Harry Potter and the Deathly Hallows (Book 7) (Hardcover)

by J. K. Rowling (Author), Mary GrandPré (Illustrator)

Editorial Reviews

Amazon.com Review
Readers beware. The brilliant, breathtaking conclusion to J.K. Rowling's spellbinding series is not for the faint of heart--such revelations, battles, and betrayals await in Harry Potter and the Deathly Hallows that no fan will make it to the end unscathed. Luckily, Rowling has prepped loyal readers for the end of her series by doling out increasingly dark and dangerous tales of magic and mystery, shot through with lessons about honor and contempt, love and loss, and right and wrong. Fear not, you will find no spoilers in our review--to tell the plot would ruin the journey, and Harry Potter and the Deathly Hallows is an odyssey the likes of which Rowling's fans have not yet seen, and are not likely to forget. But we would be remiss if we did not offer one small suggestion before you embark on your final adventure with Harry--bring plenty of tissues.

The heart of Book 7 is a hero's mission--not just in Harry's quest for the Horcruxes, but in his journey from boy to man--and Harry faces more danger than that found in all six books combined, from the direct threat of the Death Eaters and you-know-who, to the subtle perils of losing faith in himself. Attentive readers would do well to remember Dumbledore's warning about making the choice between "what is right and what is easy," and know that Rowling applies the same difficult principle to the conclusion of her series. While fans will find the answers to hotly speculated questions about Dumbledore, Snape, and you-know-who, it is a testament to Rowling's skill as a storyteller that even the most astute and careful reader will be taken by surprise.

A spectacular finish to a phenomenal series, Harry Potter and the Deathly Hallows is a bittersweet read for fans. The journey is hard, filled with events both tragic and triumphant, the battlefield littered with the bodies of the dearest and despised, but the final chapter is as brilliant and blinding as a phoenix's flame, and fans and skeptics alike will emerge from the confines of the story with full but heavy hearts, giddy and grateful for the experience. --Daphne Durham

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Begin at the Beginning

Harry Potter and the Sorcerer's Stone Hardcover Paperback

Harry Potter and the Chamber of Secrets Hardcover Paperback

Harry Potter and the Prisoner of Azkaban Hardcover Paperback

Harry Potter and the Goblet of Fire Hardcover Paperback

Harry Potter and the Order of the Phoenix Hardcover Paperback

Harry Potter and the Half-Blood Prince Hardcover Paperback

Why We Love Harry
Favorite Moments from the Series
There are plenty of reasons to love Rowling's wildly popular series--no doubt you have several dozen of your own. Our list features favorite moments, characters, and artifacts from the first five books. Keep in mind that this list is by no means exhaustive (what we love about Harry could fill ten books!) and does not include any of the spectacular revelatory moments that would spoil the books for those (few) who have not read them. Enjoy.

Harry Potter and the Sorcerer's Stone

* Harry's first trip to the zoo with the Dursleys, when a boa constrictor winks at him. * When the Dursleys' house is suddenly besieged by letters for Harry from Hogwarts. Readers learn how much the Dursleys have been keeping from Harry. Rowling does a wonderful job in displaying the lengths to which Uncle Vernon will go to deny that magic exists. * Harry's first visit to Diagon Alley with Hagrid. Full of curiosities and rich with magic and marvel, Harry's first trip includes a trip to Gringotts and Ollivanders, where Harry gets his wand (holly and phoenix feather) and discovers yet another connection to He-Who-Must-No-Be-Named. This moment is the reader's first full introduction to Rowling's world of witchcraft and wizards. * Harry's experience with the Sorting Hat.

Harry Potter and the Chamber of Secrets

* The de-gnoming of the Weasleys' garden. Harry discovers that even wizards have chores--gnomes must be grabbed (ignoring angry protests "Gerroff me! Gerroff me!"), swung about (to make them too dizzy to come back), and tossed out of the garden--this delightful scene highlights Rowling's clever and witty genius. * Harry's first experience with a Howler, sent to Ron by his mother. * The Dueling Club battle between Harry and Malfoy. Gilderoy Lockhart starts the Dueling Club to help students practice spells on each other, but he is not prepared for the intensity of the animosity between Harry and Draco. Since they are still young, their minibattle is innocent enough, including tickling and dancing charms.

