Rumpelstiltskin (Hardcover)

~ (Adapter, Illustrator), Brothers Grimm (Author) "On his way to town one day, the miller encountered the king..." (more)
Key Phrases: straw into gold

Editorial Reviews

Amazon.com Review

Paul O. Zelinsky, 1998 Caldecott medalist for Rapunzel, also has three Caldecott Honor Books under his belt: Hansel and Gretel, Swamp Angel, and this fine edition of Rumpelstiltskin. Zelinsky's oil paintings are perfectly suited to the strange saga of the little man with the secret name who knows how to spin straw into gold. The golden light infusing the late medieval setting subtly reinforces the theme.

The visual characterization of Rumpelstiltskin is a triumph: an odd elfin man with bulbous eyes, a gigantic, flat black hat, impossibly skinny arms and legs, and long, pointed black shoes. This Rumpelstiltskin is not scary or horrid, but rather mischievous and weird. When the young queen finally guesses his name, and thus is able to keep her baby, he flies off on his huge cooking spoon (with a pout), true to the Grimms's 1819 version of the story. (Zelinsky provides notes on his text in the back of the book, indicating his careful research into various editions of the original Grimm tale.) Zelinsky's retelling is straightforward and smooth, with only a few lines of text on each page to complement the truly magnificent full-page illustrations. A delightful book worth its weight in gold! (Ages 3 to 7)

From Publishers Weekly

One of the most exquisite picture books of the season, Zelinsky's Rumplestiltskin will have strong appeal for children and for adult picture-book collectors alike. The artist has illustrated numerous award-winners, including Hansel and Gretel (a Caldecott Honor Book) and The Story of Mrs. Lovewright and Purrless Her Cat (a New York Times Best Illustrated Book of the Year). Here Zelinsky has retold the narrative himself; he has captured the magic and frightening wonder of the tale while incorporating elements from a number of 19th century Grimm versions. The spare story flows beautifully, and the illustrations are extraordinary. Incredibly detailed full-color paintings show the influence of careful study of styles and techniques of European portrait and landscape painters. In Hansel and Gretel, the tale's dark side was communicated principally through Zelinsky's depiction of a powerful and frightening background. But here the interior scenesheaps and heaps of straw, and baskets of empty spindles, with rooms suddenly full of golden threadcarry the story. The little man Rumplestiltskin is by turns mysterious, comforting, devious, furious and pathetic. And Zelinsky shows dramatically the love that the miller's daughter has for her child, and the terror she feels when she realizes she may have to give him up. Rumplestiltskin is a tour de force by an immensely talented artist. Zelinsky is that rare practitioner who can create sophisticated work that adults will marvel at, and that children will joyfully embrace.
Copyright 1986 Reed Business Information, Inc.

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Product Details

• Reading level: Ages 4-8
  
• Hardcover: 40 pages
• Publisher: Dutton Juvenile; 1st edition (October 16, 1986)
• Language: English
• ISBN-10: 0525442650
• ISBN-13: 978-0525442653
• Product Dimensions: 11.3 x 8.5 x 0.4 inches
• Shipping Weight: 14.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (26 customer reviews)
• Amazon.com Sales Rank: #38,103 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

5.0 out of 5 stars Beautiful, Complicated Tale with Magnificent Illustrations, August 7, 2003

By A Customer

As previous reviews have noted, the illustrations are exquisite and quite out of the ordinary; instantly captivating and magical at first glance. My daughter is 3 and 1/2 and is riveted by the book. I feel confused at how strongly some of the readers feel about the book's "message." Yes, many of the characters are "bad" and it is morally ambiguous, but the sheer flight of fancy and imagination captured by the tale has intrigued and fascinated readers and listeners since the early 1800's. It's like a child's version of a scary movie without the macabre details, and even though Rumpelstiltskin himself is ugly and frightening even though he is actually "saving" the queen, the book and story's power coem from the fact that he is such an unusual character; not whether he is good or bad. Furthermore, the additional magical ideas of straw into gold, being locked up in a castle, servants running off in the middle of the night, and a little elfen man riding around on a spoon are bizarre and fanciful and elements like these fill much of the fairy tale genre for centuries. I say, get over the p.c. messages and concetrate on the fantasy and magic of the story that is so compelling to readers, especially with Zelinsky's magnificent pictures. Life is complicated, and so is the story - it doesn't try to answer all the questions and make everybody good/bad/punished/redeemed. That is not the point of this particular story. If you only want a story with a moral, it's true that this is not the book for you. If creative ideas and concepts that you could never think of yourself are what your looking for in a book, then it is the book for you!

14 of 16 people found the following review helpful:

5.0 out of 5 stars Zelinsky brings depth and beauty to a frightening fairy tale, August 4, 2001

By	"bluemamma" (San Luis Obispo, CA USA) - See all my reviews

When I was a child I remember being frightened by the story of Rumpelstiltskin. A millers daughter is ordered to spin straw into gold or the king will have her executed. An odd little man appears and offers to help her in exchange for her first born child. Finally, she makes a deal: she will be able to keep her child if she can guess the little mans name. Through stealth, she does so, and the angry little man flies away on a cooking spoon. All fairy tales have an odd element to them, but this one was so bizarre it was scary. And every character in it is despicable, including the greedy king, who the millers daughter marries (was that supposed to be a happy ending?).

Paul Zelinsky hasnt altered a single detail of the odd story, but his illustrations, based on Italian Renaissance oil paintings, make the tale clearer and far less frightening. His control of gesture and facial expression is marvelous, and as you watch the millers daughters face change from innocence to wariness to fear for her child, to intelligent calculation, and finally to triumph, it is obvious that this is a story of a young woman making her way from complete innocence, where she is at the mercy of others, to an intelligent (if crafty) control of her own life. The best picture in the book is the final one: the millers daughter, now queen, looks down on her baby with love, while the greedy king stands looking on, a little dumbfounded, a little awed. There may be hope for this relationship after all.

This is a book my daughter asks me to read over and over, and Im more than happy to do so.

8 of 9 people found the following review helpful:

5.0 out of 5 stars The most technically correct spinning wheel in kiddie lit, December 4, 2003

By	E. R. Bird "Ramseelbird" (Manhattan, NY) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

A rare book. Zelinsky tells the story of "Rumpelstiltskin", evoking a story most American children will know. Especially impressive is his tiny details. A good example of this is his spinning wheel. Many illustrated Rumpelstiltskin stories show the spinning wheel as something that Rumpelstiltskin throws straw towards, causing golden coins appear. In this edition the spinning wheel is technically correct. The miller's daughter is given empty bobbins, onto which Rumpelstiltskin spins golden threads. Zelinsky's accomplished paintings show the golden bobbins gleaming, one on top of another. The portrayal of Rumpelstiltskin himself was described in one review I read as "Rackhamesque". I don't know if this was the illustrator's intent, but he certain does seem culled from a classic European fairy tale book from the early twentieth (or even nineteenth) century. The oil paintings look Southern European, and though a story with an odd moral (if you can outwit your opponent by cheating, you're in the clear) it is an excellent book for children. Like its companion book, "Rapunzel", this too would be a promising book for storytelling.