A Storm of Swords (A Song of Ice and Fire, Book 3) (Hardcover)

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Editorial Reviews

Amazon.com Review

Is George R.R. Martin for real? Can a fantasy epic actually get better with each new installment? Fans of the genre have glumly come to expect go-nowhere sequels from other authors, so we're entitled to pinch ourselves over Martin's tightly crafted Song of Ice and Fire series. The reports are all true: this series is the real deal, and Martin deserves his crown as the rightful king of the epic. A Game of Thrones got things off to a rock-solid start, A Clash of Kings only exceeded expectations, but it's the Storm of Swords hat trick that cements Martin's rep as the most praiseworthy fantasy author to come along since that other R.R.

Like the first two books, A Storm of Swords could coast on the fundamentals: deftly detailed characters, convincing voices and dialogue, a robust back-story, and a satisfyingly unpredictable plot. But it's Martin's consistently bold choices that set the series apart. Every character is fair game for the headman's axe (sometimes literally), and not only do the good guys regularly lose out to the bad guys, you're never exactly sure who you should be cheering for in the first place.

Storm is full of admirable intricacies. Events that you thought Martin was setting up solidly for the first two books are exposed as complex feints; the field quickly narrows after the Battle of the Blackwater and once again, anything goes. Robb tries desperately to hold the North together, Jon returns from the wildling lands with a torn heart, Bran continues his quest for the three-eyed crow beyond the Wall, Catelyn struggles to save her fragile family, Arya becomes ever more wolflike in her wanderings, Daenerys comes into her own, and Joffrey's cruel rule from King's Landing continues, making even his fellow Lannisters uneasy. Martin tests all the major characters in A Storm of Swords: some fail the trial, while others--like Martin himself--seem to only get stronger. --Paul Hughes

From Publishers Weekly

The third volume of the high fantasy saga that began with A Game of Thrones and continued in A Clash of Kings is one of the more rewarding examples of gigantism in contemporary fantasy. As Martin's richly imagined world slides closer to its 10-year winter, both the weather and the warfare worsen. In the north, King Joffrey of House Lannister sits uneasily on the Iron Throne. With the aid of a peasant wench, Jaime Lannister, the Kingslayer, escapes from jail in Riverrun. Jaime goes to the other youthful ruler, Robb Stark, to secure the release of Joffrey's prisoners, Robb's sisters Arya and Sansa Stark. Meanwhile, in the south, Queen Daenarys tries to assert her claim to the various thrones with an army of eunuchs, but discovers that she must choose between conquering more and ruling well what she has already taken. The complexity of characters such as Daenarys, Arya and the Kingslayer will keep readers turning even the vast number of pages contained in this volume, for the author, like Tolkien or Jordan, makes us care about their fates. Those two fantasy greats are also evoked by Martin's ability to convey such sensual experiences as the heat of wildfire, the chill of ice, the smell of the sea and the sheer gargantuan indigestibility of the medieval banquet at its most excessive. Perhaps this saga doesn't go as far beyond the previous bounds of high fantasy as some claim, but for most readers it certainly goes far enough to command their attention. (Nov.)
Copyright 2000 Reed Business Information, Inc.

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Product Details

• Hardcover: 992 pages
• Publisher: Bantam; First Edition ~1st Printing edition (October 31, 2000)
• Language: English
• ISBN-10: 0553106635
• ISBN-13: 978-0553106633
• Product Dimensions: 9.4 x 6.3 x 2.5 inches
• Shipping Weight: 3 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (769 customer reviews)
• Amazon.com Sales Rank: #108,472 in Books (See Bestsellers in Books)

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• This is item 3 in The Song of Ice and Fire Series.

Customer Reviews

Most Helpful Customer Reviews

443 of 478 people found the following review helpful:

5.0 out of 5 stars An emotional roller coaster ride: bliss, surprise and sorrow, April 17, 2001

By	MISTER SJEM "sonofhotpie" (CALIF BAY AREA United States) - See all my reviews

First off, I'm a heavy duty fan of GRRM. I've read over a 100 different fantasy authors in my time (started at 12; I'm now 32). Took about 5 years off from the genre b/c I felt it was all getting too formulaic and cliched. Typical archetype character who turns out to be the missing heir or boy wonder who saves the world against the Dark Lord.

So, when I came back to fantasy at the end of 1999, I read the usual: Goodkind, Jordan, etc. and then someone told me about GRRM and man, that was the kicker!

Here are the reasons to choose GRRM. I've also listed the reasons not to choose him to make it fair b/c I know their are certain personalities who won't like this series:

WHY TO READ GRRM

(1) YOU ARE TIRED OF FORMULAIC FANTASY: good lad beats the dark lord against impossible odds; boy is the epitome of good; he and all his friends never die even though they go through great dangers . . . the good and noble king; the beautiful princess who falls in love with the commoner boy even though their stations are drastically different . . . the dark lord is very evil and almost one sided at times . . . you get the idea. After reading this over and over, it gets old.