Harry Potter and the Prisoner of Azkaban

* Ron's attempt to use a telephone to call Harry at the Dursleys'. * Harry's first encounter with a Dementor on the train (and just about any other encounter with Dementors). Harry's brush with the Dementors is terrifying and prepares Potter fans for a darker, scarier book. * Harry, Ron, and Hermione's behavior in Professor Trelawney's Divination class. Some of the best moments in Rowling's books occur when she reminds us that the wizards-in-training at Hogwarts are, after all, just children. Clearly, even at a school of witchcraft and wizardry, classes can be boring and seem pointless to children. * The Boggart lesson in Professor Lupin's classroom. * Harry, Ron, and Hermione's knock-down confrontation with Snape.

Harry Potter and the Goblet of Fire

* Hermione's disgust at the reception for the veela (Bulgarian National Team Mascots) at the Quidditch World Cup. Rowling's fourth book addresses issues about growing up--the dynamic between the boys and girls at Hogwarts starts to change. Nowhere is this more plain than the hilarious scene in which magical cheerleaders nearly convince Harry and Ron to jump from the stands to impress them. * Viktor Krum's crush on Hermione--and Ron's objection to it. * Malfoy's "Potter Stinks" badge. * Hermione's creation of S.P.E.W., the intolerant bigotry of the Death Eaters, and the danger of the Triwizard Tournament. Add in the changing dynamics between girls and boys at Hogwarts, and suddenly Rowling's fourth book has a weight and seriousness not as present in early books in the series. Candy and tickle spells are left behind as the students tackle darker, more serious issues and take on larger responsibilities, including the knowledge of illegal curses.

Harry Potter and the Order of the Phoenix

* Harry's outburst to his friends at No. 12 Grimmauld Place. A combination of frustration over being kept in the dark and fear that he will be expelled fuels much of Harry's anger, and it all comes out at once, directly aimed at Ron and Hermione. Rowling perfectly portrays Harry's frustration at being too old to shirk responsibility, but too young to be accepted as part of the fight that he knows is coming. * Harry's detention with Professor Umbridge. Rowling shows her darker side, leading readers to believe that Hogwarts is no longer a safe haven for young wizards. Dolores represents a bureaucratic tyrant capable of real evil, and Harry is forced to endure their private battle of wills alone. * Harry and Cho's painfully awkward interactions. Rowling clearly remembers what it was like to be a teenager. * Harry's Occlumency lessons with Snape. * Dumbledore's confession to Harry.

Harry Potter and the Half-Blood Prince

* The introduction of the Horcrux. * Molly Weasley asking Arthur Weasley about his "dearest ambition." Rowling has always been great at revealing little intriguing bits about her characters at a time, and Arthur’s answer "to find out how airplanes stay up" reminds us about his obsession with Muggles. * Harry's private lessons with Dumbledore, and more time spent with the fascinating and dangerous pensieve, arguably one of Rowling’s most ingenious inventions. * Fred and George Weasley’s Joke Shop, and the slogan: "Why Are You Worrying About You-Know-Who? You Should Be Worrying About U-NO-POO--the Constipation Sensation That's Gripping the Nation!" * Luna's Quidditch commentary. Rowling created scores of Luna Lovegood fans with hilarious and bizarre commentary from the most unlikely Quidditch commentator. * The effects of Felix Felicis.

Magic, Mystery, and Mayhem: A Conversation with J.K. Rowling

"I am an extraordinarily lucky person, doing what I love best in the world. I’m sure that I will always be a writer. It was wonderful enough just to be published. The greatest reward is the enthusiasm of the readers." --J.K. Rowling

Find out more about Harry's creator in our exclusive interview with J.K. Rowling.

Did You Know?

The Little White Horse was J.K. Rowling's favorite book as a child.

Jane Austen is Rowling's favorite author.

