Most Helpful Customer Reviews
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
An unknown gem among Shakespeare's histories, September 26, 1997
By A Customer
The thing with Shakespeare histories is that almost no one reads them, as opposed to his tragedies and comedies. I don't know why that is. The histories that are read are either Henry V (largely due to Branagh's movie), Richard III (because the hunchback king is so over-the-top evil), or the gargantuan trilogy of Henry VI, with the nearly saintly king (at least by Part III) who much prefers contemplating religion and ethics to ruling and dealing with the cabals among his nobles. So why read a relatively obscure history about a relatively obscure king? Aside from the obvious (it's Shakespeare, stupid), it is a wonderful piece of writing - intense, lyrical, and subtle. Richard II is morally ambiguous, initially an arrogant, callous figure who heeds no warnings against his behavior. Of course, his behavior, which includes seizing the property of nobles without regard for their heirs, leads to his downfall. Nothing in his character or behavior inspires his subjects so he has no passionate defenders when one of the wronged heirs leads a rebellion to depose Richard II. But Richard now becomes a much more sympathetic figure -especially in the scene where he confronts the usurper, Richard acknowledges his mistakes, but eloquently wonders what happens when the wronged subjects can depose the leader when they are wronged. What then of the monarchy, what then of England? On top of the profound political musings, you get some extraordinarily lyrical Shakespeare (and that is truly extraordinary). Most well known may be the description of England that was used in the airline commercial a few years back... "This royal throne of kings, this sceptred isle, ..." If you like Shakespeare and haven't read this play, you've missed a gem.
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9 of 12 people found the following review helpful:
5.0 out of 5 stars
Richard II, November 4, 2000
Richard II was incompetent, wastefully extravagant, overtaxed his nobles and peasants, ignored his senior advisors, and lavished dukedoms on his favorites. His rival, Henry of Bolingbroke (later Henry IV), was popular with the common man and undeservingly suffered banishment and loss of all his property. And yet two centuries later Elizabethans viewed the overthrow of Richard II as fundamentally wrong and ultimately responsible for 100 years of crisis and civil war. Queen Elizabeth's government even censored Shakespeare's play. Shakespeare masterfully manipulates our feelings and attitude toward Richard II and Bolingbroke. We initially watch Richard II try to reconcile differences between two apparently loyal subjects each challenging the other's loyalty to the king. He seemingly reluctantly approves a trial by combat. But a month later, only minutes before combat begins, he banishes both form England. We begin to question Richard's motivation. Richard's subsequent behavior, especially his illegal seizure of Bolingbroke's land and title, persuades us that his overthrow is justified. But as King Richard's position declines, a more kingly, more contemplative ruler emerges. He faces overthrow and eventual death with dignity and courage. Meanwhile we see Bolingbroke, now Henry IV, beset with unease, uncertainty, and eventually guilt for his action. Shakespeare also leaves us in in a state of uncertainty. What is the role of a subject? What are the limits of passive obedience? How do we reconcile the overthrow of an incompetent ruler with the divine right of kings? Will Henry IV, his children, or England itself suffer retribution? Richard II has elements of a tragedy, but is fundamentally a historical play. I was late coming to Shakespeare's English histories and despite my familiarity with many of his works I found myself somewhat disoriented. I did not appreciate the complex relationships between the aristocratic families, nor what had happened before. Fortunately I was rescued by Peter Saccio, the author of "Shakespeare's English Kings". Saccio's delightful book explores how Shakespeare's imagination and actual history are intertwined. I hope you enjoy Richard II as much as I have. It is the gateway to Henry IV (Parts 1 and 2) and Henry V, all exceptional plays.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
Playing with Power, February 7, 2007
The first of the bard's great Henry tetrology does not have the power or greatness of the its titular character to the extent that the latter plays have, but it still contains some of Shakespeare's greatest soliloquies. Richard II orates famously:
Of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper, and with rainy eyes
Write sorrow on the bosom of the earth;
Let's choose executors and talk of wills:
And yet not so -- for what can we bequeath
Save our deposed bodies to the ground?
Our lands, our lives, and all are Bolingbroke's,
And nothing can we call our own but death,
And that small model of the barren earth
Which serves as paste and cover to our bones.
Richard the II is a tragedy about folly, about the farce of monarchical politics. It is clearly ahead of its time, though it falls short of the philosophical depth that Shakespeare would reach in such masterpieces as Hamlet and Macbeth. An indispensable part of the canon all the same.
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