(2) YOU ARE TIRED OF ALL THE HEROES STAYING ALIVE EVEN THOUGH THEY ARE UNDER CONSTANT DANGER: this gets even worse where the author kills a main hero off but that person comes back later in the story. Or, a hero does die but magic brings him back.

This sometimes carries to minor characters where even they may not die, but most fantasy authors like to kill them off to show that some risked the adventure and perished.

(3) YOU ARE A MEDIEVAL HISTORY BUFF: this story was influenced by the WARS OF THE ROSES and THE HUNDRED YEARS WAR.

(4) YOU LOVE SERIOUS INTRIGUE WITHOUT STUPID OPPONENTS: lots of layering; lots of intrigue; lots of clever players in the game of thrones. Unlike other fantasy novels, one side, usually the villain, is stupid or not too bright.

(5) YOU ARE INTERESTED IN BIASED OPINIONS AND DIFFERENT TRUTHS: GRRM has set this up where each chapter has the title of one character and the whole chapter is through their viewpoint. Interesting tidbit is that you get their perception of events or truths. But, if you pay attention, someone else will mention a different angle of truth in the story that we rarely see in other novels. Lastly and most importantly, GRRM doesn't try to tell us which person is right in their perception. He purposelly leaves it vague so that we are kept guessing.

(6) LEGENDS: some of the most interesting characters are those who are long gone or dead. We never get the entire story but only bits and pieces; something that other fantasy authors could learn from to heighten suspense. Additionally, b/c the points of views are not congruent, we sometimes get different opinions.

(7) WORDPLAY: if you're big on metaphors and description, GRRM is your guy. Almost flawless flow.

(8) LOTS OF CONFLICT: all types, too; not just fighting but between characters through threats and intrigue.

(9) MULTILAYERED PLOTTING; SUB PLOTS GALORE: each character has their own separate storyline; especially as the story continues and everyone gets scattered. This is one of the reasons why each novel is between 700-900 pages.

(10) SUPERLATIVE VARIED CHARACTERS: not the typical archetypes that we are used to in most fantasy; some are gritty; few are totally evil or good; GRRM does a great job of changing our opinions of characters as the series progress. This is especially true of Jaime in book three.

(11) REALISTIC MEDIEVAL DIALOGUE: not to the point that we can't understand it but well done.

(12) HEAPS OF SYMOBLISM AND PROPHECY: if you're big on that.

(13) EXCELLENT MYSTERIES: very hard to figure out the culprits; GRRM must have read a lot of mystery novels.

(14) RICHLY TEXTURED FEMALE CHARACTERS: best male author on female characters I have read; realistic on how women think, too.

(15) LOW MAGIC WORLD: magic is low key; not over the top so heroes can't get out of jams with it.

REASON TO NOT READ GRRM

(1) YOU LIKE YOUR MAIN CHARACTERS: GRRM does a good job of creating more likeable characters after a few die. But, if that isn't your style, you shouldn't be reading it. He kills off several, not just one, so be warned.

(2) DO NOT CARE FOR GRITTY GRAY CHARACTERS: if you like more white and gray characters, this may unsettle you. I suggest Feist or Goodkind or Dragonlance if you want a more straight forward story with strong archetypes.

(3) MULTIPLE POINTS OF VIEWS TURN YOU OFF: if you prefer that the POVS only go to a few characters, this might be confusing for you.

(4) SWEARING, SEX: there's a lot of it in this book just as there is in real life. If you have delicate ears, this book may upset you.

(5) YOU DEMAND CLOSURE AT THE END OF EVERY BOOK: this isn't the case for all stories in the series. Some are still going on; some have been resolved; others have been created and are moving on.

(6) IF YOU WANT A TARGET OR SOMEONE TO BLAME: this can be done to some extent but not as much. This is b/c he doesn't try to make anyone necessarily good or evil.

(7) ARCHETYPES: some readers like archetypal characters because it's comfortable; we like the good young hero (sort of like Pug in Feist's THE RIFTWAR SAGA); it's familiar and we sometimes like to pretend we're this upcoming, great hero. You wont' get much of this in GRRM with the exception of one or two characters. There really aren't any super heroes compared to all the other characters as it's more grittier and no one is shooting fireballs every milisecond or carrying around some super powerful sword.

(8) LENGTH: you don't want to get into a long fantasy epic series. In that case, look for shorters works as this is biiig.

(9) PATRIARCHY: men are most of the main characters with lots of power (one female exception). While this is realistic of the medieval era, some readers may not prefer this if they want more girl power, so to speak.

By the way, if you don't want to commit to a big book until you know the author better, check out his short story, THE HEDGE KNIGHT, in LEGENDS.

58 of 59 people found the following review helpful:

5.0 out of 5 stars Jaw-dropping, October 2, 2000

By	Jeffrey J. Weber (North Olmsted, Ohio USA) - See all my reviews

Wow, does Martin play for keeps! By the third book in a six book series, you would think that you had the basic plotlines of the story mapped out, and that you could predict most of the major events. Not with A Storm of Swords. Amazing plot twists, fantastic character development, superb dialogue, and a story that moves. This is no unending saga where the story barely progresses from volume to volume. Major characters die, and others act in ways that are completely unexpected but always make sense. So much action is crammed into 900+ pages that I was emotionally drained upon finally finishing -- and reaching the shattering epilogue.