Roddy Doyle is Rowling's favorite living writer.

A Few Words from Mary GrandPré

"When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing--she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision." Check out more Harry Potter art from illustrator Mary GrandPré.



From Publishers Weekly
Starred Review. Potter fans, relax—this review packs no spoilers. Instead, we're taking advantage of our public platform to praise Rowling for the excellence of her plotting. We can't think of anyone else who has sustained such an intricate, endlessly inventive plot over seven thick volumes and so constantly surprised us with twists, well-laid traps and Purloined Letter-style tricks. Hallows continues the tradition, both with sly feats of legerdemain and with several altogether new, unexpected elements. Perhaps some of the surprises in Hallows don't have quite the punch as those of earlier books, but that may be because of the thoroughness and consistency with which Rowling has created her magical universe, and because we've so raptly absorbed its rules.

We're also seizing the occasion to wish out loud that her editors had done their jobs more actively. It's hard to escape the notion that the first three volumes were more carefully edited than the last four. Hallows doesn't contain the extraneous scenes found in, say, Goblet of Fire, but the momentum is uneven. Rowling is much better at comedy than at fight scenes, and no reader of the sixth book will be startled to hear that Hallows has little humor or that its characters engage in more than a few fights. Surely her editors could have helped her find other methods of building suspense besides the use of ellipses and dashes? And craft fight dialogue that sounds a bit less like it belongs in a comic book? Okay, we're quibbling. We know these minor nuisances won't dent readers' enjoyment, at least not this generation of readers; we couldn't put Hallows down ourselves. But we believe Rowling, and future readers, deserved even better. Ages 9-12. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

See all Editorial Reviews

Product Details

• Reading level: Ages 9-12
  
• Hardcover: 784 pages
• Publisher: Arthur A. Levine Books; First American Edition edition (July 21, 2007)
• Language: English
• ISBN-10: 0545010225
• ISBN-13: 978-0545010221
• Product Dimensions: 9.1 x 5.9 x 2.2 inches
• Shipping Weight: 2.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars See all reviews (3,331 customer reviews)
• Amazon.com Sales Rank: #68 in Books (See Bestsellers in Books)

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• This is item 7 in The Harry Potter (English) Series.

Customer Reviews

Most Helpful Customer Reviews

535 of 604 people found the following review helpful:

5.0 out of 5 stars A stunning and thoroughly satisfying conclusion, July 21, 2007

By	T. Burger (Chicago) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

This is arguably the most "hyped" book in history, and if J.K. Rowling had to sneak down to the kitchen for a glass of red wine to calm her nerves while writing The Goblet of Fire (as she said she did), one wonders what assuaged her while writing Harry Potter and the Deathly Hallows. The collective breath of tens of millions of readers has been held for two years...and now...was it worth the wait? Did Ms. Rowling live up to the hype? (For that, amongst hundreds of questions, is really the only question that matters.)

The answer, most assuredly, is YES.

Harry Potter and the Deathly Hallows is told in a strikingly different style than the previous six books - even different from The Half Blood Prince, and, I daresay, it's a better written, better edited, tighter narrative. And while the action is lively and well paced throughout, Rowling found a way to answer most of our questions while introducing new and complex ideas. What fascinated me was this: Some people were right, with regard to who is good, who is bad, who will live, who will die - but almost nobody got the "why" part correct. I truthfully expected an exciting but rather predictable ending, but instead was thrown for a loop. We've known that Rowling is fiendishly clever for years - but I didn't think she was *this* clever.

Not since turning the final page of The Return of the King twenty-eight years ago have I felt such a keen sense of loss. My love affair (indeed, everyone's love affair, I imagine) with all things Harry began somewhere in the first three chapters of The Sorcerer's Stone, and has lasted, on this side of the Atlantic, three months shy of nine years. For all that time we have waited and wondered - was Dumbledore right to trust Snape? Will Ron and Hermione get together? What's to become of Ginny and Harry? What really happened on that tower, when Dumbledore was blasted backwards, that "blast" atypical of the Avada Kedavra curse as we've seen it when used throughout the series. So many more questions than those listed here, and so many devilishly well-hidden hints. The answers, as I hinted above, will shock and awe you.

