From School Library Journal
Grade 10 Up–Freda, 19, was held hostage ten years ago during a gunman's siege of a restaurant in this psychological novel by Ian Bone (Dutton, 2004). When Freda agrees to be interviewed about the incident, the reporter stirs up memories that she had long suppressed. The story is told in alternating sections and from different points of view: Freda today, Freda at the time of the siege, the gunman, and sections titled Napkin that were written by another hostage. The tangled plot and multiple viewpoints as well as the shift back and forth between first and third person make for a confusing, yet compelling listen. The story spirals more and more out of control during Freda's meeting with the reporter. Who is the reporter and how does he know so much about the incident? What is on the napkins? What exactly happened during the siege? Caroline Lee reads with pitch perfect emotion as she captures the young Freda's precarious situation and feelings, as well as the teen's apathy that slowly turns to growing rage. Lee's rendition of gunman John Wayne O'Grady's increasingly unstable behavior is also spot on. Teens who like slowly paced, complicated, involved plots will probably enjoy this novel.–
Charli Osborne, Oxford Public Library, MI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
Gr. 10-12. Australian writer Bone's murky novel about the ramifications of a hostage crisis on one of its survivors isn't easy to follow, but its unsettling depiction of a child's growing dependency on the madman who held her hostage is hard to forget. The novel opens 10 years after 9-year-old Freda became a media sensation when she was carried from the restaurant where she (and others) had been held captive. Now, as Freda prepares to face life without the protection of her mother, a strange young man appears. He knows intimate details of what occurred those years ago, including some things Freda has never revealed and tried to forget. The convoluted story unfolds gradually--through angst-ridden Freda herself, third-person sections devoted to troubled gunman John Wayne O'Grady, and, appearing midway through the story, notes on napkins written by the restaurant's manager. Motivations and plot manipulations won't bear close scrutiny (Freda's carving a wooden revolver--what's all that about?), but her struggle to separate from her mother and handle the burdensome guilt she has carried for a decade is compelling enough to keep readers involved.
Stephanie ZvirinCopyright © American Library Association. All rights reserved
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