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Oprah Book Club® Selection, May 1997: Maya Angelou has had more lives than the proverbial cat, and in The Heart of a Woman she continues the account of her remarkable life begun in I Know Why the Caged Bird Sings. In the first book of her bestselling autobiographical series, she describes her traumatic childhood in the small, segregated town of Stamps, Arkansas, during the 1930s. Gather Together in My Name picks up the story in the postwar years, when Maya, a single teenager with an infant son becomes, in short order, a cook, a madam, a dancer, and a prostitute. Next comes Singin' and Swingin' and Gettin' Merry Like Christmas, an account of her twenties and her unsuccessful first marriage to a white man. The Heart of a Woman, the fourth in the series, takes us through one of the most exciting and formative periods of Angelou's amazing life: her beginnings as a writer and an activist in New York.
Angelou has a happy knack of attracting the best and the brightest into her orbit, and The Heart of a Woman offers a veritable cornucopia of black luminaries in its pages. Singer Billie Holiday, writers John Ellins and Paule Marshall, jazz musicians Max Roach and Abbey Lincoln, and actors Godfrey Cambridge and James Earl Jones--Maya meets and learns from them all. Political activism soon follows as Ms. Angelou first organizes a theatrical benefit for the Reverend Martin Luther King and then becomes the director of the New York Southern Christian Leadership Conference office. Her involvement in the civil rights movement eventually brings her into contact with African freedom fighters Oliver Tambo and the charming Vusumzi Make, whom she marries and follows to Africa.
The Heart of a Woman is as honest, painful, funny, outraged, and outrageous as Angelou herself. From her debut at the Apollo Theatre to her meeting with Malcolm X, Maya Angelou gives us something to cheer about and plenty to ponder as well.
From AudioFile
What a woman! What a heart! African-American poet/activist Maya Angelou continues to lead a significant, eventful life -- some early episodes of which she reveals in this fascinating memoir. It focuses on her relationships with men, especially with her fatherless son, during the tumultuous '60's. Writing with a lyric simplicity, she's often frank, but rarely candid. As performer, she narrates with the same distinctive, measured dignity that has become familiar from her many televised poetry readings. The abridgment is a bit too brief for those wanting to hear more about Godfrey Cambridge, James Baldwin and her other pals. But it does serve to highlight, namely the development of her touching relationship with her son as he entered manhood and independence. Y.R. (c)AudioFile, Portland, Maine
--This text refers to the
Audio Cassette
edition.
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