When first we met Harry Potter, he was "The Boy Who Lived", with an address of "The Cupboard Under the Stairs". Who could help but bleed sympathy for Harry, treated abysmally - abused, really - by the only blood relatives he had, and forced to live under said stairs by those awful Muggles, the Dursleys? It was a sensationally brilliant introduction, one that ensured that our heartstrings would be plucked and enchanted to sing. He was The Boy Who Lived.

Since reading that first book, we have enjoyed Rowling's spry sense of humor - portraits that spoke, stairways that moved at any given moment, Hagrid jinxing Dudley so that a pigs tail grew from his behind, Fred and George's fantastic creations, etc, etc., etc., and more etc's. There was a sense of wonder and magic in Rowling's writing, so thoroughly captivating that the recommended age group of 9-12 in no way resembled the book's actual audience. It was common to see adults walking about with hardcover copies of the latest book, sans dust jacket (to hide the fact that they were reading a "kids" book, I suppose). It was also common to hear of eight year olds sitting down with a seven-hundred-plus page book! By themselves! If I hadn't seen it with my own eyes, I wouldn't have believed it.

As for Harry, we admired him. He wasn't afraid to stand up for what he felt was right, even if he found himself in detention for it. He was brutally honest, and immensely courageous and loyal. Harry came to embody, at times, who we would like to be. He wasn't perfect, of course. He suspected Snape of being the one who was after the Sorcerer's Stone, and in The Chamber of Secrets, he thought that Malfoy was the heir of Slytherin. This didn't diminish Harry in our eyes - it made him more human, more real, and even, perhaps, more enviable.

Endless fan sites have been erected. For an adult to go to any of them, and find that thirteen year olds are having an easier time parsing out the books plots, subplots, and mysteries, was (for me at least) humbling, but yet also a testament to Rowling herself, and her remarkable creation. She encouraged an entire generation of young readers to read and to think for themselves.

But the time has come to say good-bye, for this is truly the end.

So good-bye, Harry. Good-bye Hermione, Ron, Professor Dumbledore, *Professor* Snape, Professor McGonagall, Professor Hagrid, Ginny, Fred, George, Neville, Dobby (and all the house elves), even Lord Voldemort and his Death Eaters. We will miss all of you, every character we encountered, from Muggle to Mudblood to hippogriff and owl, and everything about the world you all so vibrantly inhabit. And to Ms. Rowling: know that you have brought immeasurable joy to millions and millions of Muggles worldwide, and know that we cannot possibly thank you enough. What a tremendous gift you were given. Thank you for sharing it with us.

290 of 337 people found the following review helpful:

3.0 out of 5 stars Harry Potter and the Deus ex Machina, July 21, 2007

By	kaduzy (Ithaca, NY) - See all my reviews

I know many people won't like this review, so I prepare myself at the outset for a barrage of unhelpful votes. I am not planning any major spoilers, but be warned: this review is mainly meant for the consumption of people who've read the book. After all, how many people out there are really planning to base their decision to read this on the opinion of a few internet reviewers?

This book provides pretty much everything we've been promised from the outset: an ending, and a satisfying one at that -- but not without its price. Many die, not just the two Rowling mentioned in so many interviews. Many beloved characters die, and some of them die "off screen" as it were, so that we as readers aren't even privy to the details of their deaths, or their final moments of life. Some of these deaths will bring tears to the eyes of any loyal Potter devotee, I've no doubt of that. But as for the main death, the one so many have wondered over? Well, that's where Rowling falls back on a few too-worn literary devices, and where she loses one of her stars.

