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Editorial Reviews
From Publishers Weekly
The latest from the talented Tepper ( The Gate to Women's Country ) is many things: a fantasy of manners, a dystopian science fiction tale, a time-travel story and an eco-morality play. Still more impressive is the evolution of the narrator and title character, whom we follow for a century of life (ages 16 to 116) as she matures gradually and subtly from a pouty, slightly spoiled daughter of a duke to a wise old woman. Retelling various fairy tales, Tepper strips away each story's gloss. Sleeping Beauty's sleep continues endlessly, prince notwithstanding; Cinderella is as heartless and nasty to her ugly stepsisters as they are to her; and Snow White is a blond bimbo, while the dwarfs are a querulous collection of Basque brothers. Tepper manages to maintain interest, style and theme throughout these disparate elements, and she consistently sniffs out the ugly (e.g., the storybook land of Chinanga, which has all the facets of a fairyland but is an extremely boring place to live). Despite an often depressing worldview, this is a beautiful book from one of the genre's best writers.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA-- Many a reader has had the sometimes sobering, sometimes epiphanic experience of rereading a favorite from her youth only to discover that its remembered charms only scratched the surface of its treasures. Beauty is such a book. It takes the form of a diary, written by a 15-year-old girl of noble birth, begun in 1347 as the unsuspecting heroine is about to embark upon a harrowing journey through time and space. It is not long before readers recognize the writer as a familiar character, ``Sleeping Beauty.'' Tepper's triumph in this novel is in turning Beauty simultaneously into a distinctive human character and a glowing symbol of humanity's hope. Her victory over the fantastic circumstances of her life (and do not make the mistake of assuming that familiarity with the fairy tale is familiarity with the plot) will be shared by readers. Language, story, and setting combine to enliven the character and amplify the theme. The fairy-tale allusions might provide an excellent English-class exercise, while the ethical systems presented should make for lively debate. And when today's young readers return to Beauty at age 40, they won't be disappointed. --Cathy Chauvette, Fairfax County Pub . Lib . , VA
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
The latest from the talented Tepper ( The Gate to Women's Country ) is many things: a fantasy of manners, a dystopian science fiction tale, a time-travel story and an eco-morality play. Still more impressive is the evolution of the narrator and title character, whom we follow for a century of life (ages 16 to 116) as she matures gradually and subtly from a pouty, slightly spoiled daughter of a duke to a wise old woman. Retelling various fairy tales, Tepper strips away each story's gloss. Sleeping Beauty's sleep continues endlessly, prince notwithstanding; Cinderella is as heartless and nasty to her ugly stepsisters as they are to her; and Snow White is a blond bimbo, while the dwarfs are a querulous collection of Basque brothers. Tepper manages to maintain interest, style and theme throughout these disparate elements, and she consistently sniffs out the ugly (e.g., the storybook land of Chinanga, which has all the facets of a fairyland but is an extremely boring place to live). Despite an often depressing worldview, this is a beautiful book from one of the genre's best writers.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA-- Many a reader has had the sometimes sobering, sometimes epiphanic experience of rereading a favorite from her youth only to discover that its remembered charms only scratched the surface of its treasures. Beauty is such a book. It takes the form of a diary, written by a 15-year-old girl of noble birth, begun in 1347 as the unsuspecting heroine is about to embark upon a harrowing journey through time and space. It is not long before readers recognize the writer as a familiar character, ``Sleeping Beauty.'' Tepper's triumph in this novel is in turning Beauty simultaneously into a distinctive human character and a glowing symbol of humanity's hope. Her victory over the fantastic circumstances of her life (and do not make the mistake of assuming that familiarity with the fairy tale is familiarity with the plot) will be shared by readers. Language, story, and setting combine to enliven the character and amplify the theme. The fairy-tale allusions might provide an excellent English-class exercise, while the ethical systems presented should make for lively debate. And when today's young readers return to Beauty at age 40, they won't be disappointed. --Cathy Chauvette, Fairfax County Pub . Lib . , VA
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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