
"Well worth reading for its insight into the music and drama."
John Harrison, University of Northern Colorado, The Opera Journal
Product Description
Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. Simon Williams explores the reasons for this adulation and antipathy by analyzing heroism in Wagner's work. Beginning with a definition of the concept of the heroic, Williams then examines it as a function of Wagner's theater and music. He also analyzes all thirteen stage works by Wagner as well as his adaptation of the Romantic hero figure.
See all Editorial Reviews
"Whether or not the reader agrees with all points, those with an interest in Wagner and with some of the broader implications of his work will come away with cogent ideas to ponder. Another strength of the book is the writing, which is highly literate and very fine throughout." German Studies Review Barry Salwen, University of North Carolina, Wilmington
Wagner and the Romantic Hero originated in talks that Williams gave at the Bayreuth Festival and elsewhere a few years ago. Now in the definitive printed version we also get a six-page bibliography as further evidence of a mastery over the applicable literature. All told, this book seems to be designed for a wide range of readers, Wagnerian initiates and tyros alike, who should learn much from its blend of knowledge and insight." - Christopher Hatch, Dorset, Vermont
"Well worth reading for its insight into the music and drama."
John Harrison, University of Northern Colorado, The Opera Journal
Product Description
Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. Simon Williams explores the reasons for this adulation and antipathy by analyzing heroism in Wagner's work. Beginning with a definition of the concept of the heroic, Williams then examines it as a function of Wagner's theater and music. He also analyzes all thirteen stage works by Wagner as well as his adaptation of the Romantic hero figure.
See all Editorial Reviews
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Inside This Book Citations: This book cites 100 books | 1 book that cites this book Explore: Citations | Books on Related Topics | Concordance | Text Stats Key Phrases - CAPs: Die Meistersinger, Das Rheingold, Der Vampyr, Die Feen, King Henry (more) Browse Sample Pages: Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover | Surprise Me! |
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Inside This Book
(learn more)
First Sentence:
The age in which Richard Wagner grew up had little time for heroes. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Die Meistersinger, Das Rheingold, Der Vampyr, Die Feen, King Henry, Eine Mitteilung, Wieland Wagner, Bayreuth Festival, Flying Dutchman, Thomas Mann, Das Liebesverbot, Hans Heiling, Middle Ages, Festival of Dionysos, Festival of Dionysus, Forest Murmurs, Henry the Fowler, Midsummer's Eve, Richard Wagner, Samuel Beckett, Thomas Carlyle, World War New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover | Surprise Me!
The age in which Richard Wagner grew up had little time for heroes. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Die Meistersinger, Das Rheingold, Der Vampyr, Die Feen, King Henry, Eine Mitteilung, Wieland Wagner, Bayreuth Festival, Flying Dutchman, Thomas Mann, Das Liebesverbot, Hans Heiling, Middle Ages, Festival of Dionysos, Festival of Dionysus, Forest Murmurs, Henry the Fowler, Midsummer's Eve, Richard Wagner, Samuel Beckett, Thomas Carlyle, World War New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
See all 100 books this book cites
1
book
cites this book:
- Tristan and Isolde: English National Opera Guide 6 (English National Opera Guides) by Wagner on 14 pages
- Das Rheingold: Vocal Score by F Jameson on 11 pages
- The Flying Dutchman (The Black Dog Opera Library) by Richard Wagner on 6 pages
- Ring of the Nibelung by Richard Wagner on 5 pages
- The Ring of the Nibelung (Penguin Classics) by Trans. and Ed. John Deathridge Richard Wagner on 5 pages
See all 100 books this book cites
- Opera: The Basics by Denise Gallo in Back Matter
