|
|
14 of 15 people found the following review helpful:
4.0 out of 5 stars
Excellent read: not quite Eco, but that's not a bad thing., July 26, 2000
I've read most of Perez-Reverte's texts, and "The Flanders Panel" -- his debut -- is vintage material. Often compared to the work of Italian intellectualist-author Umberto Eco, Perez-Reverte engages new themes and topics in each work, delving into them with a passion and interest that I can't help but find impressive -- in each case, the details are sufficient to let the characters pass for experts, but not overwhelming or boring. In TFP, the topics du jour are art restoration, historical intrigues, and chess, and the three blend together to create a sinister and satisfying thriller -- I took this one down in about four hours, while on vacation at the beach, and was hooked as soon as the real action started. (Give it about 20-25 pages before you put it down the first time.) Using the process of a chess game to drive the action of the book, Perez-Reverte manages to make an often-dull game vibrant, exciting, and threatening. I'm a chess fan, myself, but you don't have to be to get into, wrapped up in, or to the end of this book. Diagrams are included to show each move in the "game" that unfolds, and the action on the board is mirrored in real life -- a sinister murder for each piece captured on the table. The characters are believable and well-written, and P-R's prose, as usual, flows well and feels good going down. If anything disappoints, it might be the ending. Like "The Club Dumas", another fantastic intelli-thriller, the ending feels a bit rushed, and less complete than you're led to expect... it IS plausible, and it ISN'T obvious, and that's enough to make it passable. A rushed ending, however, does not kill a good read, and that, in the end, is what TFP is: a nice, quick, engaging and intellectual thriller, and a nice debut for a promising author. If the comparisons to Eco are inaccurate, it is because Eco tends to give excessive thought and explanation to each theme in his novels, while Perez gives you just enough background info to get you excited, and then runs with it. BOTTOM LINE: A good strong intellectual thriller for those who find Mary Higgins Clark and her kind just a bit too formulaic. Perez-Reverte scores.
|