The Last of the Mohicans (Bantam Classics) (Mass Market Paperback)

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Key Phrases: longue carabine, cerf agile, glancing his eyes, Major Heyward, William Henry, Great Spirit (more...)

Editorial Reviews

Review

"[Cooper's] sympathy is large, and his humor is as genuine -- and as perfectly unaffected -- as his art."
- Joseph Conrad


From the Trade Paperback edition. -- Review

Review

"[Cooper's] sympathy is large, and his humor is as genuine—and as perfectly unaffected—as his art."— Joseph Conrad

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Product Details

• Mass Market Paperback: 432 pages
• Publisher: Bantam Classics (June 1, 1982)
• Language: English
• ISBN-10: 0553213296
• ISBN-13: 978-0553213294
• Product Dimensions: 6.8 x 4.1 x 1.1 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 3.7 out of 5 stars  See all reviews (105 customer reviews)
• Amazon.com Sales Rank: #521,582 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

28 of 29 people found the following review helpful:

5.0 out of 5 stars An essential early American novel, October 5, 2001

By	Michael J. Mazza (Pittsburgh, PA USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)    (COMMUNITY FORUM 04)

This review is from: The Last of the Mohicans (Signet Classics) (Paperback)

James Fenimore Cooper's novel "The Last of the Mohicans" (subtitled "A Narrative of 1757"), is a remarkable book for many reasons. First published in 1826, the book represents an early attempt to create substantial literary art from the material of North American history and geography. Although the book has its flaws, it is for the most part a success.

In the novel, the white woodsman Hawk-eye and his Mohican Indian comrade Chingachgook join forces to help the daughters of a white military officer through hostile territory. The story takes place in a colonial American setting marked by conflict between French and English forces -- a conflict that also involves various Indian nations.

There are a number of exciting (and often graphically violent) scenes of battle and chase. Hawk-eye, a white man who, to a large degree, rejects European-American values, is a fascinating figure -- indeed, he is one of the most enduring fictional creations in all of United States literature. Through the mouths of Hawk-eye and the various Indian characters, Cooper offers some intriguing criticisms of white culture.

As I said, the book is not without flaws. The momentum of the book lags for a brief stretch, and some of Cooper's characters (in particular, his women) at times sound a bit stereotypical. But the overall power and intelligence of Cooper's work is undeniable. Particularly impressive is his re-creation of a multilingual world of complex cultural and personal conflict. Also noteworthy is his evocation of the American landscape. A tale of death and survival, of betrayal and loyalty, and, above all, of the extraordinary bond between a white man and an Indian, "The Last of the Mohicans" is one classic that deserves to be read and reevaluated by each generation.

30 of 32 people found the following review helpful:

3.0 out of 5 stars Voice of the Wilderness, March 11, 2005

By	Peter Reeve (Thousand Oaks, CA USA) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Like the Star Wars movies, Cooper's Leatherstocking Tales were written out of sequence. In their chronological order, with their order of publication in parentheses, they are: The Deerslayer (5), The Last of the Mohicans (2), The Pathfinder (4), The Pioneers (1) and The Prairie (3). So if you want to read them in either chronological or published order, you should read Mohicans second. But each novel is self-contained, so if you want to try just one, to decide if the rest are worth reading, then Mohicans is the one to start with, as it is his most famous work and generally acknowledged to be his best.

The hero of these tales, the improbably named Nathaniel Bumppo (or Natty, or Deerslayer, or Hawkeye, or The Long Rifle, or...etc, etc) was the first, and remains the quintessential, all-American fictional hero; brave, noble, honest and more at home in the wilderness than the town. He is not however, the strong, silent type. He has a habit of launching into long, rambling streams of homespun philosophy at the drop of a coonskin cap. Never mind that lead shot is flying thick and fast around his ears, he will lean on his rifle and expound on the different natures of Indians and whites, or the evils of literacy.

The plot of Mohicans is action-packed, but is linear - no surprise twists, and no sub-plots - and contains some highly improbable elements. Well, would you be fooled by an enemy disguised as a beaver? Michael Mann's excellent 1992 screen version reworked the plot extensively, to its advantage.