This series is not for the feint of heart. The good guys don't always win, and the bad guys don't always lose. One particular scene involves a series of horrific murders that are so well-written that the action seems to move in slow motion. I had to put down the book for a few minutes just to absorb what I had just read, and I know that I am not the only one to have had that reaction. Those are the moments you hope for when reading -- when the story grabs hold and sucks you in. Fortunately, its not all grim. Seeds of hope and hints of better things to come are there, and there are rousing moments when I couldn't stop the smile from spreading over my face. I've been reading fantasy for 22 years and this is unsurpassed. Get it, read it.

56 of 58 people found the following review helpful:

5.0 out of 5 stars Martin Owns The Throne, May 4, 2002

By	Michael Snyder - See all my reviews (REAL NAME)

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1) This is, BY FAR, the best fantasy I have ever read. Ever. Better than Donaldson, Jordan, Goodkind, Brooks, better than everyone.

2)This is, BY FAR, the best characterization I've ever come across in the fantasy genre. Never in my life have I at so many different times over the course of the three books written been so amazed (Daenerys from the fire, obtaining the Unsullied, choosing between the {better?} of two betrayels) stunned (Catelyn, Ser Barristan Selmy) grief-stricken (from deaths of beloved characters, of course only to realize by the end of the next chapter there are so many fantastic characters left). And of course these are just a few examples, there are so many more but don't want to mention at the risk of spoiling new readers.

Yes -- amazed, stunned, saddened. I spontaneously and literally yelled, gasped, cried, and cheered while reading these books. Never have I been so emotionally invested in such a large cast of characters. Memories of these books bring forth emotion in me even now, a month after I read this, his latest book.

3)Fabulously intricate plotting. I find it interesting that a common thread in the slightly more negative reviews of this book find Martin a bit ponderous -- that there's so much writing with not alot of action. This couldn't be further from the truth!

Yes, this is high, epic, cruel fantasy of the tallest order. Yes, this is a tall read for younger readers, or those weaned on Jordan, Goodkind, Brooks, etc. But there literally isn't a SINGLE CHAPTER in any of his books where some part of the plot isn't advanced in some way -- spanning over 2000 pages of hardcover text. That's how good the writing is.

4)Deftly understated magic. I remember reading the first book thinking to myself, 'where's the magic? isn't this supposed to be fantasy?' And I kept reading, still finding almost no magic. The only real magic from the first book I can remember bookends the first book. I will never forget the birth of the Unburnt at the very end of the first novel. I'm gasping right now as I recall it. Such a POWERFUL moment. And there was some magic there. And the fact that my senses hadn't been already been dulled by the overdone, contrived use of magic found in so many other fantasy novels allowed me to feel the real impact of what Dany accomplished at the end of that first novel. Magic means so much more in these novels because at least over these the first three books, there is so little to be found.

5)Spectacular dialogue. This is the best dialogue I've ever read. Razorsharp wit, acid tongues, stoic nobility, prideful revenge, hungry vengeance, soul-baring sadness, and so many other wonderful emotions conveyed by superior dialogue. If this review weren't so long, I'd quote a few passages. I just remember reading some of those Lannister exchanges saying to myself 'you go! oh yeah! perfect!" I remember laughing out loud at some of the things said, not so much because they were humorous (although some of them were) but because so often the pointed words exchanged felt more like the point of a rapier twisting through the ribcage into the recipient's heart. It's just that good. So consistently good.

6)Anyone remember Thomas Covenant? One of the great anti-heroes in fantasy. You rooted for him and hated him. You knew he was the good guy, but you were never quite comfortable enough with who he was to cheer him on without reservation.

Well, many characters like him, not just one, populate Martin's books. As soon as you think you've found the bad guy, you begin to root for him as well. And you wonder, as you go from chapter to chapter, how you can find yourself rooting for almost every character in the book? Well, that's just one of the many great things about Martin's books. Practically every character is an anti-heroe and how a book can be so riveting with (at this point) no clear villain is a testimonial for the great characterization in these books.

People, I'm not kidding. This is the best out there. If Martin pulls off this series it will far and away be the best epic fantasy ever written. It already is, I'm just praying it's sustained. Yes, it's better than Tolkien, but only in the way that The Godfather was better than the old great silent pictures of the early 20th century. I regard Tolkien's work with great reverance, and it's wonderful to see the foundations of the fantasy genre brought to the big screen, but Martin is taking the genre to new heights. He truly is.

For me, I knew at least the first book was special early on. If you can... sense something... if yours eyes open just a bit, if your curiosity is peaked... if you're thinking 'hmmm'.... as the first chapter closes with the discovery of the Direwolves, then you'll be tasting just a hint of the wonderment Martin's books can give you.

Just try not to be too sad when you've finished and realize there may not be anything this good for a long, long time to come.