I found this book to be far too full of easy short cuts and simplistic cliches to give it five stars. Far too many times, Harry and his friends were "mysteriously" saved at the last minute. And the real answers to these so-called mysteries will fall much more easily into the hands of die-hard Potter fanatics who've spent hours studying the books and pouring over the fan sites than they ever do into the hands of the characters themselves. This is too often frustrating. Perhaps it's unfair to criticize or punish Rowling for the perseverance and intelligence of her fans, but the fact is that many of her secrets have been guessed. In fact, the few that haven't seem only to surprise because Rowling conveniently has them pop up for the first time in this book. Magical objects we've seen many times before suddenly have new and useful -- and VERY convenient -- magical properties. People we've only heard of have convenient new information and relevance to the plot.

She lost the other star because of omissions. Unexplained (and again, very convenient) plot twists, otherwise known as plot holes, are all over the book. A book this long that purports to be the end of an epic series should not have this many plot holes and inexplicable events. (None of which I can go into detail about without giving up major spoilers -- sorry.) And most damning of all, when some of the plot holes are explained, it's done in a manner resembling what the brilliant movie "The Incredibles" referred to as "monologuing" -- when one character (usually the bad guy) sits around explaining the whole plot and nothing bad happens to the good guys while all these lose ends are conveniently tied up. For some reason, the villain, no matter how vicious he has been throughout the story, always conveniently waits to attack until the hero's had plenty of time to get all the answers he needs to defeat the bad guy. The only change Rowling makes to this shopworn device is that she does it via magical means. (Though in her case, the magical mean in question is the Pensieve -- something shopworn in and of itself, considering the number of times it's now been used in this series to convey crucial information.) I was also sorely disappointed to realize that she left out a number of things she practically promised fans would be included in this book. For instance, many fans have asked her what Harry's parents did for a living. She always said she couldn't tell us because it would be too big a plot spoiler for the upcoming novels. Well, now the novels are all finished and we still don't know. Why didn't she include that in this final book, if it really was supposed to matter so much? And why did she leave so much crucial information out of her far too short epilogue?

There is no doubt that in Harry Potter Rowling has created a brave and endurable hero, one who will linger in the hearts and minds of readers for generations to come. But in this humble reader's opinion, she has also created one for whom the struggle ended a bit too quickly and easily, of whom too many things are left unknown, and for whom answers and help came too readily and too conveniently in the end.

Then again . . . maybe I just wanted it to last a little longer. Because it's over now, and nothing like Harry Potter is ever happening to this humble reader again.

80 of 95 people found the following review helpful:

5.0 out of 5 stars Nice CD set!, July 20, 2007

By	Julie Neal "The Complete Walt Disney World" (Sanibel Island, Fla.) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: Harry Potter and the Deathly Hallows (Audio CD)

This 17-disc audio version of the final Harry Potter book is a worthy way to experience the story without reading it. It features the rich baritone of narrator Jim Dale, who tells the tale with just the right understated touch, supplying all of the characters' voices.

As for Dale's accent, it's appropriately British but not at all too thick. Each word is clear and easy to understand. If you've bought any of the earlier Potter audio CDs you know what to expect: Dale narrated all of those, too.

By the way, note that this is an UNABRIDGED audio book. Listening to it all takes 21 hours!

The story is dark, and too violent for younger kids, but overall one of the best in the Harry Potter series. Nothing seems forced or thrown together. Author J.K. Rowling wraps up her many plot points and reveals the fates of her characters in ways that almost always surprise you, but afterward seem inevitable.

And how she does it is so inventive! Many throwaway moments and whispered remarks from earlier books foreshadow what happens here, and devices that had little importance before, such as Sirius's flying motorcycle, now play key roles. While creating yet another gripping tale, the author also ties her entire epic together with the skill of a true literary master. As a writer myself, I really admire her skill. (Last time I checked, Rowling was outselling me by about, oh, a billion to one.)

In addition, the book treats its title character with the complexity he deserves. It portrays the (now) young man as disillusioned, full of doubt, overwhelmed -- a tortured soul who, though a responsible leader in an all-out war, often seems to yearn to do nothing more than sweet-talk Ginny Weasley.

Parents should know, however, that this one is a real creepfest, with the most explicitly violent scenes of any book in the series. It's way too brutal for grade schoolers. Also, unlike the earlier Potter tales, the far-reaching vocabulary requires about a 6th-grade education.