Cooper was America's first novelist, inspired by Walter Scott, the inventor of the historical novel. He was consciously attempting to emulate Scott but, although he writes quite well, he lacks Scott's lyricism. And his characters, specially the women, are resiliently two-dimensional. But he did capture the spirit of the frontier, the pride and pain of a new and growing country, and in doing so created myths out of America's past that have survived, evolved, and have sustained the nation, ever since.

41 of 47 people found the following review helpful:

4.0 out of 5 stars Flawed But Still a Classic, December 10, 1999

By A Customer

Set in upstate New York in colonial times, Cooper here tells the story of the stolid colonial scout Hawkeye, nee Natty Bumppo (don't ask), who, with his two Indian companions Chingachgook (the Big Snake) and his son Uncas (apparently newly come to manhood), stumble on a party of British soldiers conducting two fair maidens to their father, the commander of British Fort William Henry during the French and Indian War. Under the watchful eyes of the young British officer who has the girls in his charge and led by a Huron scout, Magua, the party appears, to the indomitable Hawkeye, to be at greater risk than they realize as they trek through the wilderness toward the safety of the girls' father's garrison. And, indeed, Hawkeye's judgement is soon proved right as the scout Magua treacherously betrays the hapless girls in repayment, it seems, for a stint of corporal punishment inflicted on him previously by their absent parent. Since the Hurons, Magua's native tribe, are culturally akin to the Iroquois who are the herditary enemies of the Algonquin Delawares, from whom Chingachgook and his son hail and among whom Hawkeye has made his home and friendships, a natural antagonism has arisen almost at once between Hawkeye's party and the Huron and this proves salutary, when danger finally strikes. The tale quickly becomes a matter of flight and pursuit through thickly overgrown primeval forests, over rough mountains and across broad open lakes as the beleagured travelers first elude and then flee the dreaded Iroquois (allies of the French) who have joined the renegade Huron in an effort to seize the two girls. After a brief respite within the safety of William Henry however, the tables are once again turned as Magua's perfidy puts the girls once more at risk. And now the story shifts to a manic pursuit of the fleeing Magua who means to carry off his human prey in order to finally have his revenge on the girls' father, on the British and on the Europeans, generally, whose presence in his native country he blames (not altogether unjustifiably) for his myriad travails. Written in the fine tradition of the 19th century romance (which, of course, is what this book is), Cooper picked up where Sir Walter Scott (the venerable founder of this particular novelistic tradition) left off, creating a rich historical tale of adventure, nobility and marvelously sketched characters set against a brilliantly detailed natural landscape. If his characters are less keenly drawn than Scott's they are no less memorable for, in the quiet nobility of the scout Hawkeye lies the strong, silent hero of the wilderness which was to become the archetypical protagonist of the American western. And the Indians, Chingachgook and Uncas, are the very prototypes of the noble savage, so much used and over-used today. This is a tale of action first and foremost without much plot but so well told that you barely notice, as our heroes flee and pursue their enemies in turn until the very quickness of the prose seems to mirror and embody the speed of the action. Nor is this book only to be read for its rapid-fire rendition of flight and pursuit, for it touches the reader on another level as well, as the bold young Uncas moves out ahead of his comrades to place himself at risk for the others and the woman he loves. Although we never see Uncas at anything but a distance and never get to know the man he is supposed to be, he is yet a symbol of that people of whom he is the last chiefly descendant, the Delaware Mohicans. Nobly born into the finest of Mohican bloodlines, Uncas faces his final trial with heroic energy and resolve in order to defeat the nefarious and twisted Magua. Yet this struggle is also the final footnote in the story of a people, marking the closing chapter for all those Indians who, with the Mohicans, have seen, in Cooper's words, the morning of their nation and the inevitable nightfall which must follow. The book is a bit short on characterization and plotting and the prose is heavy for modern tastes, but the action is richly visualized in the flow of the narrative and the images are compelling. In the end, despite its flaws, this book of Cooper's is, in fact, the classic we have been told it is. -- S. W. Mirsky